Study on Christian Belief and Cultural Exchange of Chinese in Northern Thailand: The Case of the Manchu Village of Chiang Raic'

2021 ◽  
Vol 20 ◽  
pp. 121-131
Author(s):  
Shoulei LI ◽  
Shaoxian XU

In the process of integration into Thai society, Manchu Village> a Chinese community, has achieved mutual cooperation between civil autonomy authority and national administrative authority. Gradually accepted Thai culture> villagers in Manchu formed a strong national identity for 'Thailand. Meanwhile> they still inherit Chinese culture and maintained hometown recall and Chinese identity > which have also undergone fission. A variety of beliefs> such as Islam, Christianity? Buddhism> Yitong Taoism,and u Heaven > Earth>Country > Ancestor and Teacher” , coexist in the community. However>the split of the Christian church has not affected the unity and cohesion of the community. The spread and development of Christianity in Manchu presents a macro interaction chain between 'Thailand and Southeast Asia? between China's southeastern coastand southwestern frontiers.

Author(s):  
Zhang Guannan

In this paper, my topic is related to the cognitive identity case in Hong Kong. To research this topic, the Chinese diaspora in Southeast Asia will also be discussed and compared to illustrate what factors may caused the case occurred in Hong Kong. The topic of this paper will be discussed in terms of historical development, with this comparison, I will explain how the historical development of cognitive identity in Hong Kong from the colonial era to the present. Meanwhile, unlike the case of Hong Kong which is disappearing their cognitive identity which is national identity in China, there are Chinese diaspora in Southeast Asia who still consider themselves as the successors of Chinese culture. With this comparison, I want to find a solution to avoid cases like this that occur in Hong Kong so that the cognitive problem of identity of people who has followed the Hong Kong case will also be changed and also truly be considered their identity as Chinese citizen. To research this topic, I will use the literature review method.


2020 ◽  
Vol 16 (4) ◽  
pp. 87
Author(s):  
Jianghua Han

Survey results of this study have showed that: The Chinese new immigrants in Bangkok have a consistency on ethnic identity; they all agree that they are Chinese. However, on the national identity and cultural identity, the identity of them has multi-tendency. There are 45.29% respondents identify China, 30.63% respondents identify Thailand, and 24.08% respondents identify both China and Thailand. The degree of identifying China of them has declined with the increase of their settlement years in Bangkok; however, their degree of identifying Thailand has increased with the increase of settlement years in Bangkok. The cultural identity is very complicated, they are increasingly accepting and identifying Thai culture with the increase of their settlement years in Bangkok; however, they did not deny or abandon Chinese culture, lots of people still identify Chinese culture. Especially in the identity of traditional culture, in general, the degree of identifying Chinese traditional culture of them has declined with the increase of their settlement years in Bangkok; however, the proportion of people who identify Chinese traditional culture is still much higher than people who identify Thai traditional culture.


2014 ◽  
Vol 10 (2) ◽  
pp. 239-262
Author(s):  
Caleb Ford

Beginning in the early 1950s there were tens of thousands of ethnic Chinese who chose to ‘return’ to the People’s Republic of China (prc). Until fairly recently, little attention has been given to the approximately 600,000 ethnic Chinese who chose to immigrate to China from locations throughout Southeast Asia, as well as further afield in the first few decades after the founding of theprc. There were many factors influencing their migration to a country that many had never stepped foot on. However, it is clear that the Chinese state made a concerted attempt to rally the support (capital and immigration) of overseas Chinese communities. Many of the returnees were resettled on one of dozens of ‘Overseas Chinese Farms’ (huaqiao nongchang) scattered throughout the provinces of southern China. Outside of China they were considered ‘Chinese’ and foreign, juxtaposed against the local or ‘indigenous’ identities that had taken shape in tandem with the independence of former colonies in Southeast Asia and the rise of modern nationalism. Upon their ‘return’ to what was, for many, an imagined ancestral homeland — a country many of them had never seen — they were confronted with a different type of discrimination and suspicion than they faced ‘abroad’. This was despite, and in some cases because of, certain favorable policies enacted by the party state to assist in their relocation and assimilation into society. Ironically, some of the same policies that sought to gradually assimilate them into Chinese society actually reinforced their position as ‘permanent outsiders’: the creation of an official ‘huaqiao’ legal status; institutionalized segregation in the form ofhuaqiao nongchang, huaqiao villages, andhuaqiao schools; and a resultant pariah status that did not begin to recede until after the reforms of the late 1970s. While the concept of ‘huaqiao’ (overseas Chinese sojourners) was falling out of use among Chinese communities abroad, the word was taking on a new meaning in theprc, both for the Chinese party state, and for those who would come to self-identify ashuaqiao/guiqiao.


