The impact of Islam and Muslims on Denmark in the 19th century

2016 ◽  
pp. 69-77
Author(s):  
Maria BOSTENARU DAN ◽  
◽  
Cristina Olga Gociman ◽  

This paper investigates the mapping of the impact of natural hazards as included in several databases reviewed or created by the author. These are: - The database of the contribution of the session series “Natural hazards’ impact on urban areas and infrastructure”, convened and co-convened by the first author over 15 years at the European Geosciences General Assembly. - A database created from reviews of students supervised by the authors in frame of the course “Protection of settlements against risks” at the home university. - A collection of historical photographs from the 19th century on different natural and man-made hazards from the Canadian Centre for Architecture, the archive review of which has been performed by the first author and which will be subject of a book to be published about the time of the conference. -Two reviewed collections, one from the exhibition and book on “Images of disasters” (German research) and one on the book “Illustrated history of natural disasters” which include major disasters from the beginning of the mankind. In frame of the paper maps of the spread of data will be presented, created using both arcGIS online and GoogleMaps (see https://www.google.com/maps/d/edit?mid=zpbbz3WgVMBs.k-3vhGj- -l1M&usp=sharing), comparing the source and the type of hazard, to see eventual overlappings between the databases.


Author(s):  
Jim Powell

Losing the Thread is the first full-length study of the effect of the American Civil War on Britain’s raw cotton trade and on the Liverpool cotton market. It details the worst crisis in the British cotton trade in the 19th century. Before the civil war, America supplied 80 per cent of Britain’s cotton. In August 1861, this fell to almost zero, where it remained for four years. Despite increased supplies from elsewhere, Britain’s largest industry received only 36 per cent of the raw material it needed from 1862 to 1864. This book establishes the facts of Britain’s raw cotton supply during the war: how much there was of it, in absolute terms and in relation to the demand, where it came from and why, how much it cost, and what effect the reduced supply had on Britain’s cotton manufacture. It includes an enquiry into the causes of the Lancashire cotton famine, which contradicts the historical consensus on the subject. Examining the impact of the civil war on Liverpool and its cotton market, the book disputes the historic portrayal of Liverpool as a solidly pro-Confederate town. It also demonstrates how reckless speculation infested and distorted the raw cotton market, and lays bare the shadowy world of the Liverpool cotton brokers, who profited hugely from the war while the rest of Lancashire starved.


2020 ◽  
Vol 6 ◽  
pp. 309-335
Author(s):  
Klaudiusz Święcicki ◽  

The article discusses the process of increased interest in Zakopane and Podhale culture in the second half of the 19th century and at the beginning of the 20th century. Discusses the problem of highlanders acquiring national identity. Characterizes the environment of the intellectual and artistic elite of Zakopane. Attempts to analyse how fascination with the Tatra landscape and highlander culture influenced the formation of one of the myths that fund modern national identity. Tries to show how the artists influenced the development of Zakopane as a holiday spa. It also shows the impact of bohemia on the transformation of the culture of highlanders in the Podhale region. The second part of the article discusses the relationship of the poet Jan Kasprowicz with Podhale. His peregrinations to Zakopane and Poronin were presented. On the selected example from creativity, an attempt was made to analyse the poet’s fascination with the Tatra Mountains and highlander culture.


Author(s):  
M. Korachy

Abstract. In Fayoum, the largest oasis in the Egyptian western desert, the modern Lahun village was developed close by the ancient mud-brick Lahun Pyramid in the 19th Century. The architecture of Lahun village followed its ancestors’ architecture. Until 2003, a mix of mud and stone vernacular houses were dominant in the village. In 2010, 35% of the houses at Lahun main street, which leads to the pyramid site, were of mud brick/stone houses, the rest was replaced by high-rise concrete buildings. By 2019, little traces of the traditional vernacular dwellings survived a massive movement to concrete construction. In the last 15 years, the skyline of the village has completely transformed. Lahun’s loss of its vernacular architecture is not an exception, except in one case: Tunis village where a pottery school for locals, started 30 years ago, to change the future of Tunis, where traditional architectural techniques have taken an important place in contemporary constructions. What are the local needs when they decide to replace their traditional houses with concrete? What is the impact of the pyramid’s recent re-opening on the village? What should be learned from Tunis village? Could what remained from the aspects of the Lahun vernacular heritage be used to reverse the loss of the tangible architectural aspects? Is new architecture that is sympathetic to the traditional vernacular character of the village a solution?


