Copious Sovereignty in the Henry IV Plays

2020 ◽  
pp. 101-120
Author(s):  
Huw Griffiths
Keyword(s):  
Body Parts ◽  
Sovereign Power ◽  
Verbal Expression ◽  
Henry Iv ◽  
Rhetorical Figure

This chapter demonstrates Shakespeare’s extensive use of the rhetorical figure of copia in the two Henry IV plays. Although copia, as the basis for written and verbal expression, is the archetypal figure of Renaissance eloquence, Shakespeare’s writing often pushes its use towards the outer limits, risking a dissipation, rather consolidation of meaning. In these two plays, the generative capacities of copia take a dark turn, linking images of diseased and damaged bodies to a centrifugal movement away from centres of sovereign power. This chapter argues that the dilatory nature of these two plays – in their language and in their proliferation of diseased body parts, as well as in their plot – underscores a representation of sovereignty that sees it as de-centred and dysfunctional.

Shakespeare's Body Parts

2020 ◽  
Author(s):  
Huw Griffiths
Keyword(s):  
The Body ◽  
History Plays ◽  
Body Parts ◽  
Sovereign Power ◽  
Richard Ii ◽  
Richard Iii ◽  
Henry V ◽  
Henry Iv ◽  
Political Writing ◽  
Human Flesh

This book provides a sustained, formalist and theoretically-informed reading of the multiple body parts that litter the dialogue and action of Shakespeare’s history plays, including Henry V, Richard II, Richard III, King John, and the Henry IV plays. Starting with a literary critical analysis of these dislocated bodies, the book follows Shakespeare’s own relentless pursuit of a specific political question: how does human flesh, blood, and bone relate to sovereignty? Shakespeare’s treatment of the body is also read against two other bodies of work: early modern political writing, and twentieth- and twenty first-century critical theory. Like Shakespeare’s histories, these develop understandings of sovereign power through considerations of the body: from Jean Bodin’s inalienable sovereignty, located in the body of the monarch, through Hobbes’ mechanistic Leviathan, to Kantorowicz’s “two bodies” and Derrida’s “prosthstatics” in which forms of sovereign power are imagined as machine- or animal-like. Along the way, particular body parts – knees, hands, heads, and throats – come to the fore as particular objects of interest.

Introduction: The Baroque Body Parts of Henry VI Part Two

2020 ◽  
pp. 1-34
Author(s):  
Huw Griffiths
Keyword(s):  
History Plays ◽  
Body Parts ◽  
Sovereign Power ◽  
Henry Vi ◽  
History Play

The introduction sets up the starting premise of book: that, in the history plays, metaphors involving bodies and body parts always complicate, rather than simplify, any understanding of sovereign power. Founded on recent research into the authorship and revisions of the Henry VI plays, this chapter reveals Shakespeare’s particular contribution to the emerging genre of the history play as one of proliferating complexity. Work on the politics of the baroque in Benjamin and Foucault is used to frame an understanding of the off-kilter figuration employed in the dialogue of these plays. Key examples are taken from the Henry VI part two, where Shakespeare’s contributions to the lengthier Folio text consist almost entirely of the addition of long metaphorical speeches that contest the crown, and characters’ proximity to sovereign power.

Necks, Throats and Windpipes in Henry V: Sovereignty Translated

2020 ◽  
pp. 59-74
Author(s):  
Huw Griffiths
Keyword(s):  
Capital Punishment ◽  
Body Parts ◽  
Sovereign Power ◽  
Henry V ◽  
Violent Acts ◽  
The Relationship

Henry V features a lot of throats, necks and – in French – “gorges”. It is also a play interested in the relationship between sovereign power and capital punishment. These vulnerable body parts are frequently placed within violent acts of translation and exchange: throats cut, strangled and transformed. French gorges are put in the place of English throats as Nym and Pistol trade threats back in England; Pistol offers to refrain from “couper la gorge” if he is given English “brave crowns” in return; the “col” of a French princess is translated into an English “nick”; and Bardolph’s “vital thread” is “cut / With edge of penny cord” in return for stealing “a pax of little worth”. It is in, and through, the “throat” that Henry V represents and interrogates the transactions that pertain to the mechanics of sovereignty.

The Second Part of King Henry IV

2007 ◽  
Author(s):  
William Shakespeare ◽  
Adam Hansen
Keyword(s):  
Henry Iv

Body Parts Satisfaction Scale–Revised

2002 ◽  
Author(s):  
Trent A. Petrie ◽  
Margaret M. Tripp ◽  
Pejcharat Harvey
Keyword(s):  
Body Parts ◽  
Satisfaction Scale

Formulation, Design and Development of Niosome Based Topical Gel for Skin Cancer

2017 ◽  
Vol 2 (3) ◽  
Keyword(s):  
Skin Cancer ◽  
Drug Release ◽  
Hemorrhagic Cystitis ◽  
The Body ◽  
Cancer Drug ◽  
Inversion Method ◽  
Body Parts ◽  
Basal Cells ◽  
Formulation Design ◽  
Topical Gel

