The Intelligent Producer and the Restructuring of MGM
This chapter considers the impact of the 1933 studio restructuring that effectively demoted Thalberg from head of production to unit producer. In response, Thalberg would set out affirmations of his production ethos in private letters and a public article. In the case of the latter, Thalberg conceives of “the intelligent producer” who spares no creative or monetary expense in crafting entertainment – and in this way, Thalberg constructs an alternative to the Boy Wonder double that had shadowed him since the start of his career. The chapter argues that these personal and public statements present a theoretical turning point at which Thalberg reflected – and expanded – upon established concepts to conceive of a new future for production. The chapter explores how this transitional era played out in Thalberg’s films of the period, looking at Strange Interlude (Leonard, 1932), The Barretts of Wimpole Street (Franklin, 1934), and The Merry Widow (Lubitsch, 1934).