2019 ◽  
Vol 20 (1) ◽  
pp. 126-135
Author(s):  
Denisa-Maria Frătean

AbstractSecession Influences in Blaga’s Poetry (Influențe Secession în lirica blagiană) – This essay analyses the impact of the years spent in Vienna on the formation of Lucian Blaga, taking into consideration the fact that, at the end of the 19th century and the beginning of the 20th century, the capital of the Empire was the centre of an impressive art movement called the "Vienna Secession". The aim of this paper is to identify the similarities that can be established between the art of the painter Gustav Klimt, a representative figure for that period and the president of Secession, and the poetry of Blaga. The comparison includes the symbols to be found in the works of the two artists, such as the spring flowers and the serpents, the dominant colours, the type of lines used in the creation of their images and the reaction of people to their modern art.


Author(s):  
К.А. Поташова

Новизна исследования связана с раскрытием уникальности синтеза вербального и визуального начал в художественном мышлении В. А. Жуковского и А. С. Пушкина посредством анализа механизмов встраивания живописного произведения в словесный образ. С опорой на анализ стихотворений «Недоконченная картина» А. С. Пушкина, «Преображение» С. П. Шевырёва, очерка В. А. Жуковского «Рафаэлева Мадонна» в сопоставлении с очерком В.-Г. Вакенродера «Видение Рафаэля» рассмотрено влияние эстетической системы Рафаэля на романтическую концепцию творчества художника, природы его вдохновения, заключающейся в ощущении Божественном присутствии. В статье определяется место эстетического очерка Жуковского «Рафаэлева Мадонна» в контексте развития романтического типа экфрасиса, основанного на замене описания визуального образа ассоциативным рядом, возникшим в процессе созерцания картины. Доказывается, что внимание романтиков к личности Рафаэля Санти обусловлено как общей духовно-нравственной атмосферой первой трети XIX века, так и глубоко личностным восприятием живописи В. А. Жуковским и А. С. Пушкиным. The theoretical novelty of the article consists in the investigation of the unique synthesis of verbal and visual aspects of V. A. Zhukovsky’s and A. S. Pushkin’s works. The comparative analysis of A. S. Pushkin’s “Unfinished Painting”, S. P. Shevyrev’s “Transfiguration”, V. A. Zhukovsky’s “The Sistine Madonna” and W. H. Wackenroder’s “Raphael’s Vision” focuses on the impact Raphael’s aesthetics produced on the romantic concept of a painter’s work, and spiritual inspiration. The article investigates Zhukovsky’s aesthetic essay “The Sistine Madonna” through the prism of ekphrastic works, association-based descriptions of a visual work of art. The article maintains that the romantic poets’ infatuation with Raphael Santi can be explained both by the spiritual and moral atmosphere of the first third of the 19th century and by V. A. Zhukovsky’s and A. S. Pushkin’s personal aesthetic preferences.


2016 ◽  
Vol 14 (4) ◽  
pp. 79
Author(s):  
Aldona Rita Jurewicz

Permission for Multiple Places of Residence in German Law. Historical PatternsSummaryThe author uses a specific example, multiple residence under German law, to show the impact of Roman law on many of the modern European legal systems. The observations made by the editors of the German Bürgerliches Gesetzbuch (BGB) and the sources and literature they used show that Roman law was still relevant and universal in the 19th century, the age of the great codifications. Today, too, it is admissible under German law to have more than one residence and the issue is not controversial.


Author(s):  
Norman Etherington

The first well-attested maps showing Southern Africa date from the late 15th century. Before the 19th century, maps provided little information about the interior but depicted coastlines in great detail, thanks to the requirements of seaborne navigators. Information about the inhabitants was scanty and skewed by misconceptions about the nature of African societies. Land-based exploration activity increased dramatically in the 1830s but the poorly trained and equipped human agents made many errors that had significant historical consequences. Accuracy in the mapping of physical topography improved with the advent of skilled civil and military surveyors, but entanglement with advancing forces of European colonialism resulted in biased representations of the nature and distribution of the indigenous people. Competition among European invaders during the so-called Scramble for Africa in the last decades of the 19th century made cartography a volatile element in the general mix of combustible material. Continual war among Europeans and Africans also affected the production of maps. The impact of African resistance to colonial surveys and land seizures on map making was for too long neglected by historians. By the end of World War I, the geopolitical boundaries of the region assumed their present configuration, marking off South Africa from its neighbors. The imposition of European rule, racial inequality, and segregation introduced cartographical distinctions between areas in which land was held in freehold title by members of a ruling racial elite and so-called African reserves and locations where land was held communally under the surveillance of traditional authorities. Decolonization beginning in the 1960s swept away the colonial racial order but did not abolish its legacy of boundaries, inequality, and parallel systems of land governance. The advent of geographical information systems, digital mapping, and satellite imaging has revolutionized cartography.


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