What Does a Dance Filmmaker See?

2021 ◽  
pp. 167-175
Author(s):  
Adam Roberts

In this chapter, filmmaker Adam Roberts discusses three of his films, Hands (1995), blue yellow (1995) and Pieces of the Quiet Dance (2006). Meditating on the intimate relationship between the filmmaker and dancers in movement, he touches upon recurrent influences or concerns in his work, including carved funerary objects (‘stelae’), still life versus portraiture, and the forest glade as a cleared space (a space made and filled with light). In his films, he explains, the body of the filmed dancer is apprehended as a storehouse of infinite potential, a gesture into the past and the future. To film the human figure, he asserts, is to unveil a body in all its virtuality, in a celebration of the moment of discovery.

Chelovek RU ◽  
2020 ◽  
pp. 18-53
Author(s):  
Sergei Avanesov ◽  

Abstract. The article analyzes the autobiography of the famous Russian philosopher, theologian and scientist Pavel Florensky, as well as those of his texts that retain traces of memories. According to Florensky, the personal biography is based on family history and continues in children. He addresses his own biography to his children. Memories based on diary entries are designed as a memory diary, that is, as material for future memories. The past becomes actual in autobiography, turns into a kind of present. The past, from the point of view of its realization in the present, gains meaning and significance. The au-thor is active in relation to his own past, transforming it from a collection of disparate facts into a se-quence of events. A person can only see the true meaning of such events from a great distance. Therefore, the philosopher remembers not so much the circumstances of his life as the inner impressions of the en-counter with reality. The most powerful personality-forming experiences are associated with childhood. Even the moment of birth can decisively affect the character of a person and the range of his interests. The foundations of a person's worldview are laid precisely in childhood. Florensky not only writes mem-oirs about himself, but also tries to analyze the problems of time and memory. A person is immersed in time, but he is able to move into the past through memory and into the future through faith. An autobi-ography can never be written to the end because its author lives on. However, reaching the depths of life, he is able to build his path in such a way that at the end of this path he will unite with the fullness of time, with eternity.


2016 ◽  
Vol 22 (1) ◽  
Author(s):  
Stella North

This article undertakes a philosophical exploration of the act we know, or think we know, as ‘dressing’. Inhabiting, in thought, the moment in which we dress, I examine some of its constituent mechanisms, attending to the impulses by which dressing is generated out of subjective experience.  When those impulses are temporally marked, as they are in the case of retro dress, this generation is a two-pronged process, in which the holding of the body in time, and the holding of time in the body, recalibrate one another. The process of ‘dressing,’ in this understanding, has a reflexivity which is double; it entails the turning of the body, with dress as medium, towards itself, and the turning of present experience towards some felt notion of the past. Reflexively dressing, we are always becoming ourselves, and becoming other than ourselves, at once; a movement of circuitous internalisation and externalisation by which the ambiguation inherent in material experience is realised.  


2012 ◽  
Vol 44 (2) ◽  
pp. 321-323 ◽  
Author(s):  
Sondra Hale

How can scholars of Sudan now write about the landmass still called “Sudan”? What do we mean when we use the word? How can the name, which denotes a whole, encompass the fragments that make up its official boundaries? For the last several years, events in Sudan have been changing more rapidly than we Sudanists can analyze them or than Sudanese themselves can process them. Now, in its truncated form, delineating national identity—always problematic in the past—becomes far more complex. Considering extant cultural flows of art, language, customs, and religion, the dividing lines are, at best, dubious. A number of events are transpiring at the moment of writing this brief essay that have changed and will continue to change the future of not just one country but now two. For example, nothing is resolved in Darfur (in western Sudan), with peace talks stalled, more violence being perpetrated by the northern central government and its proxies, guerilla groups proliferating and battling among themselves, and a probable link among some Darfur groups and South Sudan forces.


