scholarly journals Consciousness and Perception: The Point of Experience and the Meaning of the World We Inhabit

Author(s):  
Sérgio Basbaum Roclaw

I suggest that consciousness may be culturally shaped, and thus it may be a romanticism of science to attempt explaining conscious experiences as if there could be one and only general abstraction of the whole human living conscious experience ? in spite of history, culture, language, etc. My starting point is perception ? its relation to conscious experience and, most of all, the meaning with which, through the mediation of perceptual processes, the world presents itself to each of us. I figure it out mainly by a combination of three different approaches to human experience: i) Maurice Merleau- Ponty´s works on perception; ii) Constance Classen and David Howes' Anthropology of the senses; iii) Vilém Flusser’s hermeneutical conception of language as reality.

2020 ◽  
Vol 142 (3) ◽  
pp. 391-417
Author(s):  
Franz Josef Worstbrock

AbstractThe ›Versio vulgata‹, probably written around 1170 in Paris (St. Denis), a thoroughly accurate Latin translation of its Greek model, the ›Historia of Barlaam and Joasaph‹, is the starting point for the legend of ›Barlaam and Josaphat‹, which was widely used in all literature in the Western Middle Ages. It itself had an unusually rapid and broad reception, in which, according to the testimony of more than 100 preserved manuscripts, especially the new monastic orders of the 12th century participated, led by the Cistercians. The narrative programme of the ›Historia‹ is the path of the king’s son Josaphat into an existence of radical religious renunciation of the world, the central act of the plot being his departure from power, from the country and its people into the eremitic wilderness. It takes place against the protest of the people, who do not want to let the beloved king go, and especially against the protest of Prince Barachias, whom Josaphat forces into his succession. Here the individual’s desire for salvation not only disputes the claim of the salvation of the many, but above all denies the forced successor the possibility of an equal path of salvation. Thus the ›Historia‹ is loaded with an insoluble aporia at its key point. The use of the Bible has a formative effect on the style of the ›Historia‹, not so much the frequent citation of marked exact Bible quotations as the even more frequent insertion of smaller or larger biblical excerpts into the narrator’s speech or that of one of his characters as if they were part of their own speech.


PMLA ◽  
1960 ◽  
Vol 75 (3) ◽  
pp. 238-244 ◽  
Author(s):  
Elliott B. Gose

Speaking of the “plan of the ‘Lyrical Ballads’” in Chapter 14 of his Biographia Literaria, Coleridge pointed out that while Wordsworth was to deal with “the wonders of the world before us,” he himself was to try to connect the human truth of “our inward nature” with the “shadows of imagination.” The fruitfulness of this connection is evidenced by “The Ancient Mariner”; its aesthetic basis was analyzed by Coleridge at a later date: “The romantic poetry,” he decided, appeals “to the imagination rather than to the senses and to the reason as contemplating our inward nature, the working of the passions in their most retired recesses.” By “exciting our internal emotions,” the poet “acquires the right and privilege of using time and space as they exist in the imagination, obedient only to the laws which the imagination acts by.” Philosophically, Coleridge's transcendentalism is obviously responsible for this assertion of the superiority of the mind over nature; he had remarked its psychological basis as early as 1805:In looking at objects of Nature while I am thinking, as at yonder moon dim-glimmering through the dewy window-pane, I seem rather to be seeking, as it were asking for, a symbolical language, for something within me that already and for ever exists, than observing anything new. Even when that latter is the case, yet still I have always an obscure feeling as if that new phenomenon were the dim awakening of a forgotten or hidden truth of my inner nature. (Anima Poetae, p. 136).


2021 ◽  
Vol 18 (2-3) ◽  
pp. 209-223
Author(s):  
Ruth Karin Lévai

Taking as its starting point the tension between the human condition as subject to the law of reason while belonging to the world of sense in establishing the categorical imperative as described by Kant, this article explores how belonging to the world of sense may be equated with randomness and the temporal as the presupposition for morality in Dostoevsky's The Brothers Karamazov and Borges's ‘The Garden of Forking Paths'. The article also discusses the two authors' views of time and eternity as expressed in their nonfiction.


2012 ◽  
Vol 23 (43) ◽  
Author(s):  
Alfonsina Scarinzi

Mark Johnson’s work The Meaning of the Body presents John Dewey’s pragmatism and pragmatist aesthetics as the forerunners of the anti-Cartesian embodied enactive approach to human experience and meaning. He rejects the Kantian noncognitive character of aesthetics and emphasizes that aesthetics is the study of the human capacity to experience the bodily conditions of  meaning constitution that grows from our bodily conditions of life. Using Mark Johnson’s view as a starting-point, this paper offers the beginning of an enactive approach to aesthetic preference  contributing to bringing human aesthetic behavior research closer to the enactive approach to human experience. Following enactive studies on bodily sense-making and embodied emotions, I identify the bodily conditions of meaning constitution in which aesthetic preference is grounded with the subject’s self-regulatory visceral embodied constitution of viable degrees of value of the environmental factors according to her bodily structure. Unlike mainstream aesthetic preference research in empirical aesthetics, I claim that the subject’s aesthetic preference constitution requires the lived experience of the bodily conditions of meaning constitution through the conscious experience of the subjectively aroused lived body. The implausibility of the mind/body dichotomy of current aesthetic preference research is highlighted.


