scholarly journals Odcienie obcości. Wyniki sondażu „Polacy i inni 30 lat później” — analiza porównawcza (1988, 1998, 2018)

2020 ◽  
Vol 64 (3) ◽  
pp. 169-198
Author(s):  
Ewa Nowicka ◽  
Sławomir Łodziński
Keyword(s):  
The Other ◽  
Media Discourse ◽  
World Outlook ◽  
Other Hand ◽  
Personal Experiences ◽  
Polish Society ◽  
The Media ◽  
Migration Crisis ◽  
The One

The aim of the article is to analyze selected results of the 2018 survey “Poles and Others after Thirty Years” on attitudes to the arrival of foreigners in Poland and to compare them with the results of analogous studies from 1988 and 1998. The authors suggest that the notion of “foreign” is becoming increasingly definite in the consciousness of Polish society. There is a noticeable decline in openness in regard to more foreigners coming to Poland and an increase in the number of people who are clearly opposed to foreigners. The authors argue that the current attitudes of the respondents could have been influenced, on the one hand, by their personal experiences, which in the last few years have begun to take the form of real (non-abstract) contact with foreigners (immigrants), and on the other hand, by the media discourse related to the migration crisis of 2015. In light of the research, open (inclusive) attitudes toward foreigners can not be reduced to simple yes or no answers but remain related to wider world-outlook complexes reflecting the shape of Polish society, which in recent years has experienced the effects of immigration.

Gender and Social Exclusion in European Migration Crisis

2018 ◽  
pp. 658-676
Author(s):  
Marlou Schrover
Keyword(s):  
Twentieth Century ◽  
Social Exclusion ◽  
Historical Perspective ◽  
The Other ◽  
Men And Women ◽  
Refugee Women ◽  
Other Hand ◽  
Migration Crisis ◽  
The One ◽  
European Migration

This chapter discusses social exclusion in European migration from a gendered and historical perspective. It discusses how from this perspective the idea of a crisis in migration was repeatedly constructed. Gender is used in this chapter in a dual way: attention is paid to differences between men and women in (refugee) migration, and to differences between men and women as advocates and claim makers for migrant rights. There is a dilemma—recognized mostly for recent decades—that on the one hand refugee women can be used to generate empathy, and thus support. On the other hand, emphasis on women as victims forces them into a victimhood role and leaves them without agency. This dilemma played itself out throughout the twentieth century. It led to saving the victims, but not to solving the problem. It fortified rather than weakened the idea of a crisis.

Human and Nonhuman Animals, Mutually at Risk: A Study of the Swiss Information Media

2011 ◽  
Vol 19 (4) ◽  
pp. 337-355
Author(s):  
Annik Dubied Losa ◽  
Claudine Burton-Jeangros
Keyword(s):  
At Risk ◽  
Human Impact ◽  
Natural Environment ◽  
The Other ◽  
Avian Flu ◽  
Other Hand ◽  
Nonhuman Animals ◽  
The Media ◽  
Information Media ◽  
The One

AbstractNowadays, relationships between nonhuman animals and humans are debated, often in relation to issues associated with the risks they represent for each other. On the one hand, new diseases and accidents indicate that animals are not as innocuous as they were long thought; on the other hand, the now questioned human impact on the natural environment is considered a risk for animals. This research analyzed these contrasting images of animals in the Swiss information media. Of the five main animal figures identified over the last 30 years, this paper focuses on the Undesirable Animal and the Victim Animal. These two figures have existed throughout the observed period; in contrast to Victim Animals, however, who appear fairly infrequently, Undesirable Animals have become more and more common in the last decade, usually in relation to a specific issue (such as the avian flu). This suggests that the media more often convey the dominant anthropocentric relationship to animals, reflecting a preoccupation with the protection of humans against dangerous animals, whereas the protection of animals from humans is considered less important. Recent controversies demonstrate, however, that the frontier between “us” and “them” is regularly renegotiated.

scholarly journals The Category of Masculinity in the Polish Media Discourse on Robert Lewandowski

2020 ◽  
Vol 16 (1) ◽  
pp. 12-27
Author(s):  
Krzysztof Arcimowicz
Keyword(s):  
The Other ◽  
Media Discourse ◽  
Body Type ◽  
Discursive Strategies ◽  
Media Messages ◽  
Traditional Gender Roles ◽  
Polish Language ◽  
The Media ◽  
The One ◽  
Discourse Historical Approach

