Broun, Irish Identity of the Kingdom of the Scots

2001 ◽  
Vol 80 (2) ◽  
pp. 260-262
Author(s):  
Tadhg O'keeffe
Keyword(s):  
Irish Identity

Irish Versions of Virgil’s Eclogues and Georgics

2018 ◽  
Author(s):  
Cillian O’Hogan
Keyword(s):  
Classical Tradition ◽  
Rural Life ◽  
Language Choices ◽  
The Everyday ◽  
Irish Identity

Irish versions of the Eclogues and Georgics serve as another salient example of how culture and nationhood define themselves through Virgil. This chapter explores how Virgil has provided a way of navigating Irish identity and looks at the language choices in Irish translations that lead away from British classically infused literature and towards an alternative classical tradition. In particular, by examining Seamus Heaney’s translation of Eclogue 9 and Peter Fallon’s translation of the Georgics, O’Hogan argues that both provide two aspects of Virgilian ‘repossession’: poets relocate Virgilian poems into familiar Irish landscapes replete with grim realities of rural life; and they make use of Hiberno-English, the everyday version of English used in Ireland.

Digging the Liminal Spaces: Chronotopic Representation of Liminality in Seamus Heaney’s North and Station Island

2020 ◽  
Vol 138 (1) ◽  
pp. 62-79
Author(s):  
Maryam Soltan Beyad ◽  
Ehsan Kazemi
Keyword(s):  
Irish Poetry ◽  
Liminal Spaces ◽  
Homi Bhabha ◽  
Irish Identity

AbstractChallenging the established poetic idea of Ireland as a unified whole, new Irish poetry encourages a perspective toward homeland alongside with a corresponding revision of Irish subjectivity as liminality. Introduced by Homi Bhabha as a postcolonial cultural term, the idea privileges hybrid cultures and challenges solid or authentic ones. Moreover, this liminal rationale entails a corresponding chronotopic rendition, as Bakhtin intends to theorize it, whereby the notion of spatio-temporality assists the poet in rethinking the Irish identity. An archeologist shrouded as a poet, Heaney’s early work, North (1975), is an attempt to reterritorialize the Motherland while Station Island (1984) represents the deterritorialization of the land, a collection in which Heaney proposes an alternative notion of Irish identity. The present study seeks to show how Heaney’s aforementioned poetry collections manifest a transition from a patently nationalist reception of land to a tendency to liminal spaces. Hence, a critical juxtaposition of these two works bears witness to an endeavor to move beyond the solid, reductionist perspective of the unified Ireland into a state of liminality with respect to Bhabha’s idea of hybridity. Furthermore, it is argued how Bakhtin’s idea of chronotope can accommodate to the accomplishment of such a poetic project.

scholarly journals Being Irish

2004 ◽  
Vol 39 (3) ◽  
pp. 504-520 ◽  
Author(s):  
Ciarán O'Kelly
Keyword(s):  
Identity Politics ◽  
Well Being ◽  
Irish Identity ◽  
North And South

AbstractThis article is one of a series commissioned by Government and Opposition exploring identity politics in several national and international contexts. Though ostensibly a civic republic, Ireland has been shaped by a certain conception of Irish culture. Cultural claims are typically political but have the potential to allow community interests to override concern for individual well-being. The construction of the Irish state focused on the maintenance of an idea of being Irish rather than on the welfare of people throughout Ireland, both North and South. As a result, a conservative formulation of Irish identity was locked into the state's structures.

