Apsīšu Jēkabs un Rūdolfs Blaumanis: salīdzināmie aspekti

2021 ◽  
pp. 29-37
Author(s):  
Benedikts Kalnačs
Keyword(s):  
19Th Century ◽  
Popular Literature ◽  
Literary Texts ◽  
Historical Period ◽  
19Th Century Literature ◽  
Literary Sources ◽  
Wide Range ◽  
Literary Cultures ◽  
The 19Th Century ◽  
The Impact

The topic of the paper reflects an interest in potential sources of Rūdolfs Blaumanis’s literary output. Blaumanis himself did confirm that he considered Apsīšu Jēkabs among the most important Latvian writers of the 19th century. Both authors focused their attention on the historical period later labelled the age of transition. In this context, several important aspects are discussed. The paper pays attention to the infringement of moral laws in society and the reflection of this trend in literary texts. An important topic is the stratification of society, including the relations among the nobility, peasants, and servants, and their changing patterns. The role of money, including the rise of calculated marriages, is also an object of discussion, as well as the issues of upbringing in families and schools. In this paper, aesthetic parallels are discussed within the context of the impact of popular literature on both writers. Both of them often used exaggerated situations in order to raise the appeal of their texts to their respective audiences. The principles of the creation of comic effects are also scrutinised. One of the issues discussed in the paper is that of intercultural relations. Whereas Apsīšu Jēkabs points toward the juxtaposition of Latvian and Baltic German literary cultures, Blaumanis is much more open to their coexistence and extracts positive aspects out of the position among different cultures as reflected in the wide range of his literary sources. However, it is important to point to the impact of Latvian 19th-century literature on the development of Blaumanis’s ideas and his creative potential.

scholarly journals České kramářské tisky – pokus o definici a typologii

2021 ◽  
Vol 66 (3-4) ◽  
pp. 43-57
Author(s):  
Jakub Ivánek
Keyword(s):  
Early Modern ◽  
19Th Century ◽  
Broad Spectrum ◽  
Early Modern Period ◽  
Popular Literature ◽  
Research Interest ◽  
Modern Period ◽  
Wide Range ◽  
Broadside Ballads ◽  
The 19Th Century

The paper focuses on the issue of a relatively wide range of kramářské tisky – the medium of Czech popular literature of the Early Modern period and the 19th century. They mostly contained kramářské písně (Czech equivalent for broadside ballads), which are currently in the spotlight of Czech research interest. Kramářský tisk can also be defined by means of equivalents in other languages. The English term chapbooks, for example, may be helpful in emphasising the commercial focus of this literature (kramářské tisky could be literally translated as ‘chapman prints’). Although the English term cannot be clearly defined either, researchers generally come to an agreement that it is a publication of booklet character, of smaller extent as well as format (usually octavo or smaller, made of no more than three sheets of paper or having up to 99 pages). It was distributed by tradesmen at fairs, by colportage or soliciting. It was cheap (both in terms of production and price) and it brought what the broad spectrum of readers in towns and later in the countryside demanded – popular reading in the true sense of the word. It is complicated to include popular histories (knížky lidového čtení) in the comparison – they fit most of the features above, but they were made by folding and joining more sheets of paper and greatly exceed the imaginary limit of 99 pages. Therefore, this paper also deals with boundary media, which surpass the defined extent but principally are still chapman goods (i.e. small-format books of various lengths distributed at fairs and by soliciting). The text of the study draws attention to the appearance and development of certain types of kramářské tisky of both religious and secular content. For a better illustration, many of these types are mediated by an image.

Museum Preserves in the Sphere of “Cultural Tourism”: Through the Example of the Cultural Preserves of Tatarstan

2019 ◽  
Vol 9 (4) ◽  
pp. 193-198
Author(s):  
Lyudmila S. Timofeeva ◽  
Albina R. Akhmetova ◽  
Liliya R. Galimzyanova ◽  
Roman R. Nizaev ◽  
Svetlana E. Nikitina
Keyword(s):  
19Th Century ◽  
Art Museum ◽  
Medium Size ◽  
Business Elite ◽  
Wide Range ◽  
The Subject ◽  
Tourist Center ◽  
Regional Authorities ◽  
The 19Th Century ◽  
The City

Abstract The article studies the existence experience of historical cities as centers of tourism development as in the case of Elabuga. The city of Elabuga is among the historical cities of Russia. The major role in the development of the city as a tourist center is played by the Elabuga State Historical-Architectural and Art Museum-Reserve. The object of the research in the article is Elabuga as a medium-size historical city. The subject of the research is the activity of the museum-reserve which contributes to the preservation and development of the historical look of Elabuga and increases its attractiveness to tourists. The tourism attractiveness of Elabuga is obtained primarily through the presence of the perfectly preserved historical center of the city with the blocks of integral buildings of the 19th century. The Elabuga State Historical-Architectural and Art Museum-Reserve, which emerged in 1989, is currently an object of historical and cultural heritage of federal importance. Museum-reserves with their significant territories and rich historical, cultural and natural heritage have unique resources for the implementation of large partnership projects. Such projects are not only aimed at attracting a wide range of tourists, but also stimulate interest in the reserve from the business elite, municipal and regional authorities. The most famous example is the Spasskaya Fair which revived in 2008 in Elabuga. It was held in the city since the second half of the 19th century, and was widely known throughout Russia. The process of the revival and successful development of the fair can be viewed as the creation of a special tourist event contributing to the formation of new and currently important tourism products.

