scholarly journals Emotions vocabulary and the reconceptualisation of emotions in Ann Radcliffe’s “The Italian, or the Confessional of the Black Penitents”

2019 ◽  
Vol 5 (1) ◽  
pp. 40-58
Author(s):  
Elena D. Andonova-Kalapsazova
Keyword(s):  
Eighteenth Century ◽  
David Hume ◽  
Adam Smith ◽  
Emotional Experience ◽  
Close Reading ◽  
The Novel ◽  
Emotional Experiences ◽  
Critical Studies ◽  
Francis Hutcheson ◽  
History Of

The article undertakes the analysis of Ann Radcliffe’s novel The Italian, or the Confessional of the Black Penitents (1797) from a history of literary emotions perspective which, I argue, yields insights into the attitudes towards emotions embedded in Radcliffe’s works. A reading of the novel from such a perspective also complements the critical studies of the artist’s engaging with the eighteenth-century cult of sensibility. The novel is read as a text that registered but also participated in the dissemination of an epistemology of emotional experience articulated in the idiom of eighteenth-century moral philosophers – Francis Hutcheson, David Hume and Adam Smith - at the same time as it retained some of the older, theology-based conceptions of passions and affections. The dynamic in which the two frameworks for understanding the emotions exist in the novel is explored through a close reading of the vocabulary in which Radcliffe rendered the emotional experiences of her fictional characters. In this reading it is the passions which are found to have been invested with a variety of meanings and attributed a range of moral valences that most noticeably foreground the movement from a generally negative towards a more complex appreciation of powerful emotions.

Commerce, Virtue, and Politics: Adam Ferguson's Constitutionalism

1983 ◽  
Vol 45 (4) ◽  
pp. 536-552 ◽  
Author(s):  
Gary L. McDowell
Keyword(s):  
Eighteenth Century ◽  
David Hume ◽  
Adam Smith ◽  
Scottish Enlightenment ◽  
Thomas Reid ◽  
Political Thinking ◽  
Francis Hutcheson ◽  
History Of ◽  
Moral Philosophers

Adam Ferguson was one of several moral philosophers who contributed to the Scottish Enlightenment, a period aptly described as one of “remarkable efflorescence.” The works of Ferguson and his fellow Scotsmen — Adam Smith, David Hume, Dugald Stewart, Lord Kames, Francis Hutcheson and Thomas Reid — were widely distributed, seriously read, and vigorously debated during the last quarter of the eighteenth century. The greatest contribution of this Scottish school to the history of political thinking was the refinement of the idea of commercial republicanism, the synthesis of modern notions of polity and economy.

Moral canals: trust and social capital in the work of Hume, Smith and Genovesi

2000 ◽  
Vol 16 (1) ◽  
pp. 21-45 ◽  
Author(s):  
Luigino Bruni ◽  
Robert Sugden
Keyword(s):  
Social Capital ◽  
Eighteenth Century ◽  
Market Economy ◽  
David Hume ◽  
Adam Smith ◽  
Social Institution ◽  
Economic Life ◽  
Economic Agents ◽  
Trading Partners ◽  
History Of

It is a truism that a market economy cannot function without trust. We must be able to rely on other people to respect our property rights, and on our trading partners to keep their promises. The theory of economics is incomplete unless it can explain why economic agents often trust one another, and why that trust is often repaid. There is a long history of work in economics and philosophy which tries to explain the kinds of reasoning that people use when they engage in practices of trust: this work develops theories of trust. A related tradition in economics, sociology and political science investigates the kinds of social institution that reproduce whatever habits, dispositions or modes of reasoning are involved in acts of trust: this work develops theories of social capital. A recurring question in these literatures is whether a society which organizes its economic life through markets is capable of reproducing the trust on which those markets depend. In this paper, we look at these themes in relation to the writings of three eighteenth-century philosopher-economists: David Hume, Adam Smith, and Antonio Genovesi.

