scholarly journals De montgolfieras y globos.

2021 ◽  
Author(s):  
Lucas Andrés Masán
Keyword(s):  
19Th Century ◽  
Urban Space ◽  
Buenos Aires ◽  
Sensory Stimulation ◽  
Hot Air ◽  
First Approximation ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The City ◽  
Stimulation Of

En estas páginas efectuamos una primera aproximación sobre los eventos aerostáticos en Buenos Aires durante la primera mitad del siglo XIX. Entendidos como espectáculos públicos inscriptos en un espacio urbano en reconfiguración, es posible advertir en la paulatina incorporación de lo aéreo cierta vocación social por interpelar a los habitantes de la ciudad. Para dar cuenta de este derrotero examinamos desde las germinales inscripciones de las montgolfieras en el imaginario local en la década de 1820 hasta la primera experiencia de globo tripulado efectuada por Bartolomé Lartet en 1856. Observamos la trayectoria de estas exhibiciones como instancias que condensan expresiones y deseos comunitarios entre los cuales es posible entrever preocupaciones de carácter social y político. En este camino los sentidos asociados al globo aerostático nos permiten ver una latente incorporación del ideario moderno basado en la novedad, la valoración de acciones temerarias y una nueva estimulación sensorial del habitante. In these pages we make a first approximation of the aerostatic events in Buenos Aires during the first half of the 19th century. Understood as public performances inscribed in an urban space undergoing reconfiguration, it is possible to notice in the gradual incorporation of the air a social vocation for questioning the inhabitants of the city. To account for this course we examine from the germinal inscriptions of the montgolfieras in the local imagination in the 1820s to the first manned balloon experience carried out by Bartolomé Lartet in 1856. We observe the trajectory of these exhibitions as instances that condense expressions and wishes community among which it is possible to glimpse social and political concerns. In this way, the senses associated with the hot air balloon allow us to see a latent incorporation of modern ideology based on novelty, the valuation of reckless actions and a new sensory stimulation of the inhabitant.

scholarly journals A PRODUÇÃO DO ESPAÇO URBANO EM MARABÁ – PA: do caucho à ALPA

2021 ◽  
Vol 7 (20) ◽  
pp. 202110
Author(s):  
Magno Ricardo Silva de Carvalho ◽  
Marcus Vinicius Mariano de Souza
Keyword(s):  
Production Process ◽  
Urban Area ◽  
19Th Century ◽  
Urban Space ◽  
Its Region ◽  
Economic Influences ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The City ◽  
Sobre Todo

THE PRODUCTION OF URBAN SPACE IN MARABÁ – PA: from the rubber period to the ALPALA PRODUCCIÓN DEL ESPACIO URBANO DE MARABÁ – PA: del caucho a la ALPARESUMOEste trabalho tem por objetivo analisar o processo de produção do espaço urbano de Marabá, no sudeste paraense, e sua relação com os diferentes processos políticos e, sobretudo, econômicos que a influenciou desde o início da ocupação, final do século XIX, aos mais recentes acontecimentos que contribuíram de forma mais relevante para a expansão da sua mancha urbana. Para tal, foi realizada uma breve reflexão acerca do tema, bem como uma revisão bibliográfica sobre este processo especificamente em Marabá, utilizando do trabalho de autores que dissertaram sobre a referida cidade e sua região. Foi possível compreender como e em que momento foi criado cada núcleo da cidade, bem como sob quais influências políticas e econômicas, assim como, seus respectivos momentos de expansão mais expressivos.Palavras-chave: Marabá; Cidade; Produção do Espaço Urbano.ABSTRACTThis work aims to analyze the production process of the urban space of Marabá, in southeastern Pará, and its relationship with the different political and, above all, economic processes that influenced it since the beginning of the occupation, at the end of the 19th century, to the most recent ones events that contributed most significantly to the expansion of its urban area. To this end, a brief reflection on the production of urban space was carried out, as well as a bibliographic review on this process specifically in Marabá, using the work of authors who spoke about that city and its region. It was possible to understand how and at what time each nucleus of the city was created, as well as under which political and economic influences, as well as its respective most expressive moments of expansion.Keywords: Marabá; City; Production of Urban Space.RESUMENEste trabajo tiene como objetivo analizar el proceso de producción del espacio urbano de Marabá, en el sureste de Pará, y su relación con los diferentes procesos políticos y, sobre todo, económicos que influyeron en él desde el inicio de la ocupación, al final del siglo XIX, hasta los más recientes eventos que contribuyeron de manera más significativa a la expansión de su área urbana. Para ello, se realizó una breve reflexión sobre el tema, así como una revisión bibliográfica sobre este proceso específicamente en Marabá, utilizando el trabajo de autores que hablaron sobre la ciudad y su región. Se pudo comprender cómo y en qué momento se creó cada núcleo de la ciudad, así como bajo qué influencias políticas y económicas, así como sus respectivos momentos más expresivos de expansión.Palabras clave: Marabá; Ciudad; Producción del Espacio Urbano.

