A Study on the Change of Marine Culture Industry : Focused on Japan case

2021 ◽  
Vol 24 ◽  
pp. 235-254
Author(s):  
Min-Ho Yang ◽  
Joon-Hwan Kim
Author(s):  
Tamara Vázquez-Barrio ◽  
Teresa Torrecillas-Lacave ◽  
Rebeca Suárez-Álvarez

Traditional television coexists with formats that originated on the internet, as well as on-demand consumption, paid television, and other audio-visual content distribution platforms. Audience data reveal a steady decline in television viewership, and digital technologies now allow any citizen to produce audio-visual content and distribute it for mass consumption through the internet. Given this new audio-visual ecosystem, the aim of this research is to ascertain whether there are any signs of a crisis regarding the dominance of television as a means of disseminating the products of the culture industry. Disinterest or indifference toward conventional programming by users would reveal a danger to the broadcast industry. In contrast, the consumption of television products through other channels would imply the retention of television audiences through the internet. This study analyzes perceptions regarding television through five online discussion groups. Three conclusions can be drawn: Firstly, television holds a prominent place in the daily lives of those who use it, including the youngest participants, despite the fact that audiences have declined in recent years. The second conclusion states that the perception of television is positive and associated with disengagement, relaxation, and family gatherings, which can be combined with individual consumption at other times of the day. As a third conclusion, this study reveals the high degree of compatibility between the internet and television screens, as new forms of consumption are emerging, yet there is still a predominant interest in content on television and from the mass culture industry. Resumen La televisión tradicional convive con formatos originados en internet, con el consumo bajo demanda, con la televisión de pago y con otras plataformas de distribución de contenido audiovisual. Los datos de audiencias muestran un descenso continuado de telespectadores y las tecnologías digitales permiten a cualquier ciudadano producir contenidos audiovisuales y distribuirlos para el consumo masivo a través de la Red. Ante este nuevo ecosistema audiovisual, el objetivo de esta investigación es comprobar si se pueden advertir signos de una crisis de la supremacía del televisor como medio de difusión de industria cultural. El desapego o indiferencia de los usuarios hacia la programación convencional evidenciaría un peligro para la televisión. Al contrario, el consumo de productos televisivos a través de otras pantallas implicaría el mantenimiento de las audiencias televisivas a través de internet. La investigación analiza las percepciones sobre la televisión mediante cinco grupos de discusión online. Se extraen tres conclusiones. La primera, que la televisión ocupa una posición relevante en la cotidianeidad de los participantes, incluidos los más jóvenes, a pesar de que las audiencias han descendido en los últimos años. La segunda, que la percepción sobre la televisión es positiva y se asocia a la desconexión, el relax y a un momento de reunión familiar compaginable con consumos individualizados en otros momentos del día. Tercera, el estudio demuestra el alto grado de compatibilidad entre internet y la pantalla del televisor porque surgen nuevas formas de consumo, pero se mantiene un interés predominante por los contenidos televisivos y de la gran industria cultural.


1999 ◽  
Vol 90 (1) ◽  
pp. 123-138 ◽  
Author(s):  
Mary Ann Hunter

This article considers the place of youth arts and cultures in the cultural industries approach to cultural policy. It argues that the ‘covert economic overlay’ (Brokensha, 1996: 101) of the Australian National Culture–Leisure Industry Statistical Framework privileges certain processes in a ‘government convenient’ model of industry inputs and outcomes, and that the assumptions of this model are challenged by youth-specific and community-based modes of production. Furthermore, it argues that the philosophies and practices of contemporary youth-specific arts organisations have the potential to redefine ‘culture industry’ and contribute to a ‘coherent new paradigm’ of cultural policy (UNESCO, 1995: 232). This paper makes these arguments by examining the place of youth arts and cultures in the existing environment of cultural industrialisation, by considering recent government policy responses to young people's cultural activity and by addressing long-term policy issues for the support of young people and cultural development.


Author(s):  
Guoqing Ma

Abstract Island studies play an important role in the development of anthropology. It is of academic value and practical significance to understand the island world as the field where multiple modernization forces and globalization interwine. This paper explores the intricate and diverse connections between continental and marine culture from a perspective of “viewing the world through the island”. In terms of overall diversity and exoteric mobility, this paper reviews the various aspects of island studies, examines the internal and external transformation of islands within land-sea interaction, and analyzes the dynamic historical process of the island world’s involvement in the global network, which blends and integrates various cultural elements of the external world. In the context of globalization, the island world is undergoing dramatic changes and in coping with them generating its new features.


2021 ◽  
pp. 1-9
Author(s):  
M. Manokari ◽  
S. Priyadharshini ◽  
Mahipal S. Shekhawat

Abstract Micropropagation techniques allow producing large numbers of clones of genetically identical plants. However, there is evidence of disorders in internal structures due to sophisticated in vitro conditions. Such variations are responsible for the mortality of plantlets in the field and cause huge loss to the tissue culture industry. Anatomical evaluation at different growth conditions allows for understanding structural repair of in vitro raised plantlets. Therefore, the present study was aimed to identify the structural changes that occurred in micropropagated plants of Vitex negundo under heterotrophic, photomixotrophic, and photoautotrophic conditions. To achieve this, structural variations were analyzed in the plantlets obtained from in vitro, greenhouse and field transferred stages using light microscopy. Underdeveloped dermal tissues, palisade cells, intercellular spaces, mechanical tissues, vascular bundles, and ground tissues were observed with the plants growing under in vitro conditions. The self-repairing of structural disorders and transitions in vegetative anatomy was observed during hardening under the greenhouse environment. Field transferred plantlets were characterized by well-developed internal anatomy. These findings showed that the micropropagated plantlets of V. negundo were well-adapted through a series of self-repairing the in vitro induced structural abnormalities at the subsequent stages of plant development.


2021 ◽  
Vol 6 (7) ◽  
pp. 2000-2010
Author(s):  
Yutong He ◽  
Honghao Hou ◽  
Shuqi Wang ◽  
Rurong Lin ◽  
Leyu Wang ◽  
...  

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