scholarly journals Ecocriticism and "Thinking with Writing": An Interview with Tim Ingold

Author(s):  
Antonia Spencer ◽  
Tim Ingold

      Over the course of an influential career spanning several decades, Tim Ingold, Professor Emeritus at the University of Aberdeen, has established himself as a preeminent voice in the field of Social Anthropology. Author of studies including The Perception of the Environment (2000), Being Alive (2011) and The Life of Lines (2015), this interview was inspired by the potential of his wide-ranging scholarship to unearth some fascinating avenues for research in literary studies. The breadth of his writing on habitation, perception and skilled practice, suggests myriad applications for his thinking beyond the purely anthropological, and particularly for bridging the concerns of literary and environmental studies. The philosophical depth of his work, apparent in his analyses of processes of growth and formation in both biological and socio-cultural domains (indeed questioning the supposed divisions between these fields), proves that his scholarship provides a refreshing counter-narrative to many prevailing schools of thought in current literary theory, especially to much of the discourse of New Materialism and Speculative Realism. In addition, this interview contains his views regarding certain emerging issues in literary studies, such as the material practices of reading, and the ascendency of the computer screen over the printed book, areas where his anthropological perspective is both stimulating and revealing. As a renowned scholar who has recently surveyed the changes in the academy and in disciplinary relationships throughout his long career, his observations provide valuable insights into the capability of the arts to guide us into a wider, more interconnected world. Crucially, his responses also speak to the world of academia, and how we can foster a practical awareness of ecological issues within the often-rarefied spheres of academic research and practice.

1962 ◽  
Vol 3 (1) ◽  
pp. 45-84 ◽  
Author(s):  
Joseph Ben-David ◽  
Awraham Zloczower

Universities engage in teaching and research. They prepare students to become men of action in practical politics, the civil service, the practice of law, medicine, surgery etc. Others studying at universities want to become scholars and scientists whose style of work is far removed from the on-the-spot decisionmaking which is so important among the former category. The professions and disciplines taught and developed at universities require a great variety of manpower and organization of entirely different kinds. Universities nevertheless insist on comprising all of them, in the name of an idea stemming from a time when one person was really able to master all the arts and sciences. They, furthermore, attempt to perform all these complex tasks within the framework of corporate self-government reminiscent of medieval guilds. Indeed there have been serious doubts about the efficiency of the university since the 18th century. Reformers of the “Enlightenment” advocated the abolition of the universities as useless remnants of past tradition and establish in their stead specialized schools for the training of professional people and academies for the advancement of science and learning. This program was actually put into effect by the Revolution and the subsequent reorganization of higher education by Napoleon in France. The present day organization of higher education in the Soviet Union still reflects the belief in the efficiency of specialized professional schools as well as specialized academic research institutions.


PMLA ◽  
2003 ◽  
Vol 118 (2) ◽  
pp. 321-325 ◽  
Author(s):  
W. J. T. Mitchell

Having counted the adjectives, and weighed the lines, and measured the rhythms, a Formalist either stops silent with the expression of a man who does not know what to do with himself, or throws out an unexpected generalization which contains five per cent of Formalism and ninety-five per cent of the most uncritical intuition.—Trotsky, Literature and Revolution (ch. 5)Bring out number weight & measure in a year of dearth.—Blake, The Marriage of Heaven and Hell (35)Everyone knows that the concept of form has outlived its usefulness in discussions of literature, the arts, and media. The word does not appear in the recent handbooks of critical terms in art history and literary studies issued by the University of Chicago Press (Nelson and Shiff; Lentricchia and McLaughlin), and it appears in Raymond Williams's classic glossary, Keywords, only in its derivative (and mainly pejorative) form as an “-ism,” as in the phrase “mere formalism.” Formalists, as we know, are harmless drudges who spend their days counting syllables, measuring line lengths, and weighing emphases (Trotsky), or they are decadent aesthetes who waste their time celebrating beauty and other ineffable, indefinable qualities of works of art. If form has any afterlife in the study of literature, its role has been completely overtaken by the concept of structure, which rightly emphasizes the artificial, constructed character of cultural forms and defuses the idealist and organicist overtones that surround the concept of form.


