scholarly journals Up-Down Nine and Five-Foot Way: Characteristics of Cityscape in a Cultural Perspective

2019 ◽  
pp. 1-11
Author(s):  
Qing Mei ◽  
Man Luo

The paper explores the central question of how to identify architecture and its meaning that crossed the territory line in a cultural perspective. By analyzing the buildings and spaces with certain key dimensional aspects, the authors have studied one of the most typical streets in Canton, the Up-Down Nine and its Five-Foot Way. This paper argues that the characteristics of cityscape covers aspects of surface structure, flexible compressive components, pattern forming process, material proto-structure, exactitude of the connections between components, as shown in the case study, all weave together to form the image and identity of the city in history. By exploring the cultural characteristics of urban space in Canton, as well as the genes that produced the Up-Down Nine street of Five-Foot Way pattern, this study aims to explain the street forming process by comparative study on Canton cityscape with Singapore’s since the 19th century linked with culture.

2021 ◽  
Vol 1203 (3) ◽  
pp. 032086
Author(s):  
Kazimierz Butelski ◽  
Stanisław Butelski ◽  
Wojciech Firek

Abstract The environment is the little "Homeland”, which is defined by a neighborhood consisting of people and structures. The neighborhood is extended in time and space. The city of Cracow was chosen as a case study here. The contemporary environment in the Wola Justowska district is presented in the last examples of buildings designed by the author. Those contemporary structures are compared with historical houses in Cracow, which belong to the author’s family since the 19th century. The author analyses the influences of the period of the 19th century Austrian occupation, of a construction boom between the two World Wars, and of the Communist ban on design and construction in Cracow. In the paper's final remarks, the author notes that the design process and processes of shaping the environment look similar in the past century and today and that a contemporary neighborhood is shaped more by a cultural process than by design. Designing, building and endurance of a building form is a process that is shaped by culture and at the same time shapes the culture itself.


Author(s):  
Lucas Andrés Masán

En estas páginas efectuamos una primera aproximación sobre los eventos aerostáticos en Buenos Aires durante la primera mitad del siglo XIX. Entendidos como espectáculos públicos inscriptos en un espacio urbano en reconfiguración, es posible advertir en la paulatina incorporación de lo aéreo cierta vocación social por interpelar a los habitantes de la ciudad. Para dar cuenta de este derrotero examinamos desde las germinales inscripciones de las montgolfieras en el imaginario local en la década de 1820 hasta la primera experiencia de globo tripulado efectuada por Bartolomé Lartet en 1856. Observamos la trayectoria de estas exhibiciones como instancias que condensan expresiones y deseos comunitarios entre los cuales es posible entrever preocupaciones de carácter social y político. En este camino los sentidos asociados al globo aerostático nos permiten ver una latente incorporación del ideario moderno basado en la novedad, la valoración de acciones temerarias y una nueva estimulación sensorial del habitante. In these pages we make a first approximation of the aerostatic events in Buenos Aires during the first half of the 19th century. Understood as public performances inscribed in an urban space undergoing reconfiguration, it is possible to notice in the gradual incorporation of the air a social vocation for questioning the inhabitants of the city. To account for this course we examine from the germinal inscriptions of the montgolfieras in the local imagination in the 1820s to the first manned balloon experience carried out by Bartolomé Lartet in 1856. We observe the trajectory of these exhibitions as instances that condense expressions and wishes community among which it is possible to glimpse social and political concerns. In this way, the senses associated with the hot air balloon allow us to see a latent incorporation of modern ideology based on novelty, the valuation of reckless actions and a new sensory stimulation of the inhabitant.


2021 ◽  
Vol 7 (20) ◽  
pp. 202110
Author(s):  
Magno Ricardo Silva de Carvalho ◽  
Marcus Vinicius Mariano de Souza

