scholarly journals Reputation, Status Networks, and the Art Market

Arts ◽  
2019 ◽  
Vol 8 (3) ◽  
pp. 81 ◽  
Author(s):  
L.E.A. Braden ◽  
Thomas Teekens
Keyword(s):  
Network Analysis ◽  
Market Research ◽  
Large Scale ◽  
Art Market ◽  
High Status ◽  
Exhibition History ◽  
Bibliographic Data ◽  
History Of ◽  
Influence Process

The effect of an artist’s prestige on the price of artwork is a well-known, central tenant in art market research. In considering how an artist’s prestige proliferates, much research examines networks, where certain artistic groupings and associations promote individual member’s artistic standing (i.e., “associative status networks”). When considering the role of associative status networks, there are two models by which status may increase. First, the confirmation model suggests that actors of similar status are associated with each other. Second, the increase model suggests that a halo effect occurs, whereby an individual’s status increases by association with higher-status artists. In this research, we examine the association of artists through museum exhibition to test confirmation versus increase models, ascertaining whether prestige acquisition is a selection or influence process. This research capitalizes on the retrospective digitization of exhibition catalogues, allowing for large-scale longitudinal analysis heretofore unviable for researchers. We use the exhibition history of 1148 artists from the digitized archives of three major Dutch museums (Stedelijk, Boijmans-Van Beuningen, Van Abbe) from 1930 to 1989, as well as data on artists’ market performance from artprice.com and bibliographic data from the WorldCat database. We then employ network analysis to examine the 60-year interplay of associative status networks and determine how different networks predict subsequent auction performance. We find that status connections may have a point of diminishing returns by which comparison to high prestige peers increases one’s own prestige to a point, after which a high-status comparison network becomes a liability.

Quantifying reputation and success in art

Science ◽  
2018 ◽  
Vol 362 (6416) ◽  
pp. 825-829 ◽  
Author(s):  
Samuel P. Fraiberger ◽  
Roberta Sinatra ◽  
Magnus Resch ◽  
Christoph Riedl ◽  
Albert-László Barabási
Keyword(s):  
Dropout Rate ◽  
Career Trajectory ◽  
Exhibition History ◽  
Institutional Prestige ◽  
Early Access ◽  
High Dropout Rate ◽  
History Of ◽  
Long Access ◽  
Rate Limiting

In areas of human activity where performance is difficult to quantify in an objective fashion, reputation and networks of influence play a key role in determining access to resources and rewards. To understand the role of these factors, we reconstructed the exhibition history of half a million artists, mapping out the coexhibition network that captures the movement of art between institutions. Centrality within this network captured institutional prestige, allowing us to explore the career trajectory of individual artists in terms of access to coveted institutions. Early access to prestigious central institutions offered life-long access to high-prestige venues and reduced dropout rate. By contrast, starting at the network periphery resulted in a high dropout rate, limiting access to central institutions. A Markov model predicts the career trajectory of individual artists and documents the strong path and history dependence of valuation in art.

The social context of iron forging on the Kenya coast

Africa ◽  
1996 ◽  
Vol 66 (3) ◽  
pp. 386-410 ◽  
Author(s):  
Chapurukha M. Kusimba
Keyword(s):  
Life Cycle ◽  
Social Context ◽  
Social Power ◽  
High Status ◽  
Detailed Understanding ◽  
The Social ◽  
The Future ◽  
History Of ◽  
Ambiguous Position

Ironsmiths occupy an important yet ambiguous position in many African societies. They are both revered and feared, because they wield social power which arises from their access to occult knowledge, not only of metallurgy but of healing, divination, circumcision and peacemaking. In some societies smiths enjoy high status and are the wealthiest people. In others they are feared, covertly maligned, and blamed for societal misfortunes. In still others the smiths' position is often marginal except when they are needed to intercede on their society's behalf to solve natural or cultural predicaments. The forge or smithy plays a central role in the community as tool-making centre, a place of refuge from violence, of purification, and for healing. This article examines the social context of iron forging among the ironsmiths of the Kenya coast, focusing on the role of iron forging in the coastal economy, the forge, the smiths' life cycle, the institution of apprenticeship, the ritual and technical power of smiths, the role of women in the smiths' community, and the future of iron forging on the coast. It is argued that, while coastal smiths are marginal and despised, they hold important ritual and spiritual powers in coastal society. The article concludes that a detailed understanding of the traditional crafts historically practised on the coast can do much to illuminate the complex history of coastal society.

