scholarly journals Women and the Making of the University of Alicante Campus: Critical Reappraisals of Modern Architecture (1982–1999)

Arts ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 57
Author(s):  
María-Elia Gutiérrez-Mozo ◽  
José Parra-Martínez ◽  
Ana Gilsanz-Díaz
Keyword(s):  
Comparative Analysis ◽  
Modern Architecture ◽  
Open Spaces ◽  
Social Club ◽  
Award Winning ◽  
The Social ◽  
Female Authorship ◽  
History Of ◽  
Concrete Materials ◽  
The University

A stroll around the University of Alicante campus is like a journey through the history of Spanish architecture of the last 40 years, as many of its buildings exemplify the best production of the period. This legacy also tells a story about the role played by female architects within the profession. In fact, a gender reading reveals that only two women, Pilar Vázquez Carrasco, the architect of the Faculty of Sciences (FS, 1982) and the Social Club I (1987), and Dolores Alonso Vera, responsible for the Higher Polytechnic School IV (HPS, 1999), have designed structures on the campus over almost four decades and out of a total of more than 50 buildings. The FS is an example of structural sincerity whose brick and concrete materials and externalisation of services provide Brutalist echoes. The HPS IV is a design exercise consisting of a series of elegant, inviting volumes and open spaces intertwined with the campus garden. This essay focuses on the comparative analysis of these two award-winning works to unveil those contributions that female authorship has brought to their solutions by relating them to comparable buildings in space, time and type, but designed by male architects.

The Roman Retail Revolution

2018 ◽  
Author(s):  
Steven J. R. Ellis
Keyword(s):  
Interdisciplinary Approach ◽  
Vital Role ◽  
Archaeological Material ◽  
Roman World ◽  
The Social ◽  
History Of ◽  
Food And Drink ◽  
Bodies Of Evidence ◽  
Definition Of ◽  
The University

Tabernae were ubiquitous among all Roman cities, lining the busiest streets and dominating their most crowded intersections, and in numbers not known by any other form of building. That they played a vital role in the operation of the city—indeed in the very definition of urbanization—is a point too often under-appreciated in Roman studies, or at best assumed. The Roman Retail Revolution is a thorough investigation into the social and economic worlds of the Roman shop. With a focus on food and drink outlets, and with a critical analysis of both archaeological material and textual sources, Ellis challenges many of the conventional ideas about the place of retailing in the Roman city. A new framework is forwarded, for example, to understand the motivations behind urban investment in tabernae. Their historical development is also unraveled to identify three major waves—or, revolutions—in the shaping of retail landscapes. Two new bodies of evidence underpin the volume. The first is generated from the University of Cincinnati’s recent archaeological excavations into a Pompeian neighborhood of close to twenty shop-fronts. The second comes from a field survey of the retail landscapes of more than a hundred cities from across the Roman world. The richness of this information, combined with an interdisciplinary approach to the lives of the Roman sub-elite, results in a refreshingly original look at the history of retailing and urbanism in the Roman world.

Architecture, Modernism and Nation-Building in Kemalist Turkey

1994 ◽  
Vol 10 ◽  
pp. 37-55 ◽  
Author(s):  
Sibel Bozdoğan
Keyword(s):  
Nation Building ◽  
Critical Force ◽  
Modern Architecture ◽  
Urban Life ◽  
The West ◽  
Industrial City ◽  
The Social ◽  
Great Transformation ◽  
History Of ◽  
The 19Th Century

Deeply rooted in “the great transformation” brought about by capitalism, industrialization and urban life, the history of modern architecture in the West is intricately intertwined with the rise of the bourgeoisie. Modernism in architecture, before anything else, is a reaction to the social and environmental ills of the industrial city, and to the bourgeois aesthetic of the 19th century. It emerged first as a series of critical, utopian and radical movements in the first decades of the twentieth century, eventually consolidating itself into an architectural establishment by the 1930s. The dissemination of the so-called “modern movement” outside Europe coincides with the eclipse of the plurality and critical force of early modernist currents and their reduction to a unified, formalist and doctrinaire position.

scholarly journals An Editor's Wish List

2009 ◽  
Vol 25 (4) ◽  
pp. 303-305
Author(s):  
Maria Shevtsova
Keyword(s):  
Graduate Studies ◽  
Theatre Arts ◽  
Robert Wilson ◽  
Jacobean Drama ◽  
Award Winning ◽  
Senior Research Fellow ◽  
Senior Research ◽  
History Of ◽  
And Performance ◽  
The University

