scholarly journals "Prima Facie": um estudo sobre as capas dos livros de artista

2021 ◽  
Vol 8 (2) ◽  
Author(s):  
Amir Brito Cadôr
Keyword(s):  
Prima Facie ◽  
Roman Jakobson ◽  
Gerard Genette

O artigo se baseia nas funções da linguagem, de acordo com Roman Jakobson, para estabelecer uma tipologia das capas de livros, seus usos e funções — capas informativas, poéticas, expressivas ou metalinguísticas. As reflexões sobre a estrutura da capa são baseadas no texto de Gerard Genette sobre os paratextos editoriais. Alguns aspectos históricos do livro são abordados, bem como as tendências mais recentes da arte contemporânea, como a escrita não-criativa. Apresenta também a relação complementar entre as informações da folha de rosto e da capa, os livros cuja narrativa começa na capa, os que possuem mais de uma capa e as obras que são constituídas apenas pela sobrecapa. O artigo apresenta estudos de caso de livros antigos e recentes, artistas estabelecidos e jovens artistas, brasileiros e estrangeiros.

True Images: Metaphor, Metonymy and Montage in Marcel Proust's A la recherche du temps perdu and Jean-Luc Godard's Histoire(s) du cinéma

Paragraph ◽  
2010 ◽  
Vol 33 (1) ◽  
pp. 37-51 ◽  
Author(s):  
Miriam Heywood
Keyword(s):  
New Media ◽  
Gilles Deleuze ◽  
Text And Image ◽  
Word And Image ◽  
Roman Jakobson ◽  
Gerard Genette

This article compares the poetics of Marcel Proust's A la recherche du temps perdu and Jean-Luc Godard's Histoire(s) du cinéma in order to realign our understanding of metaphor, metonymy and montage with the inter-formal dialogues that new media artworks increasingly demand of audiences. An analysis of Godard's ‘quotation’ of Proust's words and ideas from Le Temps retrouvé sets out an explicit rivalry between text and image. However, drawing on formalist and structuralist approaches to both literature and cinema, including Roman Jakobson and Gérard Genette, as well as more recent discussions developed by Gilles Deleuze and Lev Manovich, I will argue that the nature of the image manifested in both artworks corresponds to a shared aesthetic that exceeds distinctions between word and image, literature and video.

scholarly journals Jan Mukařovský na França

2021 ◽  
Vol 12 (19) ◽  
pp. 94-112
Author(s):  
John Pier
Keyword(s):  
Roland Barthes ◽  
Roman Jakobson ◽  
Gerard Genette

Embora o estruturalismo tenha se originado no final dos anos de 1920 na Tchecoslováquia, avanços importantes de acadêmicos do Círculo Linguístico de Praga permaneceram amplamente desconhecidos dos praticantes do estruturalismo francês. Este artigo identifica algumas das áreas em que os estruturalismos tcheco e francês divergem. No entanto, alguns princípios do estruturalismo tcheco encontraram lugar no âmbito da pesquisa francesa, como o modelo funcional de comunicação de Roman Jakobson. Alguns pontos de comparação entre os dois estruturalismos, incluindo a “atividade estruturalista” de Roland Barthes ou a estética de Gérard Genette, são brevemente discutidos. Um conhecimento historiográfico mais amplo das duas tradições tem o potencial de enriquecer nossa compreensão de questões que até agora foram insuficientemente exploradas e de abrir novas perspectivas. 

Russia in international capital movement: Turn of tendencies

2017 ◽  
pp. 148-158 ◽  
Author(s):  
A. Bulatov
Keyword(s):  
Industrial Structure ◽  
Prima Facie ◽  
Capital Movement ◽  
International Capital ◽  
Capital Outflow ◽  
The Past ◽  
Russian Economy ◽  
National Capital ◽  
Future Situation ◽  
International Capital Movement

The paper deals with the past, current and future situation in Russian capital outflow and inflow. The specific features of the past situation (2001-2013) were as follows: big scale of Russian participation in international capital movement; turnover of national capital between Russia and offshores; stable surplus of capital outflow over inflow; inadequacy of industrial structure of capital inflow to Russian needs. The current situation is characterized by such new features as radical cut in volumes of capital outflow and inflow, some decrease in its level of offshorization. In the mid-term the probability of continuation of current trends is high. In the long-term the mode of Russian participation in international capital movement will prima facie depend on prospects of realization of systematic reforms in the Russian economy.