scholarly journals Some notes on a historical perspective of panic disorder

2006 ◽  
Vol 55 (2) ◽  
pp. 154-160 ◽  
Author(s):  
Antonio Egidio Nardi
Keyword(s):  
Panic Disorder ◽  
20Th Century ◽  
19Th Century ◽  
Greek Mythology ◽  
Laboratory Studies ◽  
Biochemical Tests ◽  
Wide Range ◽  
Therapeutic Development ◽  
History Of ◽  
The 19Th Century

This article aims to describe important points in the history of panic disorder concept, as well as to highlight the importance of its diagnosis for clinical and research developments. Panic disorder has been described in several literary reports and folklore. One of the oldest examples lies in Greek mythology - the god Pan, responsible for the term panic. The first half of the 19th century witnessed the culmination of medical approach. During the second half of the 19th century came the psychological approach of anxiety. The 20th century associated panic disorder to hereditary, organic and psychological factors, dividing anxiety into simple and phobic anxious states. Therapeutic development was also observed in psychopharmacological and psychotherapeutic fields. Official classifications began to include panic disorder as a category since the third edition of the American Classification Manual (1980). Some biological theories dealing with etiology were widely discussed during the last decades of the 20th century. They were based on laboratory studies of physiological, cognitive and biochemical tests, as the false suffocation alarm theory and the fear network. Such theories were important in creating new diagnostic paradigms to modern psychiatry. That suggests the need to consider a wide range of historical variables to understand how particular features for panic disorder diagnosis have been developed and how treatment has emerged.

Content and Consistency in the Endogenous Depressive Pattern

1966 ◽  
Vol 112 (486) ◽  
pp. 471-484 ◽  
Author(s):  
Saul H. Rosenthal ◽  
Gerald L. Klerman
Keyword(s):  
19Th Century ◽  
The Other ◽  
Psychotic Depression ◽  
Public Attention ◽  
Half Century ◽  
Manic Depressive ◽  
Wide Range ◽  
The 19Th Century ◽  
Mourning And Melancholia ◽  
The Way

As currently used, the diagnosis of depression includes a wide range of clinical phenomena. This has not always been the case. Near the end of the 19th century, when the term depression began to evolve the meanings that it has today it was applied primarily to psychotics. The formulations of Freud in Mourning and Melancholia (1917), and of Kraepelin in Manic Depressive Insanity (1921) were based upon observations of patients who were both depressed and psychotic. In their work the contrast was between psychotic depression (or “melancholia”) on one hand, and normal sadness on the other. In the succeeding half-century, however, as psychiatry has extended its boundaries, increasing attention has been focused on non-psychotic depressions, often called “neurotic” or “reactive.” As these “neurotic” or “reactive” depressions reached public attention, a debate began over the way in which the depressive population should be described and the extent to which it should be subdivided. Critical and often sarcastic written battles were fought between the separatists and the unifiers during the 1920's and 1930's. These debates have been informatively chronicled by Partridge (1949). We have found it useful to divide these theorists into unifiers, dualists, and pluralists.

The ‘Genius of language’

2004 ◽  
Vol 31 (2-3) ◽  
pp. 367-388 ◽  
Author(s):  
Christiane Schlaps
Keyword(s):  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
Wide Range ◽  
Dynamic Form ◽  
Text Types ◽  
Scientific Value ◽  
The 19Th Century ◽  
Static Concept ◽  
Interior Part

Summary The so-called ‘genius of language’ may be regarded as one of the most influential, and versatile, metalinguistic metaphors used to describe vernacular languages from the 17th century onwards. Over the centuries, philosophers, grammarians, trans­lators and language critics etc. wrote of the ‘genius of language’ in a wide range of text types and with reference to various linguistic positions so that a set of rather diverse types of the concept was created. This paper traces three prominent stages in the development of the ‘genius of language’ argument and, by identifying some of the most frequent types as they evolved in the context of the various linguistic dis­courses, endeavours to show the major transformations of the concept. While early on, discussion of the stylistic and grammatical type of the ‘genius of language’ concentrates on surface features in the languages considered, during the middle of the 18th century, the ‘genius of language’ is relocated to the semantic, interior part of language. With the 19th-century notion of an organological ‘genius of language’, the former static concept is personified and recast in a dynamic form until, taken to its nationalistic extremes, the ‘genius of language’ argument finally ceases to be of any epistemological and scientific value.

scholarly journals Opisy interiekcji w wybranych XIX-wiecznych słownikach języka polskiego