The co-editors of New Theatre Quarterly take time out here to reflect on the milestone of the journal reaching its hundredth consecutive issue, in succession to the forty of the original Theatre Quarterly. Simon Trussler was one of the founding editors of the ‘old’ Theatre Quarterly in 1971. He is the author of numerous books on drama and theatre, including New Theatre Voices of the Seventies (1981), Shakespearean Concepts (1989), the award-winning Cambridge Illustrated History of British Theatre (1993), The Faber Guide to Elizabethan and Jacobean Drama (2006), and Will's Will (2007). Formerly Reader in Drama in the University of London, he is now Professor and Senior Research Fellow at Rose Bruford College. Maria Shevtsova, who has been co-editor of New Theatre Quarterly since 2003, is Professor of Drama and Theatre Arts and Director of Graduate Studies at Goldsmiths, University of London. The author of more than one hundred articles and chapters in collected volumes, her books include Dodin and the Maly Drama Theatre: Process to Performance (2004), Fifty Key Theatre Directors (co-edited with Shomit Mitter, 2005), Robert Wilson (2007), Directors/Directing: Conversations on Theatre (with Christopher Innes, 2009), and Sociology of Theatre and Performance (2009).

scholarly journals Oscar Peterson: The Man and His Jazz by J. Batten

2013 ◽  
Vol 3 (1) ◽  
Author(s):  
Sean Luyk
Keyword(s):  
Young Adult ◽  
Music Criticism ◽  
University Of Alberta ◽  
Non Fiction ◽  
The Social ◽  
Jazz History ◽  
History Of ◽  
The Many ◽  
The University ◽  
Adult Reader

Batten, Jack. Oscar Peterson: The Man and His Jazz. Toronto: Tundra Books, 2012. Print. This young adult non-fiction novel explores the life of the legendary Canadian jazz pianist and composer Oscar Peterson. Beginning with an account of Peterson’s 1949 breakthrough performance at Carnegie Hall as part of the influential Jazz at the Philharmonic (JATP) concert series, Batten traces the seventy year musical career of Oscar Peterson in an engaging and insightful style. This book seamlessly combines a personal and musical biography of Peterson with a history of the development of jazz from the 1920s to the time of Peterson’s death in 2007. True to the title of the book, Batten’s is indeed one about both the man and his music. From Peterson’s humble upbringing as the son of immigrants from the West Indies living in poverty in Montréal, the influence of his family on his personal and musical development is a consistent theme throughout the book. Batten does not hold back when describing the social conditions Peterson was operating under throughout his career. The racism Peterson encountered both at home and abroad, as well as the drug use prominent among jazz musicians is honestly explored, as are the personal tragedies Peterson faced, including his failed marriages and consistently poor health. Peterson’s many longtime musical collaborations are explored in great detail, with Batten highlighting the influential performing and recording achievements of his career. From his longtime relationship with the jazz promoter Norman Granz, through the many iterations of Peterson’s famous trio, Batten doesn’t leave out the details at any point. The addition of multiple photographs, quotes from Peterson’s teachers and collaborators, and a selected bibliography and discography add to the historical richness of this title. This book is recommended to the young adult reader with an interest in jazz history, and the life and accomplishments of one of Canada’s most cherished musicians.Recommended: 3 out of 4 starsReviewer: Sean LuykSean is the Music Librarian for the Rutherford Humanities and Social Sciences Library at the University of Alberta. Sean holds an MA in Music Criticism and B.Mus from McMaster University, as well as an MLIS from the University of Western Ontario.

On Disciplinary Finitude

PMLA ◽  
2017 ◽  
Vol 132 (3) ◽  
pp. 505-512 ◽  
Author(s):  
Jeffrey T. Schnapp
Keyword(s):  
Los Angeles ◽  
Architectural History ◽  
University Of California ◽  
Filippo Tommaso Marinetti ◽  
Speed Limits ◽  
Avant Garde ◽  
The Social ◽  
History Of ◽  
Social Environmental ◽  
The University

The year 2008 was one of fruitful disjunctions. I spent the fall teaching at Stanford but commuting to the University of California, Los Angeles, to cochair the inaugural Mellon Seminar in Digital Humanities. During the same period, I was curating—at the Canadian Center for Architecture, in Montreal—an exhibition devised to mark the centenary of the publication of “The Founding Manifesto of Futurism,” by Filippo Tommaso Marinetti. Whereas other centennial shows (at the Centre Pompidou, in Paris, and at the Palazzo Reale, in Milan) sought to celebrate the accomplishments and legacies of Marinetti's avant-garde, the Canadian exhibition, Speed Limits, was critical and combative in spirit, more properly futurist (though thematically antifuturist). It probed the frayed edges of futurism's narrative of modernity as the era of speed to reflect on the social, environmental, and cultural costs. An exhibition about limits, it looked backward over the architectural history of the twentieth century to look forward beyond the era of automobility.

