Introduction The Post-Migratory Postcolonial

2018 ◽  
pp. 1-20
Author(s):  
Kathryn Kleppinger ◽  
Laura Reeck
Keyword(s):  
Social Media ◽  
Cultural Production ◽  
Postcolonial Studies ◽  
Sub Saharan Africa ◽  
Economic Dynamics ◽  
Media Campaigns ◽  
The Social ◽  
Key Concepts ◽  
French Culture ◽  
Sub Saharan

After an historical section covering the social, political, and economic dynamics shaping colonial immigration to France (from North and sub-Saharan Africa as well as from Indochina), we explain why we have chosen to develop a critical vocabulary around 'post-migratory postcolonial minorities' and to focus specifically on cultural production by writers, filmmakers, musicians, and artists whose heritage connects them to a colonial context. The introduction then considers the fundamental challenges of identification and self-identification in a context meant to be colorblind and in naming a subject of study for whom there is no consistent social vocabulary. Without dispensing with key concepts to postcolonial studies such as the centre/periphery, we assert that cross-cutting ways of understanding the cultural production at hand are needed. We connect to Françoise Lionnet and Shuh Mei-Shih’s 'minor transnationalism', which encourages transversal explorations across the local, global, national, and transnational, envisages a productive relationship between the 'major' and the 'minor', and in this case re-localizes French culture. The introduction concludes with an overview of contemporary activism (via manifestos, social media campaigns, and marches) to suggest that a range of memories and experiences contribute to and influence what it means to be French today.

scholarly journals Men on Blue: Knowledge, Belief, Fear, Perceived Attitude of Men to Prostate Cancer Screening and Awareness in Sub-Saharan Africa

2018 ◽  
Vol 4 (Supplement 2) ◽  
pp. 238s-238s
Author(s):  
R.C.W. Chidebe ◽  
O. Emelumadu ◽  
D. Lounsbury ◽  
T.C. Orjiakor ◽  
I.O. Okoye ◽  
...  
Keyword(s):  
Prostate Cancer ◽  
Social Media ◽  
Rural Communities ◽  
Planning Process ◽  
Prostate Cancer Screening ◽  
Sub Saharan Africa ◽  
Cancer Awareness ◽  
Media Campaigns ◽  
Sub Saharan ◽  
Information Materials

Background and context: In Nigeria, cancer leads to >72,000 deaths per annum (30,924 for male and 40,647 for female). This number is set to increase given that there are 102,000 new cases of cancer every year. The estimated incidence for prostate cancer is (12%) and estimated mortality prostate (13%). Prostate cancer is the third leading cancer death in Nigeria and the leading cause of cancer deaths in Nigerian men. However, very little or nothing is said about prostate cancer in Nigeria. Every October, virtually all cancer NGOs roll out their drums of awareness focused on breast cancer, prostate cancer is always missing, while several men die in silence and pain because their prostate cancer was discovered at late stages. Men on Blue is a health intervention focused on closing the gap of awareness, education and screenings for prostate cancer in rural communities of Lagos, Abuja and Enugu. The intervention will use 3 core strategies, such as: prostate cancer awareness, prostate cancer screenings and social media campaigns. Our target is to screen 2000 men, reach 20,000 men directly, reach 30,000 women and youth directly in rural communities of Lagos, Abuja and Enugu and 5 million indirectly through traditional and social media in Nigeria. Aim: To reduce the incidence of prostate cancer through the creation of a platform for prostate cancer awareness, screening and support in Nigeria. Program/Policy process: The program use focused on phasing out late diagnosis of prostate cancer through screenings outreaches in local communities in Nigeria. Men are always missing in cancer awareness and programs, hence, the program will bring men to the fore of cancer awareness. Outcomes: It is expected that this program will increase the level of prostate cancer awareness in Nigeria through the translation of information materials in local languages, engage men to lead the campaign and the use of strategic social media campaign. What was learned: Preliminary results of the planning process of the program, showed that several men are battling with prostate cancer, however, very few is said about them and they are dying in silence. Their voice need to be heard in sub-Saharan Africa.