Atlanti ◽  
2017 ◽  
Vol 27 (2) ◽  
pp. 87-95
Author(s):  
Željka Dmitrus

By definition, archival science is a set of knowledge about archival material and archival activity. Archival scienceis a young science because it has been developing for the past hundred years. More recently, theory, practice and methodology have been formed. When we talk about archival material, we need to know that it’s not just a pile of old paper preserved in the dark archive storage rooms. Archival material is a record in continuity - from the moment it is created, until the moment someone searches for that record. Today it is a common belive that archives are the memory of society and a part of cultural heritage. Today, documents are mostly generated in electronic form. From a practical point of view, modern archival science deals with answers to contemporary issues such as: How to organize digitalisation of archival material? How to keep digital content in the long run? How to organize digital archives? How to care for data security? These are just some questions that will have to be answered by the generations that come - young archivists. To be able to protect contemporary archives for the future we will have to find abwers to above questions, than only by protecting the present we will be able to preserve it for the future.


2018 ◽  
Vol 55 ◽  
pp. 83-90
Author(s):  
A. P. Krugliak ◽  
T. O. Krugliak ◽  
A. A. Kirii

The methodical aspects of the Montbeliarde breed gene pool in Ukraine are presented. The evaluation and selection of animals was carried out on the basis of the dairy productivity and tribal value of the ancestors, the type of exteriors, the overall development of the body, the period of cohort, and also the parentage. Selected and brought 100 heads of the cows of the Monglereid breed. As a result of growth, development, the type of body structure, the animals corresponded to the standard of breed requirements and were pregnant for 3–4 months. The parents type productivity indices (ISU) was 98–147. More than 50% of them were ranked in the top 20 best breeders. The milk productivity of the heifers mathers on 305 days of the first lactation ranged from 5300 to 9100 kg of milk, with a fat content of 3.9–4.4% and a protein of 3.3–3.7%.Genealogical structure of the herd (100 cows and 64 heifers, which were obtained at the farm PLAE "Zhatkivske") is represented by 5 genealogical bloodlines. The most numerous is the bloodline Charmant – Ideal – Helios 15.421 (26 cows and 13 heifers). The Charvant sire was quite widely used in the breeding stock virtually of all bloodlines. This line is developed through the bulls Corail 3971002640, Cardian 7191071104106 and Isangrin 6393018001 (scheme 1). No less numerous is the Pirates 11,695 (25 caws and 6 heifers) bloodline, which has two powerful sublines: Novac 17136 and Tabarin 3967923962. The development of these independent branches continues through the bulls: Rhum 7080007171, Ezozo 0189014533 Martien 7176060311 Cantadou, Verglas 3984014417, Leguyer 7495022208, Bois Levin 0186006232.From the genealogical bloodline Oceano 11594 have been 23 caws selected, from which already 13 heifers were received. The bloodline has been developed through the bulls: Faucon 3990016792, Natif 3997030107, Oxalin 2598012281. Oxbou. Based on the old bloodline Ideal 9128, a new bloodline Osiris – Orkan 78315, is developed through the bulls: Lusignan, Jardin 2574010156, Tilleul 3912920526, Boulogne 7086000198 and represented by 15 individuals.The most numerous in the past century in the breed, the Bravo 12.571 bloodline has narrowed significantly and is currently developing only through the branch Debount 2572016541, his sons: Tafia 2582003300 and Tartars 7082004021 and their grandsons: Polichinel 2199011839, Maldini 1596099083 and others. At the moment, it's a disappearing bloodline, so the best bulls as Ezozo 0189014533, Bois Le Vin 0186006232 and the most promising bulls from Pirate 11.695 bloodline are used widely on the cows of this line. The farm brought 6 heavens of this line, from which 3 daughters were taken. In order to prevent the rapid growth of inbreeding, in recent years, in the breed used cross the most distant lines. The average expectation of 31 firstborns for 305 days of lactation in the PLAE "Zhatkivske" was 7298 (limits 6544–8839) kg.Thus, the breeding stock imported into the PLAE "Zhatkivskoe" is rather high-yielding and reflects the gene pool of the Monglereid breed. A plan for individual fixation, which is implemented in the herd, is developed to provide linear breeding, which in the complex forms the basis for the creation of the Monglereid breeder.