The fundamental objective of the studies was to reconstruct and analyze the category of masculinity in the media discourse that refers to Robert Lewandowski as well as to describe and interpret the most important discursive strategies used in creating the image of the footballer. The research material includes almost 120 Polish-language media messages: mainly Internet articles, commercial spots, and interviews, all of which appeared in the years 2013-2019. This article presents the results of the critical analysis of the discourse, including proposals of the discourse-historical approach. The prime theoretical framework of the studies is made up of the theory of hegemonic masculinity on the one hand and the theory of inclusive masculinity on the other, as well as the concept of caring masculinities. The discourse on Lewandowski is not homogeneous; it includes elements derived from different versions of masculinity. The discourse is divided into two parts: one connected with the professional sphere and the other referring to the private. The strategies describing the footballer’s professional life are quite conservative. The elements of the highest importance within this part of the discourse include hard work, success, rivalry, and the mesomorph body type. The part of the discourse referring to the footballer’s family life is dominated by the strategies connected with the concept of caring masculinities and the notion of egalitarian relationship even though it is not completely free from the traditional gender roles.

Prometheus Chained

1999 ◽  
Vol 4 (4) ◽  
pp. 233-239 ◽  
Author(s):  
Pieter J.D. Drenth
Keyword(s):  
Social Responsibility ◽  
Behavioral Science ◽  
The Other ◽  
Critical Questions ◽  
Behavioral Scientist ◽  
Other Hand ◽  
The Social ◽  
The Media ◽  
The One ◽  
Demand Censorship

The Chained Prometheus is introduced as a metaphor for the behavioral scientist. Science (including psychology and pedagogy) is no longer taken for granted. Society, politics, and the media pose critical questions and not infrequently demand censorship or at least control of science. An analysis is given of the types of criticism and skepticism with respect to science, and to psychology in particular. The (behavioral) scientist faces a dilemma: On the one hand, science cannot exist and develop without freedom; on the other hand, this does not mean the freedom to amass knowledge at any price and without any restrictions. Thus, we balance ourselves between freedom and ethical/social responsibility. This presentation reflects on the question of the social and ethical limitations of (behavioral) science: Who should control what and on which criteria?

Drei Phantasiestücke (3)

2017 ◽  
Author(s):  
Seth Brodsky
Keyword(s):  
East Germany ◽  
The Other ◽  
Quarter Century ◽  
Other Hand ◽  
Society Of The Spectacle ◽  
The Media ◽  
The One ◽  
Empty Signifier ◽  
As If ◽  
The Revolution

In the quarter century since the collapse of East Germany, the uncountable reflections that flower the media landscape inevitably turn to music. And when they do, they waffle. There is something untimely, and uncanny, about this waffling. It is as if the tensions structuring music's role in the heady days of the late 1960s were being therapeutically replayed twenty years later: 1968 yet again as the fetish object. On the one hand, music here is the fantasmatic sound of revolution itself, of truth speaking to power, and power falling to pieces under the weight of truth's irrefutable audibility, equal parts libido and righteousness. On the other hand, it is the traumatic reminder of failure, and the disenchanting premise that this “society of the spectacle” was not so powerful after all—that the revolution, in merely appearing, failed to show up. Judging from the examples of Hasselhoff, Rostropovich, and Bernstein, this chapter argues that music seems woven perfectly into a master's discourse: a process of shoring up a sovereign, of suturing itself to an empty signifier, producing a split subject, and precipitating an excessive enjoyment in the form of an object of desire.

scholarly journals Emotional education and mass media

Comunicar ◽  
2003 ◽  
Vol 10 (20) ◽  
pp. 63-67
Author(s):  
Rafael Bisquerra-Alzina ◽  
Gemma Filella-Guiu
Keyword(s):  
Mass Media ◽  
The Other ◽  
Other Hand ◽  
Emotional Dimension ◽  
The Media ◽  
Points Of View ◽  
The One ◽  
Medios De Comunicacion ◽  
Emotional Education

The aim of this paper is to analyze the relationships between emotional education and the media from two different points of view. On the one hand, the emotional dimension of the media and their implication in education. On the other hand, the media as a El objetivo de este artículo es reflexionar sobre el binomio «educación emocional y medios de comunicación» desde dos puntos de vista. Por un lado, la dimensión emocional de los medios de comunicación y su implicación en la acción educativa y, por otro, los medios de comunicación como transmisores de educación emocional. Los autores finalizan presentando un conjunto de programas de educación emocional.

scholarly journals АВСТРІАЦИЗМИ У МОВІ СУЧАСНОЇ АВСТРІЙСЬКОЇ ПРЕСИ

2019 ◽  
pp. 21-25
Author(s):  
Карпік М. ◽  
Павличко О.
Keyword(s):  
Daily Life ◽  
The Other ◽  
German Language ◽  
Media Discourse ◽  
Development Trends ◽  
Other Hand ◽  
The One ◽  
Phonemic Similarity ◽  
Newspaper Articles