1989 ◽  
Vol 21 (62) ◽  
pp. 67-91
Author(s):  
Samuel M. Cabanchick

Traditionally, the skeptic has been considered as a threat to our claims to true and justified knowledge. Also, certainty appears to be as the highest possible degree of knowledge. Knowledge and certainty are thus opposed to skepticism. This paper wants to show that 'certainty' and knowledge are, probably, incompatible notions, and that the possibility of a doubt about the assumed certainty is a necessary condition to distinguish between belief and knowledge, and to construe any kind of knowledge. Its starting point is Moore's notion of cerfainty, Moore demands that the expression of certainty (and, consequently, its formalization) should assume certain basic intuitions. One of them is the non-transmissibility of certainty; another intuition, fundamental to its Proof of the Existence of the World, is that certainty should be implied by knowledge. The claim of certainty: (1) "1 know with absolute certainty that p" can be considered as a 'residusl meaning' ofthe followingformal expression in the epistemic logic of Hintikka: (2) "SySyp", where 'S' is the epistemic operator which stands for knowledge, 'y' is the personal pronoun 'I', and 'p' refers to the proposition claimed to be known. In other words, we would claim to know that we know a given proposition. This proposal has some disadvantages: in Hintikka's view, it is virtually equivalent to 'Syp', that is, to 'I know that p', and, even if Hintikka went astray, because knowledge is transmissible, certainty would be transmissible too, and this contradicts Moore's intuition concerning the nontransmissibility of certainty. Another interpretation of (1) is (3) "N Sy p" ("I necessarily know that p") where 'N' is the necessity operator. But this interpretation fails because it also contradicts the non-transmissibility, and intuitively it is very hard to believe that "Sy p → N Sy p", that is to say, it is very hard to believe that it matches the intuition that knowledge implies certainty. An alternative would consist on relating certainty and belief. If 'C' is the belief operator in epistemic Iogic, the following theorem by Galván comes close to Moore's demands: (4) "Cy(Cyp - p)", that is, "I believe that I believe only truths", It can also be put as: (5) "Cyp - CSyp" ("If I believe that p, therefore I believe that I know that p"). Unfortunately, neither (4)1nor (s) are warrants of truth, but warrants of the imposeibility of doubt. This is opposed to Moore's claim that we know that the premises of the Proof of the Extemal World are undebatably true. Luis Villoro has pointed out the necessity of taking into consideration the epistemic communities when we speak of knowledge. This requirement is stated thus: (6) (Syp) → Cy(∃x)(P(-SxP. -Sx - p) . (x ≠ Y))), which can be read as: "If I know that p, therefore I believe that there is an x such that it is possible for him not to know that p and not to know that no-p, and x is not identical with me". This can be generalized thus: (7) (z)((Sxp) → Cx(∃x)(P(-SxP. -Sx - p) . (x ≠ z))) Moreover,from this formalization it followsthat a subject should be able to doubt about the truth ofhis belief: he must admit the possibility of error, and this conflicts with certainty. In order to be able to get knowledge I must abandon a strictly subjective warranty of truth, such as certainty, and this is possible when I accept the existence of a point of view which differs from mine, a point of view which lets undecided the truth or falsity of a proposition. In this way it is p088ible to distinguish between believing and knowing, because knowledge still demanda the possibility of error. So, there is a certain interpretation of skepticism that can see it not as a threat to the claims to justified knowledge, but as the position that truly offers the poesibility of knowledge, because it fights the solipsistic assurance of the subject of certainty. [Francisco Hernández]


Author(s):  
Donald A. Landes

Maurice Merleau-Ponty (1908–61) was a key figure in twentieth-century French philosophy and one of the principal proponents of existential phenomenology. Through his subtle and wide-ranging descriptions of lived and embodied experience, particularly in his major text Phenomenology of Perception (1945), Merleau-Ponty made significant contributions on a variety of topics, including behaviour, perception, habit acquisition, language, expression, history and politics. His broader interests in the philosophical consequences of these descriptions led him to address many classical philosophical problems (for example, freedom, temporality, the relation of the soul and body, ontology, etc.). Perhaps his most lasting contribution was in directing philosophical inquiry to the role of the lived body in the operative structures of meaning across all human experience. This aspect of his work has been a starting point for contemporary studies of embodiment in both philosophy and other disciplines, from new approaches in cognitive science to phenomenological contributions in performance studies, gender studies and applied sciences. Merleau-Ponty’s interests evolved throughout his career, leading to a greater engagement with structuralism in the early 1950s and to a more explicit attempt to answer ontological questions about nature and philosophical methodology in the late 1950s. At the time of his death in 1961, Merleau-Ponty was developing a phenomenological ontology in a manuscript that was published posthumously as The Visible and the Invisible (1964). He argued that human experience is marked by a certain reversibility in that we are at once subjects and objects, touching and touched, seeing and seen. Our bodies are both of the world and open to the world; we are a node or a moment in the flesh of the world. For Merleau-Ponty, in this unfinished ontological project the notion of ‘flesh’ appears to name an ontological principle or element by which a folding back occurs via a self-reflexive experience and thus the spacing takes place where experience and being can appear.


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