Dyadic Obligations over Complex Actions as Deontic Constraints in the Situation Calculus

2020 ◽  
Author(s):  
Jens Claßen ◽  
James Delgrande
Keyword(s):  
Artificial Intelligence ◽  
Deontic Logic ◽  
Action Theory ◽  
Prima Facie ◽  
Situation Calculus ◽  
Artificial Agents ◽  
Planning Techniques ◽  
Course Of Action ◽  
Reasoning About Action ◽  
The Given

With the advent of artificial agents in everyday life, it is important that these agents are guided by social norms and moral guidelines. Notions of obligation, permission, and the like have traditionally been studied in the field of Deontic Logic, where deontic assertions generally refer to what an agent should or should not do; that is they refer to actions. In Artificial Intelligence, the Situation Calculus is (arguably) the best known and most studied formalism for reasoning about action and change. In this paper, we integrate these two areas by incorporating deontic notions into Situation Calculus theories. We do this by considering deontic assertions as constraints, expressed as a set of conditionals, which apply to complex actions expressed as GOLOG programs. These constraints induce a ranking of "ideality" over possible future situations. This ranking in turn is used to guide an agent in its planning deliberation, towards a course of action that adheres best to the deontic constraints. We present a formalization that includes a wide class of (dyadic) deontic assertions, lets us distinguish prima facie from all-things-considered obligations, and particularly addresses contrary-to-duty scenarios. We furthermore present results on compiling the deontic constraints directly into the Situation Calculus action theory, so as to obtain an agent that respects the given norms, but works solely based on the standard reasoning and planning techniques.

The Economics of wages and wages policy in the depression and recovery period: distinctive elements in the New Zealand debate, 1931- 1936

1970 ◽  
Vol 15 (1) ◽  
Author(s):  
A. M. Endres
Keyword(s):  
New Zealand ◽  
Real Wage ◽  
Labour Productivity ◽  
Recovery Period ◽  
Prima Facie ◽  
Currency Devaluation ◽  
Money Wage ◽  
Distinctive Features ◽  
Compulsory Arbitration ◽  
Wage Cuts

This article discusses distinctive features of the New Zealand debate on the economics of wages and wages policy from 1931 up to the restoration of compulsory arbitration in 1936. Local economic orthodoxy proffered advice which, consistent with Keynes (1936), turned on the need for a general real wage reduction effected mostly through currency devaluation, rather than through further money wage cuts. Dissenters were critical of currency devaluation; they stressed excessively generous unemployment relief, real wage 'overhang' and structural real wage distorttons. Tentative estimates of both aggregate real product wage and labour productivity changes demonstrate, prima facie, that at least one strand in the dissenting argument was defensible.

A religiosidade na obra de Theo Angelopoulos

Sacrilegens ◽  
2020 ◽  
Vol 16 (2) ◽  
pp. 85-101
Author(s):  
Carlos Eduardo Mendes de Araújo Couto
Keyword(s):  
Mircea Eliade ◽  
Gerard Genette

A obra tardia de Theo Angelopoulos, desenvolvida na última década de 1990, além das características políticas, possui um viés religioso ainda pouco compreendido. O objetivo desse artigo é analisar como essa religiosidade se apresenta na narrativa do cineasta grego. Usaremos como suporte autores como Mircea Eliade, Michael Bahktin, Gerard Genette e Jan Albert. Como amostra usaremos o filme A Eternidade e um dia (Mia aioniotita kai mia mera, 1998).  

A gramática da poesia nas Canções sem metro: uma leitura jakobsoniana dos poemas em prosa de Raul Pompeia

2013 ◽  
Vol 13 ◽  
pp. 67-78
Author(s):  
Franco Baptista Sandanello
Keyword(s):  
Roman Jakobson

O presente trabalho busca aproximar, mediante dois paralelos, o pensamento teórico de Roman Jakobson exposto em “Poesia da gramática e gramática da poesia” e o estudo comparado de diferentes versões dos poemas em prosa de Raul Pompeia nas Canções sem metro. Pretende-se, assim, discutir conceitos importantes da teoria de Jakobson, como o de paralelismo e o de ficção linguística, com auxílio do texto literário, assim como, no caminho inverso, destacar pontos importantes da poética de Pompeia a partir da significativa reescrita dos poemas, por meio de mudanças lexicais, gramaticais e até mesmo de ponto de vista narrativo.

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