‘Carolina Hat’: Vona Groarke's Lament for Art O'Leary

2013 ◽  
Vol 43 (2) ◽  
pp. 274-287 ◽  
Author(s):  
Margaret Mills Harper

Vona Groarke's 2008 version of Eibhlín Dubh Ní Chonaill's famous keen for her husband, Chaoineadh Airt Uí Laoghaire, features a poetic voice overtly inflected by Irish, English, and American diction and usage. Groarke's poem emphasizes its status as a textual event in more than one time frame as well as another spatial setting. The other time is multiple, including the many translations and discussions of the lament from its eighteenth-century composition until now. The place is also multiple: it might be Dublin or Manchester, Boston or London, or Wake Forest, North Carolina, where Groarke spends part of every year. This new poem stresses the mobility of Eileen's passionate lament: in Groarke's hands, it becomes a poem of the particular place that manages also, intriguingly, to highlight transnational cultural and linguistic implications. This version, another chapter in the history of a work that begins in the fluidity of oral composition and is repeatedly reworked in translations, emphasizes domestic space as generative as well as excessive, the site of desire. Groarke's poem locates itself both inside and, crucially, outside, a place to which one comes ‘carrying nothing’ in order to find, in a seeming paradox, nonrestrictive structures.

1997 ◽  
Vol 24 ◽  
pp. 139-156
Author(s):  
Stefan Eisenhofer

The chronology of the history of the Benin kingdom is seen by many historians as clarified in the main back to the thirteenth century and even earlier. Apart from the reports of European travelers and missionaries and some information given by merchants, this chronology is based mainly on the Benin kinglist for the periods before 1897. This list names 38 kings (obas) of Benin and covers past centuries with seemingly great accuracy (see table 1).In spite of the many names of former obas and the pretended accuracy of the list's time-frame, it would be problematic to take it as historically factual since it cannot be corroborated by any documentation before the mid-nineteenth century. The data concerning the period before this time are almost exclusively based on the writings of the Benin amateur historian Jacob Egharevba. In his work Egharevba reported on important events in the oral traditions of Benin and connected the reign of former kings with specific years. In doing so he forced his African oral material into a linear European time scheme and into the framework specified by European written sources.Unfortunately, very few historians have as yet critically analyzed the chronological data for Benin. This is surprising, since the great Benin researcher Bradbury noted some time ago that Egharevba's “chronological conclusions have been accepted too uncritically, especially for the period up to the first European contact” (Bradbury 1959:285f) and have been seen as historical facts without any further consideration ever since. Neither the question of so-called “genealogical parasitism,” nor any of the other fundamental problems which arise when studying kinglists have been addressed.


Author(s):  
Anh Q. Tran

The Introduction gives the background of the significance of translating and study of the text Errors of the Three Religions. The history of the development of Confucianism, Buddhism, and Daoism in Vietnam from their beginning until the eighteenth century is narrated. Particular attention is given to the different manners in which the Three Religions were taken up by nobles and literati, on the one hand, and commoners, on the other. The chapter also presents the pragmatic approach to religion taken by the Vietnamese, which was in part responsible for the receptivity of the Vietnamese to Christianity. The significance of the discovery of Errors and its impact on Vietnamese studies are also discussed.


Author(s):  
B. W. Young

The dismissive characterization of Anglican divinity between 1688 and 1800 as defensive and rationalistic, made by Mark Pattison and Leslie Stephen, has proved more enduring than most other aspects of a Victorian critique of the eighteenth-century Church of England. By directly addressing the analytical narratives offered by Pattison and Stephen, this chapter offers a comprehensive re-evaluation of this neglected period in the history of English theology. The chapter explores the many contributions to patristic study, ecclesiastical history, and doctrinal controversy made by theologians with a once deservedly international reputation: William Cave, Richard Bentley, William Law, William Warburton, Joseph Butler, George Berkeley, and William Paley were vitalizing influences on Anglican theology, all of whom were systematically depreciated by their agnostic Victorian successors. This chapter offers a revisionist account of the many achievements in eighteenth-century Anglican divinity.


2018 ◽  
Vol 49 ◽  
pp. 1-14
Author(s):  
Franz A. J. Szabo

In his great 1848 historical drama,Ein Bruderzwist im Hause Habsburg, the Austrian playwright Franz Grillparzer has Emperor Matthias utter the words that have often been applied to understanding the whole history of the Habsburg monarchy:Das ist der Fluch von unserm edeln Haus:Auf halben Wegen und zu halber TatMit halben Mitteln zauderhaft zu streben.[That is the curse of our noble house:Striving hesitatingly on half waysto half action with half means.]True as those sentiments may be of many periods in the history of the monarchy, the one period of which it cannotbe said is the second half of eighteenth century. The age of Maria Theresa, Joseph II, and Leopold II was perhaps the greatest era of consistent and committed reform in the four-hundred-year history of the monarchy. What I want to address in this article are some aspects of the dynamic of this reform era, and this falls into two categories. On the one hand, there is the broad energizing or motive force behind the larger development, and on the other, there are the ideas or assumptions that lay behind the policies adopted. As might be evident from the subtitle of my article, I propose to look primarily at the second of these categories. I do so because I think while Habsburg historiography has reached considerable consensus on the first, it has not looked enough on the second as an explanatory hermeneutic.