scholarly journals DE FRANCIA Y FRANCESES QUE NO LO FUERON: BORDUIN Y DUGELAY — CHIAPAS, SIGLO XIX—

2009 ◽  
Vol 4 (7) ◽  
pp. 227
Author(s):  
Luz del Rocío Bermúdez H.
Keyword(s):  
19Th Century ◽  
Economic Power ◽  
Las Casas ◽  
The Social ◽  
Siglo Xix ◽  
The Individual ◽  
The 19Th Century ◽  
The City ◽  
Father And Son

Escasa y mal documentada, la migración francesa en Chiapas durante el siglo XIX puede encontrar una veta de investigación? en los casos de Borduin y Dugelay, padre e hijo, en la ciudad de San Cristóbal de Las Casas. El primero, conocido como «francés», aunque procedente del Bajo Canadá, se convirtió desde 1839 en figura central local, entre otros aspectos, por su apreciada profesión en medio de continuos brotes epidémicos. Más de cuatro décadas después, en pleno auge de la influencia francesa en México, Diego Dugelay gozó por su parte el privilegio doble del origen de su padre y el poder social, político y económico, heredados de su madre. Además del testimonio individual ambas trayectorias, alguna vez contrastantes y complementarias, muestran también ciertos mecanismos, aspiraciones y paradojas ocurridas en Chiapas durante su primera apertura hacia los «hermanos de allende los mares». ABSTRACT Scarcely and poorly documented, the French migration in Chiapas during the 19th century may find a vein of research[*] in the cases of Borduin and Dugelay, father and son, in the city of San Cristóbal de Las Casas. The first, known as “French” although in reality originating from francophone Canada, converted after 1839 into a central local figure, among other aspects, due to his esteemed profession amidst continuous epidemic outbreaks. More than four decades later, in the boom of French influence in Mexico, Diego Dugelay for his part enjoyed the double privilege of his father’s origin and the social, political and economic power inherited from his mother. In addition to the individual testimony, both trajectories, at times contrasting and others complementary, also demonstrate certain mechanisms, aspirations and paradoxes occurred in Chiapas during its first opening toward the “overseas brothers.”

scholarly journals Proyectos en torno al convento de San Francisco el Grande de Madrid: incertidumbres urbanísticas e indefinición paisajística | Projects concerning the convent of San Francisco el Grande in Madrid: urban uncertainty and landscaping indefinition

ZARCH ◽  
2016 ◽  
pp. 190
Author(s):  
Benito Jiménez
Keyword(s):  
19Th Century ◽  
San Francisco ◽  
Empty Space ◽  
Royal Palace ◽  
Historical Cartography ◽  
Siglo Xix ◽  
The 19Th Century ◽  
The City