Author(s):  
Bonnie G. Smith

Time or temporality is a concept by which humans confront the experience of duration. Feminists across the globe have constructed theories, political programs, and fantasies based on an awareness of temporality, usually as a tool to confront long-standing myths, inequality, and oppression. Feminist history is especially concerned with temporality, but so are activists who invoke the conditions of women in the past and present that must be remedied in the future. Temporality is embedded in discourses of the body and sexuality, and in this respect, women are seen as especially time bound. Postmodern theory has provided feminism with new approaches to time—many of them seeking to confound what can be called ordinary restrictions on time and to overturn time’s seeming limitations. Nonetheless, temporality exists only in language that is already gendered, seeming to set limits to a revolt against time.


Author(s):  
Bruce R. Burningham

The past two decades have seen an explosion in Cervantes scholarship. Indeed, it would perhaps not be an exaggeration to suggest that the last twenty years arguably represent the Golden Age of Cervantes criticism: slightly more than half of scholarly works written since 1888 have been published during the last two decades. In other words, during the last twenty years, the body of Cervantes knowledge has more than doubled, greatly expanding our variety of critical perspectives along the way. This chapter discusses the ‘across the centuries’ trend resulting from the various anniversary celebrations related to Cervantes, the ‘Cervantes and the Americas’ collections, Cervantes’s treatment of Islam, and the modernity of the novel, among other trends that have expanded Cervantine criticism since the turn of the current century.


Leonardo ◽  
2000 ◽  
Vol 33 (3) ◽  
pp. 237-238
Author(s):  
Richard Kade

Leonardo was a man who designed war engines. He also anatomized, stripped The flesh from the body And saw the soul; made perspective From a flat sheet flex Round as a moving limb. Transmuted the past to the future In a credible flying device. He inspired a journal's creation over four centuries later; A journal of fine art that grips The same universe as Leonardo And fills it with vigor. That covers the whole field of inquiry made possible with Modern scientific techniques. The art is new. The journal is Leonardo. Subscription is a solid chunk of man's future.


2021 ◽  
pp. 29-31
Author(s):  
Utpreksha Gaude

Our days today begin with news either of the varying statistics of the COVID-19 cases, tragedies of prejudicial discrimination,follies of policy-makers,horrifying terrorist attacks and more dreary information that are not only grave but also petrifying.Amongst these,the global concern that touches all living creatures is the news of our weary planet. st th COP26 or the UN Climate Summit 2021 is going to take place for 2 weeks from the 31 of October to the 12 of November in Glasgow and it has been the matter of the moment for the past few weeks.The cause is unsurprising and is frankly long overdue.Climate change is an upsetting phenomenon,both for our planet and its inhabitants.Our persistent activities of pleasure for personal gain at the expense of Mother Earth can no longer be put up with. Not by our planet, not by the future generations.Their survival and ours solely depends on us fixing our current ways.While the prospect is daunting, fear cannot be our barrier.Our present psychological mindsets need a jolt.It is now essential that we step past the fear of change to make the change possible for we are hanging by a thread at the end of the rope with a fire beneath. The consequences are cataclysmic,and we are our only hope.


2019 ◽  
Vol 7 (13) ◽  
pp. 55-66
Author(s):  
Daniel Pérez-Pamies ◽  
Marta Lopera-Mármol

This article uses a comparative and hermeneutical analysis to explore the similarities and differences between the cinematographic work of Billy Wilder,in particular, Sunset Blvd. (1950), and David Lynch and the well-known television series Twin Peaks (David Lynch & Mark Frost, CBS, 1990-1991), as well as itswidely-expected continuation: Twin Peaks: The Return (David Lynch & Mark Frost, Showtime, 2017), paying special attention to the representation of the corpse both in narrative and historical terms. The hypothesis of the authors is that the figuration of the dead contains and symbolizes a specific model of representation at the same time as it anticipates the appearance of a new one. In conclusion, the body in suspension, located in the gap between life and death, functions as a hinge between the past and the future.


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