Slaves and society in Western Africa, c. 1445—c. 1700

1980 ◽  
Vol 21 (3) ◽  
pp. 289-310 ◽  
Author(s):  
J. D. Fage
Keyword(s):  
Social Mobility ◽  
Social Groups ◽  
Early Years ◽  
Sub Saharan Africa ◽  
Western Africa ◽  
The Social ◽  
African Slaves ◽  
Limited Supply ◽  
Sub Saharan

Published European first-hand accounts of the coastlands from Senegal to Angola for the period c. 1445-c. 1700 are examined to see what light they throw on the extent to which institutions of servitude in pre-colonial sub-Saharan Africa were autonomous developments or a response to external demands for African slaves. It seems clear that when, in the early years of this period, European traders first approached societies along the western African coasts, they were commonly offered what they called ‘slaves’ in exchange for the goods they had brought. But it would be wrong to conclude from this that a slave class was necessarily a feature of western African coastal societies when these were first contacted by Europeans. It is clear, for instance, that the Europeans preferred to deal with societies which had developed monarchical governments, whose leaders had control of sufficient surpluses to make trade worthwhile. The evidence suggests that in these societies most individuals were dependants of a ruling and entrepreneurial elite, but that there was also social mobility. A category of dependants that particularly attracted the notice of the European observers was women, whom men of power and wealth tended to accumulate as wives (and hence as the potential mothers of still more dependants). The necessarily limited supply of women may have been a factor encouraging such men to seek to increase their followings, and thus their status, power and wealth, by recruiting other dependants by forcible, judicial and economic means. While many such dependants, or their offspring, would be assimilated into the social groups commanded by their masters, the latter were certainly willing to contemplate using recently acquired or refractory recruits in other ways, such as exchanging them for alternative forms of wealth.

Collaboration and Concepts of Authorship

PMLA ◽  
2001 ◽  
Vol 116 (2) ◽  
pp. 370-379
Author(s):  
Robert L. Carringer
Keyword(s):  
Cultural Production ◽  
Continental Philosophy ◽  
Free Form ◽  
Degree Zero ◽  
New Wave ◽  
Political Commitment ◽  
The Social ◽  
French Culture ◽  
History Of ◽  
Written Word

It was not long ago that one prefecture of french culture was reinventing the idea of authorship while another one was trying to kill it off. The New Wave movement and post-structuralism, fundamental opposites in almost every respect, emerged at the same cultural moment. Roland Barthcs's Writing Degree Zero (1953) and François Truffaut's seminal essay in Cahiers du cinéma that instated auteur criticism (the first phase of the New Wave) appeared less than a year apart; the appearance of Michel Foucault's Madness and Civilization (1961) coincided with the triumph of New Wave filmmaking; and in the interval between 1966 and 1970, which saw the publication of The Order of Things, Of Grammatology, and S/Z, Jean-Luc Godard, the most iconoclastic of the New Wave critic-directors, released fourteen feature films, including four masterworks. In its classic phase poststructuralism was fixated on the written word, involved disciplined thought inflected by mainstream Continental philosophy, took on itself the burden of refashioning modern European history along Marxist lines, and could be uncompromisingly rectitudinous. The New Wave spoke the language of images, involved a loose and—except for its radical stylistics—rather tame avant-gardism, valued an aleatory, free-form aesthetic over political commitment, assailed mainstream French culture, and championed alternative forms of cultural production such as American popular movies. Yet the teleologies were similar: to inscribe a unique place in the history of authorship. To supplant the biographical author from the textual site, one of the primary motives of poststructuralism, was to make the collective space available for a higher entity, the philosopher-critic who is the author not of individual texts but of textuality, the social meaning of texts. In the same way, in claiming the textual site for a film author—a radical conception for the time—the auteur critics scripted a role for themselves that they would subsequently occupy as film directors.