La tradición ha hecho de la llamada Cornisa oeste de Madrid su imagen más definitoria y distintiva. El Palacio Real y el colindante convento de San Francisco el Grande son sus elementos patrimoniales más significativos. Previa a su desamortización y posterior demolición, el convento ocupaba una vasta extensión de terreno, formada por huertas, patios y claustros ajardinados, que se distribuían de manera orgánica en terrazas descendentes hacia el río Manzanares. En la actualidad un gran vacío rodea su basílica, el único vestigio conventual. Desde el siglo XIX varias controvertidas propuestas han tratado de caracterizar y revitalizar ese espacio indefinido, regenerar su degradado entorno y dar así continuidad paisajística a la Cornisa. El presente estudio pretende valorar la evolución del entorno del convento, intentando explicar el porqué de esa especie de no-lugar, mediante la comparación y revisión de la cartografía histórica, las representaciones existentes y los diferentes proyectos de intervención planteados en la zona.The tradition has made the so-named west Cornice of Madrid the most defining and distinctive image of the city. The Royal Palace and the nearby Convent of San Francisco el Grande are its most significant heritage elements. Before its confiscation and subsequent partial demolition, the convent occupied a vast extension of land, formed by orchards, patios and gardened cloisters, organically distributed on terraces descending towards the River Manzanares. Nowadays, a large empty space encircles the Basilica, which is the only remaining convent vestige. From the 19th Century onwards, several controversial proposals aimed to characterize and revitalize this undefined space, regenerate its deteriorated surroundings and thus provide landscaping continuity to the fragmented Cornice. The present study attempts to assess the evolution of the convent environment and explain the reason of this “no-place” by comparing and reviewing historical cartography, existing representations and the different intervention projects proposed for the area.

scholarly journals Ni "campo" ni "mundo": Aportes y herramientas para historiar la cultura musical de principios del siglo XIX en Buenos Aires = Neither "field" nor "world": Contributions and theoretical tools to historicise the musical culture of the early 19th century in Buenos Aires

2019 ◽  
Vol 30 ◽  
pp. 287
Author(s):  
Guillermina Guillamon
Keyword(s):  
Cultural History ◽  
19Th Century ◽  
Buenos Aires ◽  
Musical Culture ◽  
Early 19Th Century ◽  
Sociology Of Music ◽  
The Social ◽  
Siglo Xix ◽  
Object Of Study ◽  
The 19Th Century

Resumen: En el presente artículo se analizan y sistematizan diversos trabajos provenientes tanto de la historia cultural como de la sociología, con el objetivo de señalar herramientas conceptuales y perspectivas metodológicas que permiten problematizar el análisis de la cultura musical de principios de siglo XIX. El fin último es, entonces, mostrar cómo a partir de diversos aportes teóricos y analíticos, la música constituye un objeto de estudio posible de ser abordado por las ciencias sociales.Palabras clave: Cultura musical, historia cultural, sociología de la música, Buenos Aires siglo XIX.Abstract: This article analyses and systematises works from both cultural history and sociology, in order to point out conceptual tools and methodological perspectives that allow the analysis of musical culture at the beginning of the 19th century to be problematised. The main objective is to show how, based on diverse theoretical and analytical contributions, music constitutes an object of study that can be addressed by the social sciences.Key words: Musical culture, cultural history, sociology of music, Buenos Aires 19th century.

scholarly journals Up-Down Nine and Five-Foot Way: Characteristics of Cityscape in a Cultural Perspective

2019 ◽  
pp. 1-11
Author(s):  
Qing Mei ◽  
Man Luo
Keyword(s):  
19Th Century ◽  
Urban Space ◽  
Central Question ◽  
Cultural Perspective ◽  
Forming Process ◽  
Pattern Forming ◽  
The 19Th Century ◽  
The City ◽  
Process Material

The paper explores the central question of how to identify architecture and its meaning that crossed the territory line in a cultural perspective. By analyzing the buildings and spaces with certain key dimensional aspects, the authors have studied one of the most typical streets in Canton, the Up-Down Nine and its Five-Foot Way. This paper argues that the characteristics of cityscape covers aspects of surface structure, flexible compressive components, pattern forming process, material proto-structure, exactitude of the connections between components, as shown in the case study, all weave together to form the image and identity of the city in history. By exploring the cultural characteristics of urban space in Canton, as well as the genes that produced the Up-Down Nine street of Five-Foot Way pattern, this study aims to explain the street forming process by comparative study on Canton cityscape with Singapore’s since the 19th century linked with culture.

scholarly journals Ramón J. Cárcano: ejercicio de la historiografía, liberalismo y diplomacia. Una aproximación

2018 ◽  
pp. 76-97
Author(s):  
Eduardo A.  Escudero
Keyword(s):  
19Th Century ◽  
Buenos Aires ◽  
Great Part ◽  
Political Elite ◽  
Palabras Clave ◽  
History Of ◽  
Siglo Xix ◽  
The Times ◽  
The 19Th Century ◽  
Different Levels