LingVaria ◽  
2021 ◽  
Vol 31 (1) ◽  
pp. 11-24
Author(s):  
Marek Kaszewski
Keyword(s):  
19Th Century ◽  
The Other ◽  
Functional Variants ◽  
Wide Range ◽  
The One ◽  
The 19Th Century ◽  
Linguistic Units

Descriptions of Interjections in Selected Polish Dictionaries from 19th Century The author of the text analyses interjections present in three Polish dictionaries from the 19th century: the dictionaries by S.B. Linde, J.S. Bandtkie and A. Osiński, which are a part of a larger linguistic collection created in order to study and describe historical Polish interjections. The article takes into account the internal diversity of the historical class of interjections in the light of the lexicographers’ attempts to describe such units. Our attention is drawn to the lack of graphical normalization of interjections in the dictionaries, as well as the inconsistency of their marking and definition on the one hand, and the wide range of functional variants on the other. Differences in the manner of presentation of interjections in these dictionaries are also taken into account. Moreover, the author emphasizes the fact that they include a large number of animal-related (hunting) interjections. The study of the dictionary materials confirmed that their authors did not work out a method of a lexicographical description of these linguistic units.

scholarly journals “The Escape in the Desert” in Book Culture and Literature of Pre-Peter Russia

2020 ◽  
Vol 27 (1) ◽  
pp. 56-72
Author(s):  
Tatiana A. Isachenko
Keyword(s):  
19Th Century ◽  
17Th Century ◽  
Russian Society ◽  
Western Literature ◽  
19Th Century Literature ◽  
Old Russian ◽  
World Outlook ◽  
The Subject ◽  
The 19Th Century ◽  
Century Literature

<p>&nbsp;The motif of &ldquo;the escape from paradise&rdquo; has recently become one more time the subject of historical poetics. This motif is opposed to &ldquo;the expulsion from paradise&rdquo; accepted in Western literature. In the perception of scholars the motif of &ldquo;the escape from paradise&rdquo; in 19th century literature took a paradoxical form of &ldquo;loneliness&rdquo; (Dmitriev, Pushkin, Ostrovsky and Batyushkov) and then was designated as a &ldquo;moving&rdquo; model of a Russian man&rsquo;s life who escapes from Paradise&nbsp;&mdash; a &ldquo;homeostatic&rdquo; society (L.&nbsp;N.&nbsp;Gumilev). The transformation of the motif from a &ldquo;stable&rdquo; model to a &ldquo;moving&rdquo; one led to formation of a new Russian character&nbsp;&mdash; a &ldquo;homeless wanderer&rdquo; mentioned by F.&nbsp;M.&nbsp;Dostoevsky in his &ldquo;Pushkin Speech&rdquo;. The article puts forward a thesis that under the influence of wandering a part of Russian society feel inclined for Old Russian forms of world outlook that incites person&rsquo;s searches for life paradise in his own soul. This trend appears in the pilgrimage and theological literature of the 19th century. The transformation of the ratio between the &ldquo;stable&rdquo; and the &ldquo;moving&rdquo; towards the Old Russian ideal of wandering brings man to the saving paths of evangelical commandments. The theme of &ldquo;escape in the desert&rdquo; is closely related to the theme of &ldquo;Mental Paradise&rdquo;. In this regard, the key plot of the popular collection &ldquo;Mental Paradise&rdquo; popular in the 17th century and released in Wallay Iversky Monastery in 1658&ndash;1659 is considered. Based on the manuscripts the article shows how the motives of &ldquo;Paradise&rdquo; and &ldquo;escape in the desert&rdquo; having preceded the trends and having been developed in the 19th century leading to the prosperity of pilgrimage literature, are presented in literature of pre-Peter Russia.</p>

scholarly journals Map of Impact of Natural Hazards

2016 ◽  
pp. 69-77
Author(s):  
Maria BOSTENARU DAN ◽  
◽  
Cristina Olga Gociman ◽  
Keyword(s):  
Natural Disasters ◽  
Natural Hazards ◽  
19Th Century ◽  
Urban Areas ◽  
General Assembly ◽  
German Research ◽  
History Of ◽  
Historical Photographs ◽  
The 19Th Century ◽  
The Impact

This paper investigates the mapping of the impact of natural hazards as included in several databases reviewed or created by the author. These are: - The database of the contribution of the session series “Natural hazards’ impact on urban areas and infrastructure”, convened and co-convened by the first author over 15 years at the European Geosciences General Assembly. - A database created from reviews of students supervised by the authors in frame of the course “Protection of settlements against risks” at the home university. - A collection of historical photographs from the 19th century on different natural and man-made hazards from the Canadian Centre for Architecture, the archive review of which has been performed by the first author and which will be subject of a book to be published about the time of the conference. -Two reviewed collections, one from the exhibition and book on “Images of disasters” (German research) and one on the book “Illustrated history of natural disasters” which include major disasters from the beginning of the mankind. In frame of the paper maps of the spread of data will be presented, created using both arcGIS online and GoogleMaps (see https://www.google.com/maps/d/edit?mid=zpbbz3WgVMBs.k-3vhGj- -l1M&usp=sharing), comparing the source and the type of hazard, to see eventual overlappings between the databases.

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