Assimilating the Novel: Reviews and Collections

2018 ◽  
Author(s):  
Michael Gamer
Keyword(s):  
Eighteenth Century ◽  
Print Culture ◽  
The Novel ◽  
Critical Studies ◽  
History Of ◽  
Critical Account ◽  
British Culture

This chapter looks at the novel's assimilation into British culture between 1750 and 1820. During this period, the vast majority of theories and histories of the novel were introduced not through formal critical studies like John Dunlop's The History of Fiction: Being a Critical Account of the Most Celebrated Prose Works of Fiction, from the earliest Greek Romances to the Novels of the Present Age (1814), but rather through an array of other publications that helped constitute print culture in these years. Of these other acts of publishing, the chapter focuses on the activities of eighteenth-century literary reviews and anthologies, particularly on large reprinted collections of novels published after 1774.

Shaftesbury and the Modern Problem of Virtue

1998 ◽  
Vol 15 (1) ◽  
pp. 275-316 ◽  
Author(s):  
Douglas J. Den Uyl
Keyword(s):  
Eighteenth Century ◽  
David Hume ◽  
John Locke ◽  
Adam Smith ◽  
Moral Sense ◽  
Modern Problem ◽  
Francis Hutcheson ◽  
The Third ◽  
Members Of Parliament ◽  
The Arts

Anthony Ashley Cooper (1671–1713), the Third Earl of Shaftesbury, was the grandson of the First Earl of Shaftesbury (also Anthony Ashley Cooper, 1621–1683). The First Earl, along with John Locke, was a leader and founder of the Whig movement in Britain. Locke was the First Earl's secretary and also the tutor of the Third Earl. Both the First and Third Earls were members of parliament and supporters of Whig causes. Although both the First and Third Earls were involved in politics, the Third Earl is better known for intellectual pursuits. Indeed, the Third Earl (henceforth simply “Shaftesbury”) is second only to Locke in terms of influence during the eighteenth century. Yet if one takes into account effects upon literature, the arts, and manners, as well as upon philosophical trends and theories, Shaftesbury might be even more influential. Even if we restrict ourselves to philosophy, Shaftesbury's ideas were admired by thinkers as different as Leibniz and Montesquieu—something which could obviously not be said about Locke. Within ethics, Shaftesbury influenced Francis Hutcheson, David Hume, Samuel Butler, and Adam Smith and is credited with founding the “moral sense” school of thought.

Ferguson, Adam (1723–1815)

2018 ◽  
Author(s):  
David Kettler
Keyword(s):  
Eighteenth Century ◽  
Civil Society ◽  
David Hume ◽  
Adam Smith ◽  
Comparative Method ◽  
Division Of Labour ◽  
Political Consciousness ◽  
Negative Effects ◽  
Commercial Society ◽  
History Of

Rarely mentioned by philosophers except as companion of David Hume and Adam Smith, Ferguson contributed a political consciousness to the moral philosophy of eighteenth-century Scotland. In An Essay on the History of Civil Society (1767), Ferguson used a comparative method to reflect on a commercial society distinguished by refined division of labour and to caution against its political dangers. With his intentionally elevated rhetoric he sought to counter his philosophical contemporaries’ analytical aloofness from the negative effects of the civility, commerce, security and critical philosophy they prized. Ferguson’s textbooks and Roman history deserve philosophical attention for their help with interpreting his distinctive social diagnosis of the liberal political constitution.

The Novel of Sensibility in the 1780s

2018 ◽  
Author(s):  
Caroline Franklin
Keyword(s):  
John Locke ◽  
Adam Smith ◽  
The Novel ◽  
Francis Hutcheson ◽  
Literary Movement ◽  
Epistolary Novels ◽  
The Relationship

This chapter studies the novels of sensibility in the 1780s. The philosophy of John Locke, Anthony Ashley Cooper, third Earl of Shaftesbury, Adam Smith, and Francis Hutcheson had influenced the first wave of epistolary novels of sensibility beginning in the 1740s. These explored the interaction between emotion and reason in producing moral actions. Response to stimuli was minutely examined, especially the relationship between the psychological and physiological manifestations of feelings. Later in the century, and, in particular during the late 1780s when the novel enjoyed a surge in popularity, the capacity for fine feeling became increasingly valued for its own sake rather than moralized. Ultimately, sensibility should be seen as a long-lasting literary movement rather than an ephemeral fashion. It put paternal authority and conventional modes of masculinity under question.