1997 ◽  
Vol 17 (1) ◽  
pp. 16-22 ◽  
Author(s):  
W. Brian Harland

Useful records of observations perhaps began in 1596 with Barents' voyage and resulting chart. The many expeditions until the middle of the eighteenth century were primarily for whaling with minor additions to the charts. In 1758 A. R. Martin led a Swedish voyage and in 1773 C. J. Phipps commanded a British naval expedition, the first of several, to seek a northeast passage to the Pacific. They penetrated no further than Spitsbergen and made useful observations. At that time and for many years the British Admiralty was concerned with extensive Arctic exploration. The elaborate nature of these expeditions was not so much designed for scientific purposes as for useful employment for enterprising officers, with ships in numbers no longer needed in the period of naval supremacy after 1805. Hydrographic survey was often the principal achievement. In terms of efficiency and Arctic know-how the early whalers such as Scoresby were superior.1827 may be considered as the year when geological work began, with expeditions from Norway (B. M. Keilhau 1831) and Britain (Capt. Parry, e.g. Horner 1860; Salter 1860). Keilhau, a geologist, visited Edgeoya and Bjornoya. Admiral Parry, Hydrographer of the Navy, wintered on HMS Hecla in Sorgfjorden where further specimens were collected. In 1837 an early Swedish expedition was directed by Loven. Then, 1838 to 1840, the French voyage of La Recherche took place under the Commission Scientifique du Nord (e.g. Robert 1840).Only a selection of the many expeditions in the second half of the century are noted here.


2020 ◽  
Vol 60 (2) ◽  
pp. 136-147
Author(s):  
Marcelina Zdenkowska

In this article I analyze the chosen examples of fan comics. In the first part of the article I describe the history of comics, how and by whom they were created. Then I show the comic’s role as part of Transmedia Storytelling. In the second part I introduce the term fan fiction and I describe the circumstances of the creation of this specific form of fan art. Moreover I write about the most important fan fiction theories. In the last part of the article I analyze 3 selected authors of comics who publish their works on social media platform Deviant Art. Also I describe their style, inspirations and references to original works. Fan comics are a very specific phenomenon. However the many possibilities given by this art is not used by the fans. There are no experiments with a form contrary to the fan fiction literature. On the other hand the selected comics are an exception. Maybe the authors are not very innovative. But the interesting thing is that they use humor and autobiographical themes in an unusual way.


PMLA ◽  
2006 ◽  
Vol 121 (1) ◽  
pp. 107-123
Author(s):  
Lorraine Piroux

This study focuses on the French Enlightenment's fascination with the materiality of non-Western and nonalphabetic scripts in the broader context of the history of the book. By examining definitions of writing in the Encyclopédie as well as Françoise de Graffigny's novelistic appropriation of the Inca quipu script in Lettres d'une Péruvienne (1747), I argue that there emerges from these texts a conception of the literary sign capable of challenging the fundamental principles of the Enlightenment printed book: dematerialized textuality and absolute legibility. Shaped by the scriptural imagination of eighteenth-century book culture, literature was able to acquire full aesthetic legitimacy only insofar as it was defined as the other of the purely semantic text. (LP)


2019 ◽  
pp. 1322-1335
Author(s):  
Zain Alabdeen A. Al-Shawi ◽  
Maher M. Mahdi ◽  
Abbas H. Mohammed

Shuaiba Formation is an important formation in Iraq, because of their deposition in the important period during the geological history of Arabian plate. The study is focused on a number of selected wells from several fields in southern Iraq, despite the many of oil studies to Shuaiba Formation but it lacks to paleontological studies. Four selected wells are chosen for the current study, Zb-290, Ru-358, R-624, WQ1-353, the selected wells are located within different fields, these are Zubair, Rumaila and West Qurna Oil Fields. In this study fourteen species followed to genus Hedbergella were discovered for first time as well as three genera followed to genus Heterohelix in the Shuaiba Formation at the different oil fields, Hedbergella tunisiensis Range Zone is suggested biozone to the current study, the age of this biozone is Aptian, most of the other genera located within this zone.


Author(s):  
Alasdair Raffe

This chapter analyses John Arbuthnot’s The History of John Bull (1712), an allegorical satire of the War of the Spanish Succession. As well as introducing the figure of John Bull, who became a recognizable symbol of the English people, Arbuthnot featured Bull’s sister Peg, who represents Scotland. With these characters, Arbuthnot provided an insightful interpretation of the passage of the Anglo-Scottish Union. The chapter goes on to discuss the many eighteenth-century imitators of Arbuthnot’s satire. Few featured Sister Peg or commented on Scotland’s place in the Union. The main exceptions were works by Scots, notably Adam Ferguson’s History of the Proceedings in the Case of Margaret, Commonly called Peg (1761), and other literary works and visual satires of the early 1760s, a time of intense Anglo-Scottish rivalries.


2021 ◽  
Vol 9 (2) ◽  
pp. 211-223 ◽  
Author(s):  
Alejandro Patat

In the last ten years, Noi credevamo (We Believed) (Martone 2010) has been the subject of a very careful criticism interested not only in its historical-ideological implications but also in its semiotic specificities. The purpose of this article is to summarize the cardinal points of these two positions and to add to them some critical observations that have not been noted so far. On the one hand, it is a matter of highlighting how, as a historical film, the work is connected with the history of emotions, a recent historiographical trend that aims to detect the narrative devices of ideological propaganda and the diffusion of feelings since the late eighteenth century. On the other hand, the article proposes a new interpretation of Mario Martone’s film, starting with the analysis of phenomena that are not only historical but also technical and structural.


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