Melanoma is the most dangerous type of skin cancer in which mostly damaged unpaired DNA starts mutating abnormally and staged an unprecedented proliferation of epithelial skin to form a malignant tumor. In epidemics of skin, pigment-forming melanocytes of basal cells start depleting and form uneven black or brown moles. Melanoma can further spread all over the body parts and could become hard to detect. In USA Melanoma kills an estimated 10,130 people annually. This challenge can be succumbed by using the certain anti-cancer drug. In this study design, cyclophosphamide were used as a model drug. But it has own limitation like mild to moderate use may cause severe cytopenia, hemorrhagic cystitis, neutropenia, alopecia and GI disturbance. This is a promising challenge, which is caused due to the increasing in plasma drug concentration above therapeutic level and due to no rate limiting steps involved in formulation design. In this study, we tried to modify drug release up to threefold and extended the release of drug by preparing and designing niosome based topical gel. In the presence of Dichloromethane, Span60 and cholesterol, the initial niosomes were prepared using vacuum evaporator. The optimum percentage drug entrapment efficacy, zeta potential, particle size was found to be 72.16%, 6.19mV, 1.67µm.Prepared niosomes were further characterized using TEM analyzer. The optimum batch of niosomes was selected and incorporated into topical gel preparation. Cold inversion method and Poloxamer -188 and HPMC as core polymers, were used to prepare cyclophosphamide niosome based topical gel. The formula was designed using Design expert 7.0.0 software and Box-Behnken Design model was selected. Almost all the evaluation parameters were studied and reported. The MTT shows good % cell growth inhibition by prepared niosome based gel against of A375 cell line. The drug release was extended up to 20th hours. Further as per ICH Q1A (R2), guideline 6 month stability studies were performed. The results were satisfactory and indicating a good formulation approach design was achieved for Melanoma treatment.

SEXUAL EUPHEMISM EXPRESSED IN POP AND HIP HOP LYRIC SONGS: A PRAGMATIC STUDY

2019 ◽  
Vol 3 (2) ◽  
pp. 109-122
Author(s):  
Cita Mustika Kusumah
Keyword(s):  
Sexual Activity ◽  
Hip Hop ◽  
Qualitative Method ◽  
Speech Act ◽  
Research Data ◽  
Body Parts ◽  
Taboo Words ◽  
Directive Speech ◽  
Descriptive Method ◽  
Sexual Body

This research aims to describe and give an overview of the use of sexual euphemism in pop and hip hop lyric songs to avoid taboo words which are usually unfreely to mention in public. The researcher uses qualitative method and descriptive method to analyze the data. The researcher uses forty songs consist of twenty pop songs and twenty hip hop songs to be analysed. From forty songs, the researcher finds ninety seven data. Researcher believes the data are found to contain sexual euphemism in the utterance that included in pragmatic study.Researcher describes and analyzes every single of data that are included the theory of Allan and Buridge (1991). From the research data, the researcher found that there is a differential usage of sexual euphemism in pop and hip hop which is sexual euphemism in sexual activity appears more frequently in pop songs and sexual euphemism in sexual body parts appears more frequently in hip hop songs. Both pop and hip hop songs use representative speech act more frequently than directive speech act. Euphemism was used in the lyrics to avoid words that are considered taboo in some communities.Keywords: speech act, sexual euphemismINTRODUCTIONIn

Simone Weil

2018 ◽  
Author(s):  
Beatrice Marovich
Keyword(s):  
Political Thought ◽  
The Political ◽  
Sovereign Power ◽  
Bare Life ◽  
Intellectual Curiosity ◽  
Creation Theology ◽  
Simone Weil

Few of Giorgio Agamben’s works are as mysterious as his unpublished dissertation, reportedly on the political thought of the French philosopher Simone Weil. If Weil was an early subject of Agamben’s intellectual curiosity, it would appear – judging from his published works – that her influence upon him has been neither central nor lasting.1 Leland de la Durantaye argues that Weil’s work has left a mark on Agamben’s philosophy of potentiality, largely in his discussion of the concept of decreation; but de la Durantaye does not make much of Weil’s influence here, determining that her theory of decreation is ‘essentially dialectical’ and still too bound up with creation theology. 2 Alessia Ricciardi, however, argues that de la Durantaye’s dismissal of Weil’s influence is hasty.3 Ricciardi analyses deeper resonances between Weil’s and Agamben’s philosophies, ultimately claiming that Agamben ‘seems to extend many of the implications and claims of Weil’s idea of force’,4 arguably spreading Weil’s influence into Agamben’s reflections on sovereign power and bare life.

Re-imagining Reproduction: Unsettling Metaphors in the History of Imperial Science and Commercial Surrogacy in India

Somatechnics ◽  
2015 ◽  
Vol 5 (1) ◽  
pp. 88-103 ◽  
Author(s):  
Kalindi Vora
Keyword(s):  
Assisted Reproductive Technologies ◽  
Reproductive Technologies ◽  
The Body ◽  
Body Parts ◽  
Colonial History ◽  
Women's Bodies ◽  
Commercial Surrogacy ◽  
Art Practices ◽  
History Of ◽  
Travel Industry

This paper provides an analysis of how cultural notions of the body and kinship conveyed through Western medical technologies and practices in Assisted Reproductive Technologies (ART) bring together India's colonial history and its economic development through outsourcing, globalisation and instrumentalised notions of the reproductive body in transnational commercial surrogacy. Essential to this industry is the concept of the disembodied uterus that has arisen in scientific and medical practice, which allows for the logic of the ‘gestational carrier’ as a functional role in ART practices, and therefore in transnational medical fertility travel to India. Highlighting the instrumentalisation of the uterus as an alienable component of a body and subject – and therefore of women's bodies in surrogacy – helps elucidate some of the material and political stakes that accompany the growth of the fertility travel industry in India, where histories of privilege and difference converge. I conclude that the metaphors we use to structure our understanding of bodies and body parts impact how we imagine appropriate roles for people and their bodies in ways that are still deeply entangled with imperial histories of science, and these histories shape the contemporary disparities found in access to medical and legal protections among participants in transnational surrogacy arrangements.

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