Jack London

2018 ◽  
Author(s):  
Kenneth K. Brandt
Keyword(s):  
San Francisco ◽  
San Francisco Bay Area ◽  
Gold Rush ◽  
Jack London ◽  
Intellectual Curiosity ◽  
Literary Naturalism ◽  
Race And Gender ◽  
Bay Area ◽  
The Social ◽  
And Gender

Recounting his 1897-98 Klondike Gold Rush experience Jack London stated: “It was in the Klondike I found myself. There nobody talks. Everybody thinks. There you get your perspective. I got mine.” This study explores how London’s Northland odyssey - along with an insatiable intellectual curiosity, a hardscrabble youth in the San Francisco Bay Area, and an acute craving for social justice - launched the literary career of one of America’s most dynamic 20th-century writers. The major Northland works - including The Call of the Wild, White Fang, and “To Build a Fire”- are considered in connection with the motifs of literary Naturalism, as well as in relation to complicated issues involving imperialism, race, and gender. London’s key subjects—the frontier, the struggle for survival, and economic mobility—are examined in conjunction with how he developed the underlying themes of his work to engage and challenge the social, political, and philosophical revolutions of his era that were initiated by Darwin, Marx, Nietzsche, and others.

Metrics of the glass ceiling at the intersection of race and gender

2018 ◽  
Vol 17 (3) ◽  
pp. 110-118 ◽  
Author(s):  
Buck Gee ◽  
Denise Peck
Keyword(s):  
San Francisco ◽  
Glass Ceiling ◽  
Minority Groups ◽  
San Francisco Bay ◽  
San Francisco Bay Area ◽  
Equal Employment Opportunity Commission ◽  
Content Type ◽  
Race And Gender ◽  
Bay Area ◽  
And Gender

Purpose The purpose of this paper is to examine the composition of the executive pipeline in the San Francisco Bay Area technology sector and measure the effects of race and gender in management and executive representation. The authors’ report spotlights the evolving challenges for Asians, Blacks, Hispanics and minority women in climbing the professional ladder to success in San Francisco Bay Area technology companies. Design/methodology/approach The authors analyze the aggregate EEOC tech workforce 2007-2015 data and find scant progress in improving upward management mobility for minority men and women. Findings Race was a more significant factor than gender as an impediment to climbing the management ladder. Asians were the most likely to be hired but least likely to be promoted. Blacks and the Hispanics had declined in their representation of the professional workforce. Originality/value Using historical data sets from the Equal Employment Opportunity Commission, the authors introduce a new metric, the Executive Parity Index™, to measure the effects of gender and race on executive representation in the San Francisco Bay Area workforce in technology sectors. By analyzing the intersection of race, gender in the leadership pipeline, the authors are able to uncover new and surprising insights about the glass ceiling for racial minority groups from 2007-2015.

scholarly journals Mediating the Tech Boom

Media-N ◽  
2018 ◽  
Vol 13 (1) ◽  
Author(s):  
Erin McElroy
Keyword(s):  
San Francisco ◽  
Race And Ethnicity ◽  
Media Analysis ◽  
Media Arts ◽  
Race And Gender ◽  
Media Technologies ◽  
Bay Area ◽  
Technological Growth ◽  
The Media ◽  
And Gender

Since the 2011 emergence of the San Francisco Bay Area “Tech Boom 2.0,” anti-eviction activists of the region have been caught amidst a maelstrom of media wars involving an amalgam of real estate and technology speculative analyses. As tensions grow, the media itself becomes increasingly polarized, as some journals and journalists side with simplified renditions of tech being good or bad, of development being right or wrong, of housing justice activists being outmoded or salvific. This article attends to this media polarization, studying likely and unlikely alliances between journalists, media sources, and advocates of various urban futurities. At the same time, it looks to alternative media arts and hybrid technologies that have arisen precisely to theorize contemporary realities of the region, from critical cartography digital projects to projection art productions. In doing so, I ask, how have innovative media arts projects such as that of the Anti-Eviction Mapping Project, People Power Media, and the Saito Group arisen out of both a media dearth and surplus, not only furthering community knowledge production but also shattering dialectical narratives clung to by other media sources? Furthermore, I question, how are entanglements and polarizations across varying media production constituted by, and constitutive of, formations of class, race, and gender? Drawing on cultural and media analysis, feminist technology studies, and critical race and ethnicity studies, this paper situates the technological media crisis and eruption of the Bay Area present alongside the spatial materialization of technological growth, looking at how technologically driven geographic mutation both mediates and is mediated by emergent media technologies.