Sharī‘a Court Registers and Land Tenure around Nineteenth-Century Damascus

1987 ◽  
Vol 21 (2) ◽  
pp. 155-169
Author(s):  
James A. Reilly
Keyword(s):  
Nineteenth Century ◽  
Seventeenth Century ◽  
Land Tenure ◽  
Economic History ◽  
Historical Documents ◽  
Large Collection ◽  
Present Information ◽  
The Social ◽  
History Of ◽  
The University

The importance of sharī‘a law-court registers as sources for the social and economic history of Syria/Bilād al-Shām in the Ottoman period has been recognized for some time. A number of studies based on them have appeared, but the registers are so vast that scholars have in fact barely begun to investigate them. The Historical Documents Center (Markaz al-Wathā’iq al-Tārīkhīya) in Damascus holds over one thousand volumes. Additional originals exist in Israel/Palestine and a large collection of Syrian and Palestinian registers is available on microfilm at the University of Jordan (Amman). Although it is difficult to use the Lebanese registers nowadays (and those of Sidon may have been destroyed) a volume of the Tripoli registers from the seventeenth century has been published in facsimile by the Lebanese University. Dearth of material, therefore, is not a problem. One obstacle facing researchers, however, is unfamiliarity with the manner in which the registers present information. Persons whose native tongue is not Arabic have the additional problem of language to overcome. Therefore, an orientation to the registers is helpful, and this article is written with that purpose in mind.

The Social Relations of Tudor Oxford

1977 ◽  
Vol 27 ◽  
pp. 115-134 ◽  
Author(s):  
J. K. McConica
Keyword(s):  
Social Relations ◽  
Significant Contribution ◽  
Land Market ◽  
The Social ◽  
University History ◽  
Intellectual Milieu ◽  
English Society ◽  
History Of ◽  
Historical Phenomenon ◽  
The University

If study of the university can have any place in the general history of society, it must be understood as a part of a much larger historical phenomenon, of whose vastness and complexity the university's records themselves make us aware. In the sixteenth century we are conscious of powerful currents of social change and energy upon which the universities floated with little or no power of control: a rapidly growing population, geographically and economically on the move; a burgeoning school system; urban wealth growing and changing location, but always under the massive dominance of London; an active land-market; rise in prices; and the work of governments, both national and local, concerned with education and its consequences. This is the setting of Tudor society, and only special optical devices will enable us to pick out the university and set it in the foreground. In the process some distortion is inevitable. An indication of the problems that occur in university history may be found in the view of a recent student of Tudor Cambridge who, while acknowledging that one contribution of the universities to the complex change within English society was ‘the creation of a more refined and integrated cultural and intellectual milieu’ centred upon London and the court, finds the truly significant contribution in a more informed, vigorous and tenacious local solidarity in the ‘country’. Another historian of Elizabethan England tells us that in the universities, ‘the interesting thing, as so often in English life, is the extent and intimacy of the social mixture’.

scholarly journals The Reformation of Hell? Protestant and Catholic Infernalisms in England, c. 1560–1640

2010 ◽  
Vol 61 (2) ◽  
pp. 279-298 ◽  
Author(s):  
PETER MARSHALL
Keyword(s):  
Comparative Analysis ◽  
Social History ◽  
English Language ◽  
Protestant Reformation ◽  
The Social ◽  
The Reformation ◽  
History Of ◽  
The Impact

Despite a recent expansion of interest in the social history of death, there has been little scholarly examination of the impact of the Protestant Reformation on perceptions of and discourses about hell. Scholars who have addressed the issue tend to conclude that Protestant and Catholic hells differed little from each other in the Elizabethan and early Stuart periods. This article undertakes a comparative analysis of printed English-language sources, and finds significant disparities on questions such as the location of hell and the nature of hell-fire. It argues that such divergences were polemically driven, but none the less contributed to the so-called ‘decline of hell’.

scholarly journals To Play Many Parts: Reading Between the Lines of Charlotte Salomon/CS’s Leben? oder Theater?

2018 ◽  
Vol 43 (1) ◽  
pp. 63-80
Author(s):  
Nicholas Chare
Keyword(s):  
Art History ◽  
Fine Art ◽  
Recent Book ◽  
New Haven ◽  
Yale University ◽  
The Social ◽  
History Of Art ◽  
History Of ◽  
German Jewish ◽  
The University

This conversation with Griselda Pollock, Professor of the Social and Critical Histories of Art in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds, UK, focuses on her most recent book, Charlotte Salomon and the Theatre of Memory (New Haven and London : Yale University Press, 2018). The latter provides new readings of Leben ? oder Theater ? (Life ? or Theater ?), the artistic project of the German Jewish artist Charlotte Salomon (1917–1943), who painted as CS — the cipher the artist purposely used to disguise both her gender and her ethnicity — thus challenging previous interpretations that treat this remarkable intermedial work as straightforwardly autobiographical.

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