The proposed study is aimed at confirming the hypothesis that there exist two opposing trends in media discourse. On the one hand, there is a tendency to globalization; on the other hand, linguocultural communities are quite determined to preserve their culture and identity. To prove this hypothesis we analyzed a corpus of newspaper texts published over several years. Namely, we studied 1483 Austriacisms recorded by the dictionary Variantenwörterbuch des Deutschen. The objective was to discover the frequency in the use of certain Austriacisms and their Teutonic equivalents in Austrian newspaper Die Presse to identify convergent or divergent processes in the development trends of the German language in Austrian media discourse. The research showed that only 453 lexical units dominated in newspaper articles; it made 30% of 1483 codified Austriacisms. We found that 71 lexemes showed tendency to the parallel use in forms of Austriacisms and Teutonisms which makes less than 5 % of the total number of the lexical units. Such terms have predominantly similar pronunciation hence we can draw a conclusion that such phonemic similarity facilitates equal use of these Austriacisms and Teutonisms in newspapers and stipulates their convergence. These lexical units are not marked by any particular ethnocultural specificity. Furthermore, the analysis shows that the word stock denoting Austrian culture, traditions, and realia of daily life.

scholarly journals “The Wayfarer” (“The Pedlar”) by Hieronymus Bosch as an Archetypal Image of an ‘Other-Stranger’

2020 ◽  
Vol 16 (2) ◽  
pp. 46-61
Author(s):  
Przemysław Kisiel
Keyword(s):  
The Other ◽  
Media Images ◽  
Other Hand ◽  
Hieronymus Bosch ◽  
Contemporary Media ◽  
And Behaviors ◽  
Migration Crisis ◽  
The One ◽  
Symbolic Content

One of the most important contemporary experiences of European societies is undoubtedly the migration crisis. The resulting social fears of ‘strangers,’ which have been activated, show how important the archetypical ‘other-stranger’ pattern still is, and that it can be treated as an example of an ‘anthropological constant.’ The aim of the article is to try to look at the painting “The Wayfarer” by Hieronymus Bosch as an illustration of the archetypical ‘other-stranger’ pattern. It seems that such a reading of this work, rich in symbolic content, on the one hand perfectly justifies the thesis of the archetypical sources of contemporary attitudes towards ‘strangers’ and, on the other hand, allows one to better understand and explain the current reactions and behaviors of Europeans. This becomes particularly evident when juxtaposing the image of Hieronymus Bosch with the contemporary media images of migrants.

Programming the News

2018 ◽  
Author(s):  
Taina Bucher
Keyword(s):  
News Media ◽  
The Other ◽  
Institutional Setting ◽  
Field Observations ◽  
Other Hand ◽  
News Organizations ◽  
The Media ◽  
Algorithmic Logic ◽  
The One ◽  
Institutional Actors

Algorithmic power and politics stems in part from how algorithms acquire the capacity to disturb and to compose new sensibilities as part of situated practices, particularly in terms of how they become invested with certain political and moral capacities. Looking at how algorithms materialize in the institutional setting of the news media, the chapter considers how algorithms are made to matter. Based on field observations and 20 interviews with digital editors and managers at leading Scandinavian news organizations the chapter explores how institutional actors are responding to the proliferation of data and algorithms. The analysis shows how, on the one hand, news organizations feel the pressure to reorient their practices toward the new algorithmic logic governing the media landscape at large. On the other hand, algorithms work to disturb and question established boundaries and norms of what journalism is and ought to be.

Cyborg Affect and the Power of the Posthuman in the Ghost in the Shell Franchise

Noir Affect ◽  
2020 ◽  
pp. 156-177
Author(s):  
Peter Hitchcock
Keyword(s):  
Free Association ◽  
The Other ◽  
Central Character ◽  
Quarter Century ◽  
Feature Films ◽  
Other Hand ◽  
Old Japanese ◽  
The Media ◽  
Police Procedural ◽  
The One

This chapter explores noir affect in Ghost in a Shell, a quarter-century-old, Japanese manga/anime franchise that spans several series in print, feature films, and television. Whatever the media, the different versions of the narrative conform to standard expectations of adolescent heterosexual masculinism. Yet such elements seem to form the series’ mystical shell rather than the conflicted and contradictory rationality of their central kernel (which itself springs from the serial logic of the noir police procedural). On the one hand, the chapter argues that representational aesthetics necessarily constrain even the radical and free association of an anime subculture; on the other hand, the series critically engages the forms of time articulated in the intersection of cyborg signification and seriality. Cyborg affect does not just ask the familiar question, where does a body end? It also interrogates the terms of technological reproducibility in relationship to political possibility. The synchrony of Major Motoko Kusanagi (the central character/cyborg) holds important lessons for how we read/see affect in relationship to the series, a formation haunted by the ghost of socialization itself.

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