Restoration Theatre and the Novel

2018 ◽  
Author(s):  
Jenny Davidson
Keyword(s):  
Eighteenth Century ◽  
Literary Form ◽  
The Novel ◽  
Cultural Transition ◽  
Strong Affinity ◽  
History Of ◽  
Restoration Theatre ◽  
Restoration Comedy ◽  
London Stage

This chapter explores the broad cultural transition from drama to novel during the Restoration period, which triggered one of the most productive periods in the history of the London stage. However, when it comes to the eighteenth century proper, the novel is more likely to be identified as the century's most significant and appealing popular genre. The chapter considers why the novel has largely superseded drama as the literary form to which ambitious and imaginative literary types without a strong affinity for verse writing would by default have turned their attention and energies by the middle of the eighteenth century. Something important may have been lost in the broad cultural transition from drama to novel. This chapter, however, contends that many things were preserved: that the novel was able to absorb many of the functions and techniques not just of Restoration comedy but of the theatre more generally.

Tom Jones

2008 ◽  
Author(s):  
Henry Fielding
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
The Novel ◽  
Fourth Edition ◽  
Tom Jones ◽  
History Of

Fielding's comic masterpiece of 1749 was immediately attacked as `A motley history of bastardism, fornication, and adultery'. Indeed, his populous novel overflows with a marvellous assortment of prudes, whores, libertines, bumpkins, misanthropes, hypocrites, scoundrels, virgins, and all too fallible humanitarians. At the centre of one of the most ingenious plots in English fiction stands a hero whose actions were, in 1749, as shocking as they are funny today. Expelled from Mr Allworthy's country estate for his wild temper and sexual conquests, the good-hearted foundling Tom Jones loses his money, joins the army, and pursues his beloved across Britain to London, where he becomes a kept lover and confronts the possibility of incest. Tom Jones is rightly regarded as Fielding's greatest work, and one of the first and most influential of English novels. This carefully modernized edition is based on Fielding's emended fourth edition text and offers the most thorough notes, maps, and bibliography. The introduction uses the latest scholarship to examine how Tom Jones exemplifies the role of the novel in the emerging eighteenth-century public sphere.

Passion's Fictions from Shakespeare to Richardson

2021 ◽  
Author(s):  
Benedict S. Robinson
Keyword(s):  
Adam Smith ◽  
Francis Bacon ◽  
Theoretical Knowledge ◽  
The Novel ◽  
Literary Works ◽  
Critical Moment ◽  
Intimate Relation ◽  
History Of ◽  
Social Scenes

Passion’s Fictions traces the intimate links between literature and the sciences of soul and mind from the age of Shakespeare to the rise of the novel. It chronicles the emergence of new sciences of the passions between the sixteenth and eighteenth centuries out of and in some ways against a received “science of the soul,” and it argues that this history was shaped by rhetoric, which contained the most extensively particularized discourse on the passions, offering principles for moving and affecting the passions of others in concrete social scenes. This rhetoric of the passions centered on narrative as the instrument of a non-theoretical knowledge of the passions in their particularity, predicated on an account of passion as an intimate relation between an empassioned mind and an empassioning world: rhetoric offers a kind of externalist psychology, formalized in the relation of passion to action and underwriting an account of narrative as a means of both moving passion and knowing it. This book describes the psychology of the passions before the discipline of psychology, tracing the influence of rhetoric on theories of the passions from Francis Bacon to Adam Smith and using that history to read literary works by Shakespeare, Milton, Haywood, Richardson, and others. Narrative offers a means of knowing and moving the passions by tracing them to the events and objects that generate them; the history of narrative practices is thus a key part of the history of the psychology of the passions at a critical moment in its development.

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