THE PRODUCTION OF URBAN SPACE IN MARABÁ – PA: from the rubber period to the ALPALA PRODUCCIÓN DEL ESPACIO URBANO DE MARABÁ – PA: del caucho a la ALPARESUMOEste trabalho tem por objetivo analisar o processo de produção do espaço urbano de Marabá, no sudeste paraense, e sua relação com os diferentes processos políticos e, sobretudo, econômicos que a influenciou desde o início da ocupação, final do século XIX, aos mais recentes acontecimentos que contribuíram de forma mais relevante para a expansão da sua mancha urbana. Para tal, foi realizada uma breve reflexão acerca do tema, bem como uma revisão bibliográfica sobre este processo especificamente em Marabá, utilizando do trabalho de autores que dissertaram sobre a referida cidade e sua região. Foi possível compreender como e em que momento foi criado cada núcleo da cidade, bem como sob quais influências políticas e econômicas, assim como, seus respectivos momentos de expansão mais expressivos.Palavras-chave: Marabá; Cidade; Produção do Espaço Urbano.ABSTRACTThis work aims to analyze the production process of the urban space of Marabá, in southeastern Pará, and its relationship with the different political and, above all, economic processes that influenced it since the beginning of the occupation, at the end of the 19th century, to the most recent ones events that contributed most significantly to the expansion of its urban area. To this end, a brief reflection on the production of urban space was carried out, as well as a bibliographic review on this process specifically in Marabá, using the work of authors who spoke about that city and its region. It was possible to understand how and at what time each nucleus of the city was created, as well as under which political and economic influences, as well as its respective most expressive moments of expansion.Keywords: Marabá; City; Production of Urban Space.RESUMENEste trabajo tiene como objetivo analizar el proceso de producción del espacio urbano de Marabá, en el sureste de Pará, y su relación con los diferentes procesos políticos y, sobre todo, económicos que influyeron en él desde el inicio de la ocupación, al final del siglo XIX, hasta los más recientes eventos que contribuyeron de manera más significativa a la expansión de su área urbana. Para ello, se realizó una breve reflexión sobre el tema, así como una revisión bibliográfica sobre este proceso específicamente en Marabá, utilizando el trabajo de autores que hablaron sobre la ciudad y su región. Se pudo comprender cómo y en qué momento se creó cada núcleo de la ciudad, así como bajo qué influencias políticas y económicas, así como sus respectivos momentos más expresivos de expansión.Palabras clave: Marabá; Ciudad; Producción del Espacio Urbano.


Viatica ◽  
2017 ◽  
Author(s):  
Armelle Girinon ◽  

In the 19th century, Théophile Gautier and Edmondo De Amicis were in vogue when they each wrote a text on the city of Constantinople. The two books, similar in their overall structure, aim to describe the city faithfully in its most exotic and unusual aspects. However, both writers face obstacles in the practice and knowledge of urban space. To overcome these obstacles, they use intertextuality, pictorial mediation and the use of the marvellous to better grasp and represent Constantinople.


Author(s):  
Igor Piotrowski

The presentation of six maps – cases that provide an insight into the history of Poland in the 19th century, and its cartography. Five of them are maps from that era: from one of the earlier urban plans for the city of Lodz to maps of Polish lands, "Atlas Królestwa Polskiego" [The Atlas of Polish Kingdom] by Juliusz Colberg, emigrant "Karta dawnej Polski" [Card of Former Poland] by Wojciech Chrzanowski, depicting the territory of Poland from 1772, Lindley's plans of Warsaw), to "Polski atlas kongresowy" [Polsih Congress Atlas] by Eugeniusz Romer, summing up the cartographic works during the Versaille conference. The last case study deals with the longue durée of the Polish 19th century and its image on contemporary thematic cartograms.


2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.


2020 ◽  
Vol 2020 (12-3) ◽  
pp. 250-258
Author(s):  
Mahomed Gasanov ◽  
Abidat Gazieva

The article is devoted to the analysis of the historiography of the history of the city of Kizlyar. This issue is considered in the historical context of the Eastern Caucasus. The author analyzes the three main theoretical concepts of the problem concerning Russia’s policy in the region, using the example of the city of Kizlyar in the context of historiography.


2013 ◽  
Vol 71 (2) ◽  
pp. 125-126 ◽  
Author(s):  
Antonio E. Nardi ◽  
Adriana Cardoso Silva ◽  
Jaime E. Hallak ◽  
José A. Crippa

Until the beginning of the 19th century, psychiatric patients did not receive specialized treatment. The problem that was posed by the presence of psychiatric patients in the Santas Casas de Misericórdia and the social pressure from this issue culminated in a Decree of the Brazilian Emperor, D. Pedro II, on July 18, 1841. The “Lunatic Palace” was the first institution in Latin America exclusively designed for mental patients. It was built between 1842 and 1852 and is an example of neoclassical architecture in Brazil, located at Saudade Beach in the city of Rio de Janeiro. In the 1930s and 1940s, the D. Pedro II Hospital was overcrowded, and patients were gradually transferred to other hospitals. By September of 1944, all the patients had been transferred and the hospital was deactivated. Key words: psychiatry, history, madness.


2009 ◽  
Vol 41 (4) ◽  
pp. 555-575 ◽  
Author(s):  
Saïd Amir Arjomand

One of the oldest extant documents in Islamic history records a set of deeds executed by Muhammad after his migration (hijra) in 622 from Mecca to Yathrib, subsequently known as “the City [madīna] of the Prophet.” Marking the beginning of the Islamic era, the document comprising the deeds has been the subject of well over a century of modern scholarship and is commonly called the “Constitution of Medina”—with some justification, although the first modern scholar who studied it at the end of the 19th century, Julius Wellhausen, more accurately described it as the “municipal charter” (Gemeindeordnung) of Medina. In 1889, Wellhausen highlighted the text's antiquity, which has been acknowledged by even the most skeptical of contemporary “source-critical” scholars, Patricia Crone, who thinks that, in Ibn Ishaq's Sira, “it sticks out like a piece of solid rock in an accumulation of rubble.”


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