Transcontinental Modernism. M&G as an Unité d’habitation and a factory complex in Mozambique

2010 ◽  
pp. 70-73
Author(s):  
Ana Tostões ◽  
Maria Manuel Oliveira
Keyword(s):  
Social Program ◽  
Sub Saharan Africa ◽  
Industrial Complex ◽  
Architectural Heritage ◽  
Technological Approach ◽  
The Social ◽  
Sub Saharan ◽  
Overseas Territories ◽  
Architectural Modernism

With the aim of contributing to the documentation and conservation of the modern architectural heritage, this paper presents Monteiro & Giro Complex (M&G), built during the 50’s in Quelimane, Mozambique, with the goal of stressing the modernity of the social program and the technological approach. If one wants to gain a better understanding of the worldwide Diaspora of architectural modernism, it is essential to document and analyse the important heritage of sub–Saharan Africa. Modern architectural debates have been reproduced, transformed, contested and sometimes even improved in distant lands and overseas territories. These contradictory aspects of Modernist practice are revealed in the programmatic, technological and structural M&G industrial Complex.

scholarly journals The City in the Age of Remix

Media-N ◽  
2021 ◽  
Vol 17 (1) ◽  
Author(s):  
Alina Nazmeeva
Keyword(s):  
Social Media ◽  
Urban Space ◽  
Cultural Production ◽  
Social Space ◽  
Architectural Practice ◽  
Contemporary World ◽  
Spatial Production ◽  
The Social ◽  
Space Dynamics ◽  
Web Social

As a method of cultural production and communication, remix has permeated the way the social space is perceived, conceived of and lived. Physical social space is captured, constructed and mediated with digital tools and by a multitude of users. The explosive use of cultural software and social media is actively shaping the experience of architectural and urban space. Smart city movement proponents advocate for a kind of participatory decision-making in cities that is akin to digital social space dynamics. Within the architectural practice, the space is first produced as a digital remix. The social space, both online or offline, physical or digital, crowdsourced or expert-designed, is socially produced as a collective assemblage of the fragments of digital images.  This essay aims to outline four trajectories by which physical (architectural and urban) social space is intertwined and remixed with digital (social media and the web) social space, and the broader implications of such cross-hatchings. Additionally, this paper aims to bring this term to architectural and urban discourse. Positing that remix has become the dominant model of spatial production in the contemporary world, what are the implications of it for the social space and for the public? 

Cross-Border Funding and Microfinance Mission Drift: Evidence from Sub-Saharan Africa

2016 ◽  
Vol 17 (2) ◽  
pp. 20-40
Author(s):  
Akem Forkusam
Keyword(s):  
Sub Saharan Africa ◽  
Microfinance Institutions ◽  
Public And Private ◽  
Mission Drift ◽  
Cross Border ◽  
The Social ◽  
Sub Saharan ◽  
The Impact ◽  
Different Sources ◽  
Ssa Countries

Sub-Saharan Africa (SSA) has become the top priority for international funders and they are now increasing their cross-border funding to microfinance institutions (MFIs) in the region. This foreign funding is considered an additional source of capital for MFIs in the region who are facing difficulties in meeting the demand of the poor. However, these funds are provided by public and private funders who each have different motives. The paper examines the impact of these different sources of funding on microfinance performance and mission drift in SSA, which is the world’s poorest region. The study utilizes data from 212 MFIs in 30 SSA countries accessed over a three-year period (i.e. 2007, 2009, and 2011). The findings show that cross-border funding does not affect either the social or financial performance of MFIs when time and country effects are accounted for.

Utilizing the Dimensions of Religion to Analyze Social Media Campaigns

2017 ◽  
pp. 202-220
Author(s):  
Iman Mohamed Zahra
Keyword(s):  
Social Media ◽  
Public Relations ◽  
Major Conclusion ◽  
Campaign Strategies ◽  
Media Campaigns ◽  
The Social ◽  
Campaign Messages ◽  
Social Media Platforms ◽  
Media Platform ◽  
Message Strategies

The objective of the current chapter is to analyze one of the most recent and successful social media campaigns namely #NotInMyName from the viewpoint of the seven dimensions of religion utilized by Van Esch and others as the main pillar of social marketing and media campaigns. