Penerapan Teori Golden Section Pada Foto Landscape Pantai Di Gunungkidul

Technical problems in the digital photography era have now beenovercome by the sophistication of cameras. The problem thattechnology cannot solve is the composition of the image.Composition is a skill that requires an understanding ofphotographic objects, visual elements, and artistic experience.Composition is related to the placement of objects and how to build aflow of view in viewing photos that have an impact on the impressionof the photo. The decision to press the camera's shutter button is aconsideration of composition, and is not easily understood bystudents or beginners who are just learning photography. So thatwith knowledge of the composition of this golden section,photographers can produce more optimal work. Careful at everyvisual element that exists, skilled in arranging objects so that bettervisuals are created. Super-sophisticated camera technology cannotsearch for objects on its own, therefore this research is offered. TheGolden Section Theory has been successfully applied to the field ofarchitecture in the 5th century BC and in the field of painting duringthe renessance era. In this study, the author tries to apply thisformula to determine the main object (center of attention) in a beachscene photo in Gunungkidul in 2: 3 image format or the defaultDSLR camera format.

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X-Ray Analysis of Frozen Hydrated Sections:The Unconventional Approach

Proceedings, annual meeting, Electron Microscopy Society of America ◽

10.1017/s0424820100056065 ◽

1982 ◽

Vol 40 ◽

pp. 754-757

Author(s):

R. Beeuwkes ◽

A. Saubermann ◽

P. Echlin ◽

S. Churchill

Keyword(s):

Ratio Method ◽

Frozen Sections ◽

Technical Problems ◽

Sample Handling ◽

X Ray ◽

Common Group ◽

Ideal Method ◽

Classic Paper ◽

Physical Principles ◽

The Ideal

Fifteen years ago, Hall described clearly the advantages of the thin section approach to biological x-ray microanalysis, and described clearly the ratio method for quantitive analysis in such preparations. In this now classic paper, he also made it clear that the ideal method of sample preparation would involve only freezing and sectioning at low temperature. Subsequently, Hall and his coworkers, as well as others, have applied themselves to the task of direct x-ray microanalysis of frozen sections. To achieve this goal, different methodological approachs have been developed as different groups sought solutions to a common group of technical problems. This report describes some of these problems and indicates the specific approaches and procedures developed by our group in order to overcome them. We acknowledge that the techniques evolved by our group are quite different from earlier approaches to cryomicrotomy and sample handling, hence the title of our paper. However, such departures from tradition have been based upon our attempt to apply basic physical principles to the processes involved. We feel we have demonstrated that such a break with tradition has valuable consequences.

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On the High Voltage Electron Microscopy (1 MeV) of Biological Thick Sections

Proceedings, annual meeting, Electron Microscopy Society of America ◽

10.1017/s0424820100095571 ◽

1972 ◽

Vol 30 ◽

pp. 464-465

Author(s):

William H. Massover

Keyword(s):

Electron Microscopy ◽

High Voltage ◽

Present Report ◽

Biological Tissues ◽

Specimen Preparation ◽

Technical Problems ◽

High Voltage Electron Microscopy ◽

Thin Sections ◽

Voltage Electron ◽

High Voltage Electron

Stereoscopic examination of thick sections of fixed and embedded biological tissues by high voltage electron microscopy has been shown to allow direct visualization of three-dimensional fine structure. The present report will consider the occurrence of some new technical problems in specimen preparation and Image interpretation that are not common during lower voltage studies of thin sections.Thick Sectioning and Tissue Coloration - Epon sections of 0.5 μm or more that are cut with glass knives do not have a uniform thickness as Judged by their interference colors; these colors change with time during their flotation on the knife bath, and again when drying onto the specimen support. Quoted thicknesses thus must be considered only as rough estimates unless measured in specific regions by other methods. Chloroform vapors do not always result in good spreading of thick sections; however, they will spread spontaneously to large degrees after resting on the flotation bath for several minutes. Ribbons of thick sections have been almost impossible to obtain.

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Assimilation following priming of obese versus normal weight models using a new digital photography body image assessment instrument

PsycEXTRA Dataset ◽

10.1037/e633942013-662 ◽

2005 ◽

Author(s):

Jennifer S. Mills ◽

Kerry Kawakami ◽

Galina Freed

Keyword(s):

Body Image ◽

Digital Photography ◽

Normal Weight ◽

Assessment Instrument ◽

Image Assessment

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Visual Elements of "Semar Calligraphy" on Cirebon Glass Painting of Kusdono’s Work

IICACS : International and Interdisciplinary Conference on Arts Creation and Studies ◽

10.33153/iicacs.v1i1.14 ◽

2020 ◽

Vol 1 ◽

pp. 43-47

Author(s):

Yayah Rukiah

Keyword(s):

Qualitative Research ◽

Research Methods ◽

Geographical Location ◽

Qualitative Research Methods ◽

Visual Elements ◽

Arabic Calligraphy ◽

Main Figure ◽

Descriptive Qualitative

This research is focused on the visual elements contained on Kusdono's Cirebon glass painting. The writer uses descriptive qualitative research methods to examine the visual elements, with the technique of collecting data from books and journals that relates to the research object. The purpose of this study is to examine and find the meaning of Cirebon glass paintings. The results of this research are Semar as the main figure in the clown who always do good, keep the truth and obey the tenet that closely related to Islam. Arabic calligraphy reinforces Semar's figure. On the Cirebon glass painting, there are many mega mendung ornaments and wadasan which are Cirebon batik motifs, as well as the colors used in the coastal colors due to the geographical location of Cirebon City near the beach.

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