Conclusion

2017 ◽  
Keyword(s):  
National Identity ◽  
Geographical Distribution ◽  
Crucial Role ◽  
Large Scale ◽  
Small Scale ◽  
Modern History ◽  
Late Modernity ◽  
History Of ◽  
Definition Of

This chapter extends the book’s insights about nature, technology, and nation to the larger history of the modern period. While the modern nation loses its grip as a locus of identity and analysis, attempts to understand the operation, disruption, and collapse of continental and global infrastructures continue to mix the natural and the machinic in ways that define them both. Those vulnerabilities emphasize large-scale catastrophe; historiographically, they mask the crucial role of small-scale failures in the experience and culture of late modernity, including its definition of nature. Historical actors turned the uneven geographical distribution of small-scale failures into a marker of distinctive local natures and an element of regional and national identity. Attending to those failures helps not only situate cold-war technologies in the larger modern history of natural and machinic orders; it helps provincialize the superpowers by casting problematic “other” natures as central and primary.

scholarly journals It’s All in the Reading

Arts ◽  
2020 ◽  
Vol 9 (1) ◽  
pp. 19
Author(s):  
Déirdre Kelly
Keyword(s):  
Contemporary Art ◽  
Mass Production ◽  
Large Scale ◽  
Book Production ◽  
Art Practice ◽  
The Arts ◽  
History Of ◽  
First Time ◽  
The City

It seems inherent in the nature of contemporary artist’s book production to continue to question the context for the genre in contemporary art practice, notwithstanding the medium’s potential for dissemination via mass production and an unquestionable advantage of portability for distribution. Artists, curators and editors operating in this sector look to create contexts for books in a variety of imaginative ways, through exhibition, commission, installations, performance and, of course as documentation. Broadening the discussion of the idea of the book within contemporary art practice, this paper examines the presence and role of book works within the context of the art biennale, in particular the Venice Art Biennale of which the 58th iteration (2019) is entitled ‘May You Live In Interesting Times’ and curated by Ralph Rugoff, with an overview of the independent International cultural offerings and the function of the ‘Book Pavilion’. Venetian museums and institutions continue to present vibrant diverse works within the arena of large-scale exhibitions, recognising the position that the book occupies in the history of the city. This year, the appearance for the first time, of ‘Book Biennale’, opens up a new and interesting dialogue, taking the measure of how the book is being promoted and its particular function for visual communication within the arts in Venice and beyond.

scholarly journals How ‘Networked’ are Online Collaborative Concept-Maps? Introducing Metrics for Quantifying and Comparing the ‘Networkedness’ of Collaboratively Constructed Content

2020 ◽  
Vol 10 (10) ◽  
pp. 267
Author(s):  
Noa Sher ◽  
Carmel Kent ◽  
Sheizaf Rafaeli
Keyword(s):  
Network Analysis ◽  
Large Scale ◽  
Concept Maps ◽  
Quality Measures ◽  
Thought Process ◽  
Academic Settings ◽  
New Challenges ◽  
Complex Phenomena

With the growing role of online multi-participant collaborations in shaping the academic, professional, and civic spheres, incorporating collaborative online practices in educational settings has become imperative. As more educators include such practices in their curricula, they are faced with new challenges. Assessment of collaborations, especially in larger groups, is particularly challenging. Assessing the quality of the collaborative “thought process” and its product is essential for both pedagogical and evaluative purposes. While traditional quantitative quality measures were designed for individual work or the aggregated work of individuals, capturing the complexity and the integrative nature of high-quality collaborative learning requires novel methodologies. Network analysis provides methods and tools that can identify, describe, and quantify non-linear and complex phenomena. This paper applies network analysis to the content created by students through large-scale online collaborative concept-mapping and explores how these can be applied for the assessment of the quality of a collective product. Quantitative network structure measures are introduced for this purpose. The application and the affordances of these metrics are demonstrated on data from six large-group online collaborative discussions from academic settings. The metrics presented here address the organization and the integration of the content and enable a comparison of collaborative discussions.

