scholarly journals Imitate: Remediating Glass as an Artistic Medium for Material Imitation

Arts ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 30
Author(s):  
Jessamy Kelly
Keyword(s):  
Case Studies ◽  
Current Practice ◽  
Material Testing ◽  
Artistic Practice ◽  
Practice Based Research ◽  
Artistic Medium ◽  
Unique Ability ◽  
Precious Stones

Glass has a unique ability to imitate other materials; cross-pollinating with other disciplines to refresh and recreate itself. The creative possibilities of creating glass that imitates other materials such as ceramic, paper, metal, wood, stone, plastic and semi-precious stones are vast. The assertion of this paper is that the use of imitation is a necessary and definitive act within creative artistic practice. Following a range of historical examples to set the context for this article, a range of contemporary glass artists that use glass as a medium for imitation will be introduced and documented through a series of artists case studies. Finally, I will present my current practice-based research into glass as a medium for imitation. I will discuss the material testing and research that has been carried out and introduce two new bodies of artworks that I have developed based on the theme of glass as an artistic medium for material imitation.

A Critical Discussion of the Use of Antiseptics in Acute Traumatic Wounds

2005 ◽  
Vol 95 (2) ◽  
pp. 148-153 ◽  
Author(s):  
Robert G. Smith
Keyword(s):  
Patient Outcome ◽  
Cell Culture ◽  
Wound Healing ◽  
Case Studies ◽  
Emergency Departments ◽  
Current Practice ◽  
Human Case ◽  
Critical Discussion ◽  
Scientific Study ◽  
Potential Harm

Approximately 10 million patients with traumatic wounds are treated in US emergency departments annually. The practice of wound cleansing or antiseptic management has a dichotomous history anchored in tradition and science. The merits of antiseptic fluid irrigation of traumatic wounds have received little scientific study. The purpose of this article is to critically evaluate the potential harm to patient outcome by the use of antiseptics on acute wounds. First, animal and cell culture data that describe the effects of topical antiseptics on wound healing are offered. Second, human case studies are presented to illustrate the potential harm of the indiscriminate use of antiseptics. Finally, data from previously published reviews are presented and evaluated for clinically based evidence to justify the current practice of antiseptic use in acute traumatic wounds. (J Am Podiatr Med Assoc 95(2): 148–153, 2005)

scholarly journals Movement-Image in Experimental Archive Cinema

2008 ◽  
Author(s):  
Boško Prostran
Keyword(s):  
Case Studies ◽  
Media Studies ◽  
Documentary Film ◽  
Gilles Deleuze ◽  
Artistic Practice ◽  
Historical Events ◽  
Film Images ◽  
Image Movement

In this paper, by applying three-mode division of image-movement by Gilles Deleuze to three case studies from the artistic practice of experimental archive cinema, I will attempt to point to three modes of reading/watching archive documentary film images, by which I tend to recognize also three different instances of reading/watching certain historical events, represented by images in these films. The three films, which I analyze following these guidelines, are Frammenti elettrici [Electric Fragments], by Yervant Gianikian and Angela Ricci-Lucchi, 2001–2005; Блокада [The Block], by Sergei Loznitsa, 2006; and Respite, by Harun Farocki, 2005. Article received: December 28, 2017; Article accepted: January 10, 2018; Published online: April 15, 2018; Original scholarly paper How to cite this article: Prostran, Boško: " Movement-Image in Experimental Archive Cinema." AM Journal of Art and Media Studies 15 (2018): . doi: 10.25038/am.v0i15.234

Fostering Function-Sharing Using Bioinspired Product Architecture

2020 ◽  
Vol 143 (6) ◽  
Author(s):  
Devesh Bhasin ◽  
Spencer T. Behmer ◽  
Daniel A. McAdams
Keyword(s):  
Case Studies ◽  
Current Practice ◽  
Biological Function ◽  
Product Architecture ◽  
Animal Kingdom ◽  
Outlet Port ◽  
Biological Structures ◽  
Single Structure ◽  
Design Function ◽  
Function Sharing

