scholarly journals Not Yet: The Faith of Revolution

2014 ◽  
Vol 36 (1) ◽  
pp. 115-135
Author(s):  
Cory Stockwell

This essay seeks to contribute to revolutionary understandings of time through an examination of Derrida's 1993 book Sauf le nom, and the poet and mystic Angelus Silesius, whom Derrida reads in this book. The essay counters Martin Hägglund's claim that deconstruction and negative theology are fundamentally opposed to one another by tracing the work of impoverishment in Silesius's poetry. The essay then employs this understanding of impoverishment to deconstruct the concept of desire in Hägglund's 2008 book Radical Atheism, proposing as an alternative to this concept a ‘faith of revolution’ that is tied to a certain understanding of the future.

Derrida Today ◽  
2019 ◽  
Vol 12 (2) ◽  
pp. 130-151
Author(s):  
Guy Elgat

The paper provides a critical review of Martin Hägglund's influential Radical Atheism. The paper focuses on what Hägglund calls ‘radical atheism’: the view that according to Derrida ‘the best is the worst’. First, the paper critically examines Hägglund's reconstruction of Derrida's argument for the structure of the trace or ‘the spacing of time’. This analysis clarifies one of the central premises in Hägglund's argument for radical atheism: the ‘contamination’ claim, according to which anything temporal is open as such to the future and is thus alterable in some way. The paper then turns to highlight some of Hägglund's rhetorical slippages that seem to be supported by the contamination claim but actually move beyond what it licenses. Next, the paper focuses critically on the argument for radical atheism and shows how it relies on an unwarranted premise that lies hidden in the discussion of the structure of the trace. Finally, the second central argument that informs Hägglund's work is questioned, that is, the argument for the view that what we are always and already committed to is to live on, that is, survive, so that it is this desire for the mortal that lies behind all our desires.


Religions ◽  
2021 ◽  
Vol 12 (7) ◽  
pp. 542
Author(s):  
Irina Sakhno

This article examines Kazimir Malevich’s Suprematist art in the context of negative (apophatic) theology, as a crucial tool in analyzing both the artist’s theoretical conclusions and his new visual optics. Our analysis rests on the point that the artist intuitively moved towards recognizing the ineffability of the multidimensional universe and perceiving God as the Spiritual Absolute. In his attempt to see the invisible in the formulas of Emptiness and Nothingness, Malevich turned to the primary forms of geometric abstraction—the square, circle and cross—which he endows with symbolic concepts and meanings. Malevich treats his Suprematism as a method of perceiving the ineffability of the Absolute. With the Black Square seen as a face of God, the patterns of negative theology rise to become the philosophical formula of primary importance. Malevich’s Mystical Suprematism series (1920–1922) confirms the presence of complex metaphysical reflection and apophatic thought in his art. Not only does the series contain icon paraphrases and the Christian symbolism of the cross and mandorla, but it also advances the formulas of the apophatic faith of the modern times, since Suprematism presents primary forms as the universals of “the face of the future” and the energy of the non-objective art.


2017 ◽  
Vol 8 (1) ◽  
pp. 61-74
Author(s):  
Francesca Peruzzotti

This paper aims to draw a connection between Jacques Derrida and Jean-Luc Marion in regard to the role of negative theology. This scrutiny shows meaningful contributions of the Authors to a new definition of subjectivity in a post-metaphysical age, and their consideration about which possibilities are still open for a non-predetermined history given outside of the presence domain. The future is neither a totalisation of history by its end, nor a simple continuation of the present. It is an eschatological event, where the relationship with the other plays a crucial role for the self-constitution. Such an interlacement is generated by the confession, where the link between past and future is not causally determined, but instead it is self-witness, as in Augustine’s masterpiece, essential reference for both the Authors


Daphnis ◽  
2019 ◽  
Vol 47 (3-4) ◽  
pp. 592-638
Author(s):  
Rainer Hillenbrand

Angelus Silesius describes the mystical deification of the human soul as its inclusion in the Trinity. He uses traditional comparisons and metaphors, as formed on biblical basis by the Fathers to illustrate the inner Trinitarian relations, but also geometric and naturalistic analogies to lead the soul in three ways into God. These are always figurative appellations which, paradoxically, according to negative theology, can also be negated for the very essence of God, which remains unnameable. In this mystical unity, which in the teaching of the church can only happen by grace, but not in a pantheistic fashion by nature, man preserves the creaturely difference to the Creator. Even in the earliest epigrams, Scheffler’s Catholic point of view is that God cannot resist this union of love, and that therefore only man, with his free will, is responsible for its success. The model of the saints and the ethical demand for the keeping of the commandments and the doing of the good works, which confirm the authenticity of this mysticism as well as their conformity with the ecclesiastical tradition, also fit in with this result.


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