The Carnegie Uaxactun Project and the Development of Maya Archaeology

1990 ◽  
Vol 1 (2) ◽  
pp. 257-276 ◽  
Author(s):  
Stephen L. Black
Keyword(s):  
Large Scale ◽  
Critical Role ◽  
Carnegie Institution ◽  
Field Methods ◽  
Maya Archaeology ◽  
History Of ◽  
Maya Area

AbstractThe Carnegie Institution of Washington's 1924–1937. Uaxactun Project, one of the first large-scale excavations in the Maya area, established the role of dirt archaeology in Maya studies. The archaeologists who worked on this pioneering project developed many field methods and approaches that remain in use today. A review of the project and of the careers of its participants shows the critical role the Carnegie Uaxactun Project has played in the history of Maya archaeology.

Weathering the Soviet Countryside: The Impact of Climate and Agricultural Policies on Russian Grain Yields, 1958–2010

2013 ◽  
Vol 40 (1) ◽  
pp. 115-143 ◽  
Author(s):  
Nikolai M. Dronin ◽  
Andrei P. Kirilenko
Keyword(s):  
Large Scale ◽  
State Level ◽  
Relative Role ◽  
Agricultural Policies ◽  
Production Potential ◽  
Russian Agriculture ◽  
Land Privatization ◽  
History Of ◽  
The Impact

Agriculture in Russia has always had to contend with unfavorable climate. At the same time, large-scale socio-economic experiments have also strained the country’s food production potential throughout the 20th century. The relative role of climate and state agricultural policies in affecting production of cereals was studied for the period of 1958–2010. The study used statistical yield modeling to explain the variations in observed yields with slowly changing progress in technology and management and weather variability. The correlation between the actual and weather-explained yields is moderate to high: measured at the level of the entire country, Pearson’s r is 0.74 and Spearman’s rho is 0.68. Further, we suggest that the residual yield variability can be explained partially with the influence of large-scale changes in agricultural policies at the state level. Between these policies, we consider the following key periods in the history of Russian agriculture: “Virgin Lands” campaign (end of 1950s), Kosygin-Liberman initiatives (late 1960s), Brezhnev’s investment programmes in response of stagnation of agriculture (late 1970s – early 1980s), Gorbachev’s “Perestrojka” (1985–1991), and land privatization and price liberalization (1990s).

scholarly journals Zelensky's Image in Russian and Ukrainian News: Presidential Campaign 2019 in Ukraine

2021 ◽  
Vol 14 (1(28)) ◽  
pp. 62-76
Author(s):  
Katrin Dkhair ◽  
Polina Klochko
Keyword(s):  
Network Analysis ◽  
Agenda Setting ◽  
Topic Modeling ◽  
Native Language ◽  
Presidential Campaign ◽  
The Other ◽  
Electoral Campaign ◽  
History Of ◽  
Academic Resources

The work explores the portrayal of the sixth president of Ukraine, Volodymyr Zelensky, in Russian and Ukrainian media sources during the pre-electoral campaign in 2019. The study used network analysis, n-grams’ generation, and LDA-based topic modeling. The study reveals that Russia’s media focused on Zelensky as a media personality, while Ukrainian sources paid attention to the portrayal of a novel popular politician. The target audience of the candidate’s campaign was the Russian-speaking population of Ukraine. Media in Ukraine’s native language were more inclined to mention elections, the role of the other candidate Petro Poroshenko and the nationalist mood, while defining Zelensky as just an ordinary candidate in an electoral race. The article is based on academic resources concerning the history of the development of political and media contexts in Ukraine, paying particular attention to agenda-setting, framing and priming techniques, and the personality of Volodymyr Zelensky.