REPERTÓRIO ◽  
2010 ◽  
pp. 65
Author(s):  
Teatro & Dança Repertório

O objetivo deste artigo é apresentar resultados de três anos de trabalho sobre o desenvolvimento de modelos epistemo-metodológicos não-cartesianos para pesquisas em artes e humanidades na universidade. Uma questão norteou esta investigação: A pesquisa acadêmica necessitaria ter como referenciais modos consagrados pela cientificidade para apresentar- se rigorosa em seus objetos, métodos, questões, objetivos e finalidades? Nosso trajeto busca apontar, na história do pensamento ocidental, as bases para o que viria a vingar, no século 17, como modelo da constituição das ciências modernas com a cisão artes x ciências, não existente até então. Em seguida, apresentamos alguns pensadores que, entre o final do século 19 e todo o século 20, produziram importantes quebras no edifício cartesiano, com destaque para Sigmund Freud e alguns conceitos psicanalíticos. Por fim, apostamos que a presença da cultura artística na universidade é tão irreversível quanto a presença, já bastante estabelecida, das ciências, das humanidades, da tecnologia. A singularidade do fazer artístico, refletida em seus processos e objetos, impõe estudos e desenvolvimento de métodos coerentes com tais investigações.<br />The aim of this paper is to present the result of over three years working on the development of models epistemo-methodological non-Cartesian for research in the arts and humanities in the university environment. One question guided this endeavor: should academic research have as reference methods laid down by science in order to be rigorous regarding objects, methods, issues, goals and purposes? Our path search point to the history of Western thought, the basis for what came to succeed in the 17th century as a model of the constitution of modern sciences, with the arts versus sciences divide, which did not exist until then. Next, we introduce some thinkers that since late 19th century and throughout the 20th century produced major breaks in the Cartesian building, especially Sigmund Freud and some of psychoanalytical concepts. Finally, we bet that the presence of the arts at the University is as irreversible as the presence, already well established, of sciences, humanities and technology. The uniqueness of artistic making, reflected in its processes and objects, requires study and development of methods consistent with such investigations.


Author(s):  
Santiago DE FRANCISCO ◽  
Diego MAZO

Universities and corporates, in Europe and the United States, have come to a win-win relationship to accomplish goals that serve research and industry. However, this is not a common situation in Latin America. Knowledge exchange and the co-creation of new projects by applying academic research to solve company problems does not happen naturally.To bridge this gap, the Design School of Universidad de los Andes, together with Avianca, are exploring new formats to understand the knowledge transfer impact in an open innovation network aiming to create fluid channels between different stakeholders. The primary goal was to help Avianca to strengthen their innovation department by apply design methodologies. First, allowing design students to proposed novel solutions for the traveller experience. Then, engaging Avianca employees to learn the design process. These explorations gave the opportunity to the university to apply design research and academic findings in a professional and commercial environment.After one year of collaboration and ten prototypes tested at the airport, we can say that Avianca’s innovation mindset has evolved by implementing a user-centric perspective in the customer experience touch points, building prototypes and quickly iterate. Furthermore, this partnership helped Avianca’s employees to experience a design environment in which they were actively interacting in the innovation process.


2021 ◽  
Vol 22 (1_suppl) ◽  
pp. 5S-7S
Author(s):  
Jill Sonke ◽  
Lourdes Rodríguez ◽  
Melissa A. Valerio-Shewmaker

The arts—and the arts and culture sector—offer fertile ground for achieving a culture of health in the United States. The arts and artists are agents of change and can help enable this vision and also address the most critical public health issues we are contending with, including COVID-19 and racism. The arts provide means for engaging dialogue, influencing behaviors, disrupting paradigms and fueling social movements. The arts uncover and illuminate issues. They engage us emotionally and intellectually. They challenge assumptions. They call out injustice. They drive collective action. They heal—making arts + public health collaboration very relevant in this historic moment. In this special Health Promotion Practice supplement on arts in public health, you’ll find powerful examples and evidence of how cross-sector collaboration between public health and the arts can advance health promotion goals and impacts, and make health promotion programs not only more accessible to diverse populations but also more equitable and effective in addressing the upstream systems, policies, and structures that create health disparities. You will see how the arts can empower health communication, support health literacy, provide direct and measurable health benefits to individuals and communities, and support coping and resilience in response to COVID-19. This issue itself exemplifies cross-sector collaboration, as it was created through partnership between Health Promotion Practice, the Society for Public Health Education, ArtPlace America, and the University of Florida Center for Arts in Medicine, and presents voices from across the public health, arts, and community development sectors.


Author(s):  
David Mahon ◽  
Anthony Clarkson ◽  
Simon Gardner ◽  
David Ireland ◽  
Ramsey Jebali ◽  
...  