Resumen  Este artículo se acerca a una figura, aunque de algún modo principal, un tanto descuidada por la historia de la historiografía en la Argentina y en Latinoamérica: la del cordobés Ramón J. Cárcano (1860-1946). Se está en presencia de un historiador liberal que suelda su intervención intelectual y política con una tradición historiográfica fundada en Buenos Aires, mixturando a su vez esa práctica, por cierto constante y sistemática, en los tiempos e instancias de un derrotero clásico, propio de un miembro destacado de la elite política del reformismo liberal, que ubica a la historia en la médula de su disputa por el poder.  El examen propuesto documenta e interpreta el esfuerzo de síntesis historiográfica resuelto por Cárcano, concreción que proyecta el territorio historiográfico al plano de la historia diplomática y política y está dispuesto a indagar, fundamentalmente, las vinculaciones entre Argentina y Brasil durante gran parte del siglo XIX. Asimismo, se busca arribar a la conceptualización que el mismo intelectual efectuara sobre la Historia y sobre su propia labor historiográfica en el contexto argentino con sus respectivos referentes, recuperando luego las voces de sus críticos para acceder al lugar ocupado por el cordobés en distintos planos del panorama intelectual e historiográfico de la Argentina y de Brasil desde finales del siglo XIX hasta casi finalizados los años treinta.  Palabras clave  Historiografía, Liberalismo, Diplomacia.  Abstract  This article approaches a figure, albeit somehow principal, rather overlooked by the history of historiography in Argentina: that of the Cordobese Ramón J. Cárcano (1860-1946). One is in front of a liberal historian that welds his intellectual and political intervention into a historiographic tradition founded in Buenos Aires, mixing simultaneously that practice, incidentally constant and systematic, in the times and moments of a classic course characteristic of an outstanding member of the political elite of liberal reformism, placing history in the heart of the power dispute.  The analysis proposed documents and interprets the effort of historiographic synthesis resolved by Cárcano, a realisation that projects the historiographic territory onto the plane of diplomatic and poltical history, and is ready to investigate, fundamentally, the links between Argentina and Brazil during a great part of the 19th century. Likewise, the intention is to arrive at the conceptualisation which the intellectual himself would make about History and his own historiography work in the Argentinian context with its respective references, retrieving later on his critics’ voices, to access the position of the Cordobese in the different levels of the intellectual and historiographic panorama in Argentina and Brazil from the end of the 19th century to the late thirties.  Key Words  Historiography, Liberalism, Diplomacy.

scholarly journals Théophile Gautier’s and Edmondo De Amicis’s Constantinople, or the Ineffable City

Viatica ◽  
2017 ◽  
Author(s):  
Armelle Girinon ◽  
Keyword(s):  
19Th Century ◽  
Urban Space ◽  
Theophile Gautier ◽  
The 19Th Century ◽  
The City

In the 19th century, Théophile Gautier and Edmondo De Amicis were in vogue when they each wrote a text on the city of Constantinople. The two books, similar in their overall structure, aim to describe the city faithfully in its most exotic and unusual aspects. However, both writers face obstacles in the practice and knowledge of urban space. To overcome these obstacles, they use intertextuality, pictorial mediation and the use of the marvellous to better grasp and represent Constantinople.

scholarly journals Polish Buenos Aires – Polish Traces in the Urban Space of the Past and Present

2021 ◽  
Vol 47 (3 (181)) ◽  
pp. 119-138
Author(s):  
Adrianna Seniów ◽  
Nina Pielacińska
Keyword(s):  
19Th Century ◽  
Urban Space ◽  
Buenos Aires ◽  
Urban Landscape ◽  
Ethnically Diverse ◽  
The Past ◽  
Social Nature ◽  
Cultural Life ◽  
The Social ◽  
The 19Th Century

The beginnings of Polish mass emigration to Argentina date back to the end of the 19th century, but since then, several stages of the influx of Poles to the country on La Plata can be distinguished. They differ both in terms of the number and the social nature of immigrants. The aim of this article is to show how the presence of the Polish immigrants community was reflected in the urban space and cultural life of the capital of Argentina. This study investigates the material traces of presence, such as monuments, squares, buildings, commemorative plaques, as well as its intangible dimension: the activities of Polish organizations, Polish schools and parishes, Polish festivals, which have been part of the ethnically diverse urban landscape of Buenos Aires for years.

Sign in / Sign up

Export Citation Format

Share Document