2020 ◽  
Vol 25 (3) ◽  
pp. 365-380
Author(s):  
Kathryn Milligan

Abstract ABSTRACT The Dublin Art(s) Club, which operated in the Irish capital from 1886 to 1898, offers an intriguing case study for modes of artistic networks and cultural exchange between Ireland and Britain in the closing decades of the nineteenth century. Despite this, the history of the Club has been little explored in historiography to date, often confused with other ventures by artists in the city. Examining the rise and fall of the Dublin Art(s) Club, along with its members and activities, this article retrieves its history and posits that it offers an example of an aspect of art in Ireland which was conspicuous for its cosmopolitan outlook and active engagement with the wider British art world, which then spanned across both islands. The history of the Dublin Art(s) Club poses a challenge to the extant scholarship of this period in Irish art history, which to date has been largely understood to be focused on themes of national identity, the cultural revival, and artists who left Ireland to train in Belgium and France. This article posits that by re-engaging with the activities of art clubs and societies, a more complex reading of artistic life in Victorian Dublin can emerge.


1992 ◽  
Vol 34 (3) ◽  
pp. 514-551 ◽  
Author(s):  
Ann Stoler

This essay is concerned with the construction of colonial categories and national identities and with those people who ambiguously straddled, crossed, and threatened these imperial divides.1 It begins with a story about métissage (interracial unions) and the sorts of progeny to which it gave rise (referred to as métis, mixed bloods) in French Indochina at the turn of the century. It is a story with multiple versions about people whose cultural sensibilities, physical being, and political sentiments called into question the distinctions of difference which maintained the neat boundaries of colonial rule. Its plot and resolution defy the treatment of European nationalist impulses and colonial racist policies as discrete projects, since here it was in the conflation of racial category, sexual morality, cultural competence and national identity that the case was contested and politically charged. In a broader sense, it allows me to address one of the tensions of empire which this essay only begins to sketch: the relationship between the discourses of inclusion, humanitarianism, and equality which informed liberal policy at the turn of the century in colonial Southeast Asia and the exclusionary, discriminatory practices which were reactive to, coexistent with, and perhaps inherent in liberalism itself.2


Author(s):  
Dan'Dan' Tun

In recent years, due to expansion of cooperation between Russia and China in various spheres, and heightened interest to Chinese culture and cultural exchange, the folk tales and their in-depth review more and more relevance. This article examines and analyzes the Chinese folk tales, ethnocultural representations on the world, values, relationships, and assessment of surrounding environment contained thereof. The understanding of traditional concepts and images allows to better understand mentality of the nation, their priorities and ideologies. The parallel is drawn with the Russian tales and stereotypes. The author determines the universal ethical messages typical for the people of any culture, as well as specific features characteristic to Chinese people. The differences and similarities in perception of various images, actions and conclusions are considered on the examples of Chinese and Russian cultures. A popular idea of “two brothers” in narration of the tales is presented. On the example of several tales, the author analyzes this traditional model and describes its peculiarities, as well as behavioral models that are typical to China. Behavioral analysis can be valuable in in-depth review of Chinese culture, namely folk culture, as well as in strengthening of cross-cultural ties and improving efficiency of studying Chinese language through understanding the national stereotypes and linguistic worldview.


2019 ◽  
Vol 11 (2) ◽  
pp. 185
Author(s):  
Erniwati Erniwati

Artikel ini menjelaskan tentang identitas etnis Tionghoa yang ada di Padang pada masa Pemerintah Hindia Belanda. Mengkonstruksi identitas etnis Tionghoa di Padang menggunakan metode sejarah melalui studi pustaka dan arsip dengan menelusuri sumber-sumber berupa buku, arsip Pemerintah Hindia Belanda, dokumen perkumpulan sosial, budaya, dan pemakaman Heng Beng Tong serta Hok Tek Tong. Data yang diperoleh kemudian dikritik dan dikronologiskan untuk menghasilkan karya historiografi. Temuan artikel ini menunjukkan bahwa identitas etnis Tionghoa di Padang masa Pemerintah Hindia Belanda dipengaruhi oleh penataan masyarakat di daerah koloni oleh pemerintah Hindia Belanda dengan menerapkan sistem pemukiman (wijkenstelsel), pembagian masyarakat melalui Indische Staatregeling serta berbagai aturan lainnya. Penerapan sistem tersebut membentuk identitas etnis Tionghoa di Padang di mana secara politis berada di bawah kontrol Pemerintah Hindia Belanda, namun secara social dan budaya masih berorientasi kepada kebudayaan Tionghoa.This article aims to explain the Chinese in Padang during the Dutch East Indies government. Constructing a Chinese identity in Padang use historical methods through library studies and archives by tracing sources such as books, Dutch East Indies government archives, documents on social and funeral associations Heng Beg Tong and Hok Tek Tong. The data obtained, critical and chronologist to produce historiography works. The findings of this article indicate that the ethnic Chinese identity in Padang during the Dutch East Indies government by implementing settlement system (wijkwnstelsel), classification of communities through the Indische Staatregeling and other rules. The implementation of the system formed a Chinese ethnic identity in Padang where it was politically under the control of the Dutch East Indies government, but socially and culturally still oriented to Chinese culture.


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