scholarly journals “War on Terror”: The Limitation of Representation of the Film

2021 ◽  
Vol 3 (2) ◽  
pp. 141-144
Author(s):  
Gegen

History was always written by the winners. Despite the fact that the history of the War on Terror is relatively new, Hollywood is quick to develop a visual history of the conflict. Hollywood’s excellent realism aesthetics were successful in justifying the goal and method of the “war on terror,” interrupting ongoing reality to influence and reconstruct public memory about what happened. This dissertation will use three awarded and influential case studies: The Hurt Locker, Zero Dark Thirty and American Sniper to demonstrate the fragmentation of film representation, that the film only speaks for “us.” The dissertation aims to uncover the hidden political unawareness behind film representations, the manner in which those films provide limited versions of what happened, and how the films emphasise the self-subjectivity while objectifying the other.

Author(s):  
Amanda C. Seaman

This chapter traces the literary history of Japanese women writing about pregnancy and childbirth, focusing on two key figures in this development. The first is Meiji-era poet Yosano Akiko whose works explored her experiences as an expectant mother and highlighted the unsettling aspects of pregnancy. While Yosano’s works permitted the literary treatment of formerly taboo issues, later writers rejected her lead, instead treating pregnancy as the prelude to motherhood, as a quasi-sacred moment. This persisted until the 1960s and 70s, when writers influenced by second-wave feminism challenged patriarchal society, rejecting the roles of wife and mother. The second was Tsushima Yuko, whose novels and stories explored alternative, mother-centered family models. Since then, writing about pregnancy rests on these two authors: on one side, treatments of pregnancy that emphasize the alien and the disquieting, and on the other, more ironic works, focusing upon the self-assertive and individualistic nature of childbearing.


2018 ◽  
Vol 87 (1) ◽  
pp. 150-172
Author(s):  
Katherine G. Morrissey

The following was the author’s presidential address at the annual meeting of the Pacific Coast Branch, American Historical Association, in Northridge, California, on August 4, 2017. The twentieth-century visual history of the U.S.-Mexico borderlands, la frontera, offers a rich set of representations of the shared border environments. Photographs, distributed in the United States and in Mexico, allow us to trace emerging ideas about the border region and the politicized borderline. This essay explores two border visualization projects—one centered on the Mexican Revolution and the visual vocabulary of the Mexican nation and the other on the repeat photography of plant ecologists—that illustrate the simultaneous instability and power of borders.


2020 ◽  
Vol 40 (3) ◽  
pp. 449-481
Author(s):  
Athanasios Psygkas

Abstract The emergence of the UK’s statutory constitution has challenged the old Diceyan adage that ‘neither the Act of Union with Scotland nor the Dentists Act 1878 has more claim than the other to be considered supreme law’. This article reconceptualises constitutional statutes, offering a three-pronged approach to identifying such legislation. This new model examines the content of the statute, the history of enacting the constitutional statute (the ‘life of the Bill’), and the post-enactment history (the ‘life of the statute’). The proposed framework reflects a historical approach to constitutionalism and gives weight not only to judicial practice, but also to the interactions between other constitutional actors and to popular endorsement. Four case studies of statutes demonstrate how the new model adds layers to, and diverges from, the current judicial approach. Finally, the article describes the implications of taking constitutional statutes seriously under the proposed approach.


2013 ◽  
Vol 54 (1) ◽  
pp. 51-85 ◽  
Author(s):  
Alexander C. Y. Huang

The curtain rose at the King's Theatre, Edinburgh, on 14 August 2011 to reveal a richly textured production ofThe Tempeston a bare stage with minimal props. As the lights came up, a group of white-robed sailors were caught in a meticulously choreographed storm, dancing to the mesmerizing beats of the master drummer upstage. The performers’ costumes echoed traditional Koreanhanbokattire and their acting style incorporatedt'alch'ummask-dance drama techniques. Their long white sleeves flapped and swayed in sync with their movements. Engulfed in stagewide sapphire and then crimson lighting, their sleeves were transformed from symbols of violent wind and waves to raging fire on board a ship approaching a world where, as Gonzalo aptly summarized, “no man was his own” (5.1.211). With Prospero (King Zilzi) as the drummer upstage and Ariel dancing in the midst of the unfortunate sailors, the storm scene—one of the longest renditions of the “direful spectacle” (1.2.26) in the performance history ofThe Tempest—served as an anchor to the tragicomic narrative about the self and the other. For a fleeting moment, Prospero gave the impression of being a drillmaster at the helm.


2008 ◽  
Vol 14 (2) ◽  
pp. 205-212
Author(s):  
Eduardo SUGIZAKI ◽  
Mário F. F. ROSA

The purpose of this article presents the concept of hermeneutics of the self or spirituality that appears in the ’80s Foucault’s work in a course called A hermeneutic of the subject (L’herméneutique du sujet), given in 1982 at the College de France. In order to understand the presentation of this concept as rooted philosophically in his work, I have attempted to situate the way he perceived the birth and flourishing of the hermeneutic of the self during the period of Imperial Rome, its disappearance, in the Classics Age, and its resurrection in the XIX century. I attempted to explain the meaning of this historical perspective on a long range level, on a philosophical and historical horizon. I have henceforth attempted to articulate the ‘modus operandi’ called the ‘history of the modes of subjectiveness’, that characterizes his endeavour of the 1980s with the archaeology of knowing and the geneology of power that characterizes his research during the two previous decades. Thus I have attempted, properly speaking, to characterize spirituality as a form of the constitution of the self in itself as a parallel to the fabrication of the subject by the other in the formation of the subject as subjected.


2020 ◽  
pp. 63-106
Author(s):  
Egil Bakka

Chapter Four by Egil Bakka deals with round dancing at a number of European courts. This chapter is intended to link the other case studies in the book to the practices and discourses of larger countries which, although not the focus of this collection, are significant in the overall history of how round dances were received even at the top level.


2009 ◽  
Vol 1 (4) ◽  
pp. 302-315 ◽  
Author(s):  
William M. Reddy

Research on this topic in Europe and North America has reached a new stage. Prior to 1970, historians told a story of progress in which modern individuals gradually gained mastery of emotions. After 1970 this older approach was put into doubt. Since 1990 research into the history of emotions has increasingly relied on a new methodology, based on the assumption that emotion is a domain of effort, and that it is possible to document variance between emotional standards, on the one hand, and the greater or lesser success of individuals in conforming to them, on the other. Emotional standards are now assumed to display a history that is not progressive, but reflects distinctive features of each period.


2005 ◽  
Vol 34 (3-4) ◽  
pp. 309-337 ◽  
Author(s):  
Gary N. Knoppers

This article explores how a new and very important development in the study of ancient Samaria sheds light on the import of two Judean texts written during the late Achaemenid or early Hellenistic era. The study begins with a discussion of the recent excavation of a large temple complex on Mt. Gerizim largely dating to the Hellenistic era, but with some material evidence stretching back to the Persian era. This remarkable discovery helps to answer some old questions, but it also raises new questions about Samarian-Judean relations during the Second Commonwealth. The selected case studies stem from the book of Chronicles and deal with Judah's relations with northern Israel. One involves King Abijah's address to "Jeroboam and all Israel" at Mt. Zemaraim during the early divided monarchy (2 Chr.13:4-12), while the other involves King Hezekiah's Passover invitation sent to all quarters of Israel, including the estranged northern tribes (2 Chr. 30:6-9). The study clarifies the context within which postmonarchic Judean writers worked (including their views of and aspirations for their own communities) by re-examining the larger geo-political and religious circumstances in which they lived.


Author(s):  
Jonathan Benthall

This book is the fruit of twenty years’ reflection on Islamic charities, both in practical terms and as a key to understand the crisis in contemporary Islam. On the one hand Islam is undervalued as a global moral and political force whose admirable qualities are exemplified in its strong tradition of charitable giving. On the other hand, it suffers from a crisis of authority that cannot be blamed entirely on the history of colonialism and stigmatization to which Muslims have undoubtedly been subjected – most recently, as a result of the “war on terror”. The book consists of seventeen previously published chapters, with a general Introduction and new prefatory material for each chapter. The first nine chapters review the current situation of Islamic charities from many different viewpoints – theological, historical, diplomatic, legal, sociological and ethnographic – with first-hand data from the United States, Britain, Israel–Palestine, Mali and Indonesia. Chapters 10 to 17 expand the coverage to explore the potential for a twenty-first century “Islamic humanism” that would be devised by Muslims in the light of the human sciences and institutionalized throughout the Muslim world. This means addressing contentious topics such as religious toleration and the meaning of jihad. The intended readership includes academics and students at all levels, professionals concerned with aid and development, and all who have an interest in the future of Islam.


2021 ◽  
Vol 3 (4) ◽  
pp. 73-82
Author(s):  
Youssef EL KAIDI

Literature is an arena for cross-cultural representation par excellence. It is in the literature that images produce an awareness of the Self and Other, and of the Here and the Elsewhere, however small that awareness maybe. The accounts of many canonical literary figures in the history of literature featured portrayals and descriptions of radically different people and customs, exotic lands, and far-off places where everything is outlandish and anomalous. Literary representation, therefore, plays a pivotal role in shaping perception, creating historical and textual monoliths, stereotypes, and essentialization about ethnic minorities, race, sexuality, and gender. This article investigates the politics of representation of the Self and the Other in Zakia Khairhoum’s novel The End of My Dangerous Secret (Nihayat Sirri L’khatir, 2008) from a postcolonial feminist’s point of view. I argue that Khairhoum does not only shatter the foundations of patriarchy in the Arab world but also undermines and subverts Western colonial discourse and its claim of supremacy. The novel foregrounds a different pattern of representation that has not yet been sufficiently investigated, which is the denigration of both the Self and the Other and the quest for a third cultural reality that is defined in terms of gender equality, justice, human rights and democracy.


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