Black-white mixed race young people in Ireland and their lived experiences of racialised exclusion

2021 ◽  
pp. 079160352110684
Author(s):  
Patti O’Malley
Keyword(s):  
Young People ◽  
Mixed Race ◽  
Regular Feature ◽  
Black African ◽  
Academic Scholarship ◽  
Irish Context ◽  
Irish Identity ◽  
Depth Interviews ◽  
Insight Into ◽  
Shed Light

The multiracial family and the existence of mixed race children have come to be a regular feature of Irish familial life. Yet, nation-building discourses have promulgated notions of ethnic and religious homogeneity with Irish identity being racialised exclusively as white. Moreover, to date, there has been a dearth of academic scholarship related to racial mixedness in the Irish context. Through in-depth interviews, this paper sets out, therefore, to provide empirical insight into the lives of fifteen black (African) – white (Irish) mixed race young people (aged 4 to 18) with a particular focus on their experiences of racialised exclusion. Indeed, findings suggest that, as in other majority white national contexts, the black-white mixed race young people are racialised as black in the Irish public domain and as such, are positioned as ‘racialised outsiders’. In fact, their narrative accounts shed light on everyday encounters saturated by ‘us-them’ racial constructs based on phenotype. Thus, these young people, who are not fully recognised as mixed race Irish citizens, are effectively deprived of a space in which to articulate their belonging within the existing statist (i.e. inside/outside) framework.

Strangers in a Strange Land?: (Re)Constructing ‘Irishness’ in a Northern English Town

2002 ◽  
Vol 11 (2) ◽  
pp. 54-76
Author(s):  
Noel Gilzean ◽  
James W. McAuley
Keyword(s):  
Interest Groups ◽  
Second Generation ◽  
Social Interest ◽  
Social Experience ◽  
Structured Interviews ◽  
Political Relationships ◽  
The Social ◽  
Irish Identity ◽  
Physical Construction

This is a case study of the social and physical construction of an ‘Irish’ community in an English town. It asks how or why members of this community migrated and how they construct contemporary images of ‘home’. The article draws on semi-structured interviews and conversations with members of the contemporary Irish community in Huddersfield, including Irish-born and second-generation Irish respondents. We find that their sense of Irish identity is complex, encompassing the totality of social experience, much of which is influenced by often competing interpretations of social and political relationships and understandings of history. What constitutes Irish identity in Huddersfield is determined not just by these factors, but also by the ways in which individuals are socialised as members of different families, neighbourhoods, workplace or other social interest groups.

scholarly journals Bodies that Fester in the Holds of the “Coffin Ships”: Postcolonial Neo-Victorianism, Vulnerability and Resistance in Joseph O’Connor’s Star of the Sea (2003)

2021 ◽  
Vol 63 ◽  
pp. 151-171
Author(s):  
Mª Isabel Romero Ruiz
Keyword(s):  
New York ◽  
The Other ◽  
Colonial History ◽  
Victorian Studies ◽  
Victorian Period ◽  
Irish Identity ◽  
History Of ◽  
New Imperialism ◽  
British Colonial

The presence of Empire in the Victorian period and its aftermath has become a new trope in neo-Victorian studies, introducing a postcolonial approach to the re-writing of the Victorian past. This, combined with the metaphor of the sea as a symbol of British colonial and postcolonial maritime power, makes of Joseph O’Connor’s novel Star of the Sea a story of love, vulnerability and identity. Set in the winter of 1847, it tells the story of the voyage of a group of Irish refugees travelling to New York trying to escape from the Famine. The colonial history of Ireland and its long tradition of English dominance becomes the setting of the characters’ fight for survival. Parallels with today’s refugees can be established after Ireland’s transformation into an immigration country. Following Judith Butler’s and Sarah Bracke’s notions of vulnerability and resistance together with ideas about ‘the other’ in postcolonial neo-Victorianism, this article aims to analyse the role of Empire in the construction of an Irish identity associated with poverty and disease, together with its re-emergence and reconstruction through healing in a contemporary globalised scenario. For this purpose, I resort to Edward Said’s and Michael Hardt and Antonio Negri’s ideas about imperialism and new imperialism along with Elizabeth Ho’s concept of ‘the Neo-Victorian-at-sea’ and some critics’ approaches to postcolonial Gothic. My main contention throughout the text will be that vulnerability in resistance can foster healing.

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