In the last decade, there has been a surge in the number of academic research groups and commercial companies exploiting naturally occurring cosmic-ray muons for imaging purposes in a range of industrial and geological applications. Since 2009, researchers at the University of Glasgow and the UK National Nuclear Laboratory (NNL) have pioneered this technique for the characterization of shielded nuclear waste containers with significant investment from the UK Nuclear Decommissioning Authority and Sellafield Ltd. Lynkeos Technology Ltd. was formed in 2016 to commercialize the Muon Imaging System (MIS) technology that resulted from this industry-funded academic research. The design, construction and performance of the Lynkeos MIS is presented along with first experimental and commercial results. The high-resolution images include the identification of small fragments of uranium within a surrogate 500-litre intermediate level waste container and metal inclusions within thermally treated GeoMelt® R&D Product Samples. The latter of these are from Lynkeos' first commercial contract with the UK National Nuclear Laboratory. The Lynkeos MIS will be deployed at the NNL Central Laboratory facility on the Sellafield site in Summer 2018 where it will embark upon a series of industry trials. This article is part of the Theo Murphy meeting issue ‘Cosmic-ray muography’.


2021 ◽  
Author(s):  
José-Vicente Tomás-Miquel ◽  
Jordi Capó-Vicedo

AbstractScholars have widely recognised the importance of academic relationships between students at the university. While much of the past research has focused on studying their influence on different aspects such as the students’ academic performance or their emotional stability, less is known about their dynamics and the factors that influence the formation and dissolution of linkages between university students in academic networks. In this paper, we try to shed light on this issue by exploring through stochastic actor-oriented models and student-level data the influence that a set of proximity factors may have on formation of these relationships over the entire period in which students are enrolled at the university. Our findings confirm that the establishment of academic relationships is derived, in part, from a wide range of proximity dimensions of a social, personal, geographical, cultural and academic nature. Furthermore, and unlike previous studies, this research also empirically confirms that the specific stage in which the student is at the university determines the influence of these proximity factors on the dynamics of academic relationships. In this regard, beyond cultural and geographic proximities that only influence the first years at the university, students shape their relationships as they progress in their studies from similarities in more strategic aspects such as academic and personal closeness. These results may have significant implications for both academic research and university policies.


2020 ◽  
Vol 43 (4) ◽  
pp. 397-416
Author(s):  
Tao Xiong ◽  
Qiuna Li

Abstract The debate on the marketization of discourse in higher education has sparked and sustained interest among researchers in discourse and education studies across a diversity of contexts. While most research in this line has focused on marketized discourses such as advertisements, little attention has been paid to promotional discourse in public institutions such as the About us texts on Chinese university websites. The goal of the present study is twofold: first, to describe the generic features of the university About us texts in China; and second, to analyze how promotional discourse is interdiscursively incorporated in the discourse by referring to the broader socio-political context. Findings have indicated five main moves: giving an overview, stressing historical status, displaying strengths, pledging political and ideological allegiance, and communicating goals and visions. Move 3, displaying strengths, has the greatest amount of information and can be further divided into six sub-moves which presents information on campus facilities, faculty team, talent cultivation, disciplinary fields construction, academic research, and international exchange. The main linguistic and rhetorical strategies used in these moves are analyzed and discussed.


2009 ◽  
Vol 42 (04) ◽  
pp. 787
Author(s):  
Dick Simpson ◽  
Richard Johnson ◽  
Kevin Lyles

Twiley W. Barker, 83, professor emeritus of political science at the University of Illinois at Chicago, died July 13, 2009.


2021 ◽  
pp. 147821032110034
Author(s):  
Bruce Macfarlane

The popular image of activism in the university involves students and academics campaigning for social justice and resisting the neo-liberalisation of the university. Yet activism has been subtly corporatised through the migration of corporate social responsibility from the private sector into the university, a trend that may be illustrated by reference to the growing influence of research ‘grand challenges’ (GCs). Attracting both government and philanthro-capitalist funding, GCs adopt a socio-political stance based on justice globalism and represent a responsibilisation of academic research interests. Compliance with the rhetoric of GCs and the virtues of inter-disciplinarity have become an article of faith for academics compelled to meet the expectations of research-intensive universities in chasing the prestige and resources associated with large grant capture. The responsibilisation of the efforts of researchers, via GCs, erodes academic ownership of the research agenda and weakens the purpose of the university as an independent think tank: the essence of the Humboldtian ideal. The conceit of corporate activism is that in seeking to solve the world’s problems, the university will inevitably create new ones. Instead, as Flexner argued, it is only by preserving the independence and positive ‘irresponsibility’ of researchers that universities can best serve the world.


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