scholarly journals Armenian Digital Communications in Karabakh War of 2020: Critical Discourse Analysis

2021 ◽  
Vol 12 (1 (33)) ◽  
pp. 32-48
Author(s):  
Anahit Hakobyan
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Large Scale ◽  
Digital Communications ◽  
Critical Discourse ◽  
Military Operations ◽  
Military Conflicts ◽  
History Of ◽  
Media And Communication

The role of media and communication in modern military conflicts is becoming more and more relevant. In this regard, the Karabakh war of 2020 was significant։ it was the first large-scale war in the modern history of Armenia, which took place under the conditions and with the use of digital communications. The article provides a critical discourse analysis of war framing in digital communications. The analysis revealed the techniques and mechanisms of framing, the underlying stereotypes, myths and ideologies, as well as the role of social networks in digital communications that accompanied military operations.

scholarly journals Some Thoughts on the Role of the Critical Intellectual in Contemporary Germany

2005 ◽  
Vol 2 (2) ◽  
Author(s):  
Erich Steiner
Keyword(s):  
Large Scale ◽  
German Society ◽  
The Enlightenment ◽  
Current Usage ◽  
Agents Of Change ◽  
History Of ◽  
Professional Field ◽  
On Line ◽  
The One

The paper starts by relating the notion of the "critical intellectual" to the notion of "agent of social change" on the one hand, and to other potential types of agents of change on the other: women in revolt, artists, exiles and queer agencies. Proceeding to a brief characterisation of the socio-cultural and political context "Germany", we shall explore some meanings of attributes such as post-modern and consumer for contemporary German society and culture, arguing that these are cultural and economic terms, which denote current forms of expression for what continues to be a capitalist economy and a bourgeois democracy. One recurrent question will be what the contours might be of the figure of the "critical intellectual" under present day conditions. This is followed by a brief sketch of the meanings of "kritische(r) Intellektuelle(r)" in a historical ("geistesgeschichtlicher") perspective, mainly from the enlightenment onwards. We shall move on to a methodologically very different, but complementary, perspective, which is the consideration of current usage of the term with the help of large-scale electronic corpora of spoken language and an on-line search on the web. As we shall see, an important share and quality of the relevant meanings of a term lies in current usage, which may or may not be directly related to what we know from the history of ideas and/ or etymology. I shall then use examples from my own professional field of work for an exploration of what the role of a critical intellectual in a German context might be, discussing the field of natural language technologies. These examples will illustrate the fact that such a role has to involve participation in, rather than exclusively detached contemplation of, the sphere of production. They will also show that the role of the critical intellectual is, indeed, a locus of contestation in several respects. We finally broaden our perspective into a wider set of questions relating to the role of the critical intellectual, in German (and other) contexts. One of these questions will revolve around the notions of "values" and "ethics": Do we assume that the role of the critical intellectual is inherently connected to some systems of values, either in the sense of the enlightenment, and/or Marxism, and/or some other Weltanschauungs-system, or else do we believe that the position of a critical intellectual could be defined within some entirely market-driven ideology? Is there something like "truth", "progress" or "justice", other than what is successful on the market? Another one of these questions will focus on whether we can identify some force that motivates change in societies, and cultures, and what the role of the critical intellectual might be vis-à-vis such a force. One of our arguments here will be that among such forces may well be "contradictions", that this category of "contradiction" is in no way exhausted by the category of "difference" as currently debated. It will be argued, finally, that whereas the figure of the "critical intellectual", as we have tried to sketch it here, may be situated in a German context, its essential characteristics defy any attempts at claiming it for any one particular culture.

Sign in / Sign up

Export Citation Format

Share Document