Abstract This work deduces principles of bioinspired product architecture to effectively leverage biological function-sharing in engineering design. Function-sharing enables a single structure to perform multiple functions and can improve the performance characteristics of a system. The process of evolution via natural selection has led to the emergence of function-sharing adaptations in biological systems. However, the current practice of bioinspired function-sharing is largely limited to the solution-driven imitation of biological structures. This work aims to overcome such limitations by performing a function-based analysis of biological product architectures. First, a phylogenetic approach is used to select generalized case studies from the animal kingdom. Next, the product architectures of the selected case studies are then modeled using function modeling and analyzed by clustering the identified functions into modules. A function-based categorization of the sampled biological modules reveals the presence of four types of modules in the biological case studies. Analyzing the function-sharing scenarios associated with each type of biological module enables us to deduce four guidelines for bioinspired development and arrangement of function-sharing modules. Finally, a demonstration study applies the guidelines to the design of an inlet–outlet port for a washer–dryer system. The deduced guidelines can enable engineers to identify function-sharing scenarios in the early stages of product design and reduce the need to imitate biological structures for function-sharing.

Are there things only artists can do?

Forum+ ◽  
2020 ◽  
Vol 27 (3) ◽  
pp. 45-53
Author(s):  
Carolina Bonfim
Keyword(s):  
Visual Arts ◽  
The Body ◽  
Artistic Practice ◽  
Research Project ◽  
Content Type ◽  
Practice Based Research ◽  
The Relationship

Abstract This article seeks to share the methods and strategies of the practice-based research project Ninety movements on TECHNOGYM G6508D. The research dissects the act of running in all its dimensions by fragmenting, archiving, incorporating, and highlighting what is unique and personal in each gesture and each way of moving. Ninety Movements is a continuation of Carolina Bonfim’s recent artistic practice, which explores the relationship between the body and the archive through a visual-arts approach.

Introduction

2020 ◽  
pp. 1-6
Author(s):  
Rachel K. Gibson
Keyword(s):  
Case Studies ◽  
Digital Technology ◽  
Current Practice ◽  
Phase Model ◽  
General Introduction ◽  
The Core

This chapter provides a general introduction and overview to the book. It sets out the main contention that digital technology has moved from being an afterthought for campaigns to being at the core of current practice, and how this has occurred over a twenty-year period. It introduces the four-phase model of campaign change that anchors the book, and structures the analysis in the subsequent chapters. It explains the concepts of apoliticos and hypernormality that inform the key conclusions of the study. Finally, it presents a summary of the chapters and explains how they develop and how they apply the four-phase model to the four national case studies.

scholarly journals Tinboektoe toe: Spatial explorations

Literator ◽  
2013 ◽  
Vol 34 (2) ◽  
Author(s):  
S.F. Greyling
Keyword(s):  
Creative Process ◽  
Research Practice ◽  
Artistic Practice ◽  
Research Issues ◽  
Research Themes ◽  
Form Part ◽  
Practice Based Research ◽  
Unique Nature ◽  
Advance Research ◽  
The Subject

In order to develop and advance research in the creative disciplines in a university context, it is important to create a space in which the expectations in the formal research environment and the unique features of the creative disciplines are in balance. To this end it is necessary to investigate more closely the challenges and possibilities of practice-based research approaches, and to understand their internal functioning better. The experimental and unique nature of artists’ books and the variety of activities that form part of the creative process may bring about an increased awareness of the creative process, and in that way it may also create space conducive for reflection. In this article the development of an artist’s book, Tinboektoe toe, being discussed, from the perspective of the reflective practitioner. This book, consisting of postcards, invited readers to literally and figuratively become part of the space of the book, to participate in its writing and to make stories, in order to dismantle and undermine the traditional boundaries of the narrative world and the book. Although reader participation in the construct of meaning underpins all writing, it became a deliberate and centrifugal force in this project, influencing the research themes and possibilities. This specific and nuanced focus is probably only feasible if a creative project and research issues are allowed to develop jointly organically. The project can be regarded as a case where artistic practice is the subject, method, content and outcome of research. Practice-based research must offer room for a journey of exploration and discovery.

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