Computer Music Network

Leonardo ◽  
2014 ◽  
Vol 47 (3) ◽  
pp. 266-267
Author(s):  
Scot Gresham-Lancaster
Keyword(s):  
Social Network ◽  
San Francisco ◽  
Computer Music ◽  
Electronic Music ◽  
San Francisco Bay ◽  
San Francisco Bay Area ◽  
Social Climate ◽  
Bay Area ◽  
The Social ◽  
New Type

The social climate and cultural atmosphere of the San Francisco Bay Area in the late 70's early 80's plus the emergence of the nascent microcomputer industry made for a social network and approach that fostered the creation of a new type of collaborative electronic music ensemble with techniques that have come to be known as “Computer Music Network”. A transformation from initial heterogeneous to a more homogeneous underlying paradigm has brought with it aesthetic questions about the reason and evolution of this new genre.

A Qualitative Study of Ecstasy Sellers in the San Francisco Bay Area

2004 ◽  
Author(s):  
Sheigla Murphy ◽  
Paloma Sales ◽  
Micheline Duterte ◽  
Camille Jacinto
Keyword(s):  
Qualitative Study ◽  
San Francisco ◽  
San Francisco Bay ◽  
San Francisco Bay Area ◽  
Bay Area

The “Japanese Turn” in Fine Dining in the United States, 1980–2020

2020 ◽  
Vol 20 (2) ◽  
pp. 45-54
Author(s):  
Samuel H. Yamashita
Keyword(s):  
United States ◽  
New York ◽  
Los Angeles ◽  
San Francisco ◽  
San Francisco Bay Area ◽  
The United States ◽  
First Century ◽  
Further Training ◽  
Bay Area ◽  
Wide Acceptance

In the 1970s, Japanese cooks began to appear in the kitchens of nouvelle cuisine chefs in France for further training, with scores more arriving in the next decades. Paul Bocuse, Alain Chapel, Joël Robuchon, and other leading French chefs started visiting Japan to teach, cook, and sample Japanese cuisine, and ten of them eventually opened restaurants there. In the 1980s and 1990s, these chefs' frequent visits to Japan and the steady flow of Japanese stagiaires to French restaurants in Europe and the United States encouraged a series of changes that I am calling the “Japanese turn,” which found chefs at fine-dining establishments in Los Angeles, New York City, and later the San Francisco Bay Area using an ever-widening array of Japanese ingredients, employing Japanese culinary techniques, and adding Japanese dishes to their menus. By the second decade of the twenty-first century, the wide acceptance of not only Japanese ingredients and techniques but also concepts like umami (savory tastiness) and shun (seasonality) suggest that Japanese cuisine is now well known to many American chefs.

Cyborg Jotería Pedagogies: Latinx Drag Queens Leveraging Communication Ecologies in the Age of the Digital and Social Displacement

2020 ◽  
Vol 14 (2) ◽  
pp. 44-66
Author(s):  
José Ramón Lizárraga ◽  
Arturo Cortez
Keyword(s):  
San Francisco ◽  
San Francisco Bay ◽  
San Francisco Bay Area ◽  
Digital Technologies ◽  
Physical World ◽  
Political Issues ◽  
Drag Queen ◽  
Bay Area ◽  
Online Presence ◽  
Drag Queens

Researchers and practitioners have much to learn from drag queens, specifically Latinx queens, as they leverage everyday queerness and brownness in ways that contribute to pedagogy locally and globally, individually and collectively. Drawing on previous work examining the digital queer gestures of drag queen educators (Lizárraga & Cortez, 2019), this essay explores how non-dominant people that exist and fluctuate in the in-between of boundaries of gender, race, sexuality, the physical, and the virtual provide pedagogical overtures for imagining and organizing for new possible futures that are equitable and just. Further animated by Donna Haraway’s (2006) influential feminist post-humanist work, we interrogate how Latinx drag queens as cyborgs use digital technologies to enhance their craft and engage in powerful pedagogical moves. This essay draws from robust analyses of the digital presence of and interviews with two Latinx drag queens in the San Francisco Bay Area, as well as the online presence of a Xicanx doggie drag queen named RuPawl. Our participants actively drew on their liminality to provoke and mobilize communities around socio-political issues. In this regard, we see them engaging in transformative public cyborg jotería pedagogies that are made visible and historicized in the digital and physical world.

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