scholarly journals Engraving and Religious Imagery in the Modern Age: Between Verisimilitude and the Suggestion of Non-Existent Realities. Analysis of Some Cases Elaborated in Spain

Religions ◽  
2021 ◽  
Vol 12 (12) ◽  
pp. 1096
Author(s):  
María José Cuesta García de Leonardo

The didactic importance of the religious image can be appreciated in the use of engraving and its power to disseminate, especially in the urban society of the Modern Age, in connection with the printed book. Such images will use their evocative power to suggest, based on observable realities, a reality that never existed, but which is convenient to create: The image will be able to construct this reality and convince observers of its undoubted existence. Some examples elaborated in Spain will be analyzed, as well as their inventors or the engravers who followed the instructions of the previous ones.

1968 ◽  
Vol 13 (6) ◽  
pp. 315-315
Author(s):  
Morton Deutsch
Keyword(s):  

Author(s):  
Bethan Evans ◽  
Charlotte Cooper

Over the last twenty years or so, fatness, pathologised as overweight and obesity, has been a core public health concern around which has grown a lucrative international weight loss industry. Referred to as a ‘time bomb’ and ‘the terror within’, analogies of ‘war’ circulate around obesity, framing fatness as enemy.2 Religious imagery and cultural and moral ideologies inform medical, popular and policy language with the ‘sins’ of ‘gluttony’ and ‘sloth’, evoked to frame fat people as immoral at worst and unknowledgeable victims at best, and understandings of fatness intersect with gender, class, age, sexuality, disability and race to make some fat bodies more problematically fat than others. As Evans and Colls argue, drawing on Michel Foucault, a combination of medical and moral knowledges produces the powerful ‘obesity truths’ through which fatness is framed as universally abject and pathological. Dominant and medicalised discourses of fatness (as obesity) leave little room for alternative understandings.


2019 ◽  
Vol 7 (11) ◽  
pp. 18
Author(s):  
Dr. Indu Goyal

Marriage is an important thing in the life of a woman. The importance that our society attaches to marriage is reflected in our literature and it is the central concern of Shashi Deshpade’s novels. In our society where girl learns early that she is ‘Paraya Dhan’, and she is her parents’ responsibility till the day she is handed over to her rightful owners. What a girl makes of her life, how she shapes herself as an individual, what profession she takes up is not as important as whom she marries. Marriage is the ultimate goal of a woman’s life. This paper attempts to probe into the problems of marriage through the protagonists of her novels where one enjoys the freedom of marriage and the other accepts the traditional marriage. Shashi Deshpade highlights the problems of marriage faced by middle-class people in finding suitable grooms for their daughters. This problem is well-illustrated through the characters of her novels. Since the girl’s mind over her childhood is tuned that she is another’s property, she tries to attach a lot of importance to it. it is indeed a tragedy that even in the modern age, Indian females echo the same sentiment where it was marriage which mattered most of them but not to the men. It is a beginning of females sacrifices in life that marriage brings to her. Shashi Deshpande encourages her female protagonists to rise in rebellion against the males in the family matters, instead she wants to build a harmonious relationship between man and woman in a mood of compromise and reconciliation.  


IJOHMN ◽  
2016 ◽  
Vol 2 (2) ◽  
pp. 4
Author(s):  
Abhishek Verma

In the modern age of globalization and modernization, people have become selfish and self-centered.  Feeling of sympathy and kindness towards poor people have almost bolted from the hearts of those who have richly available resources.  They leave needy people running behind their luxurious chauffer-driven cars.  Poor and marginalized people keep shouting for help for their dear ones but upper class people trying to show as if they did not hear any long distant sound crept into their eardrums.  This trauma, agony, pain and sufferings is explored in the novel, The Foreigner.


2018 ◽  
Vol 73 (1) ◽  
pp. 175-179
Author(s):  
Julian Luxford

This article examines three drawings of the head of St Swithun made in the late 13th and early 14th century. The drawings were devised and put into registers of documents created in the royal exchequer at Westminster, where they functioned as finding-aids. As such, they are unusual examples of religious imagery with no religious purpose, and throw some light on prevailing ideas about Winchester cathedral priory at the time they were made. Their appearance was possibly conditioned by their maker's acquaintance with head-shaped reliquaries: this matter is briefly discussed, and a hitherto unremarked head-relic of St Swithun at Westminster Abbey introduced.


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