Internationalizing Media Studies: Impediments and Imperatives Daya K. Thussu (Ed.) London: Routledge. 2009. Pp. 322. ISBN 978-0-4154-5530-5 (paperback), 978-0-4154-5529-9 (hardback) and International Communication: A Reader Daya K. Thussu (Ed.) London: Routledge. 2009. Pp. 616. ISBN 978-0-4154-4456-9 (paperback), 978-0-4154-4455-2 (hardback)

2010 ◽  
Vol 31 (2) ◽  
pp. 248-252
Author(s):  
Y. R. Gumede
2020 ◽  
pp. 174804852092833
Author(s):  
Oren Soffer ◽  
Dorit Geifman

This study uses diachronic computational analysis enhanced with a qualitative approach to examine ongoing changes in communication studies, comparing trends in two European media studies journals and three major International Communication Association journals. We analyze the titles, keywords, and abstracts of 2,585 articles published between 1994–2007 and 2008–2016. We find differences between topics in the two periods in each of the journals’ groups and between the two groups themselves. In the European group, we find centrality of topics related to media change and media logic. In the ICA journals, we find a strengthening of scholarly engagement with effects studies. At the same time, we find evidence of erosion of the place of cultural studies as a distinctive research stream.


Author(s):  
Lisbeth A. Lipari

Communication ethics concerns the creation and evaluation of goodness in all aspects and manifestations of communicative interaction. Because both communication and ethics are tacitly or explicitly inherent in all human interactions, everyday life is fraught with intentional and unintentional ethical questions—from reaching for a cup of coffee to speaking critically in a public meeting. Thus ethical questions infuse all areas of the discipline, including rhetoric, media studies, intercultural/international communication, relational and organization communication, as well as other iterations of the field.


MediaTropes ◽  
2020 ◽  
Vol 7 (2) ◽  
pp. i-xvi
Author(s):  
Jordan Kinder ◽  
Lucie Stepanik

In this introduction to the special issue of MediaTropes on “Oil and Media, Oil as Media,” Jordan B. Kinder and Lucie Stepanik provide an account of the stakes and consequences of approaching oil as media as they situate it within the “material turn” of media studies and the broader project energy humanities. They argue that by critically approaching oil and its infrastructures as media, the contributions that comprise this issue puts forward one way to develop an account of oil that further refines the larger tasks and stakes implicit in the energy humanities. Together, these address the myriad ways in which oil mediates social, cultural, and ecological relations, on the one hand, and the ways in which it is mediated, on the other, while thinking through how such mediations might offer glimpses of a future beyond oil.


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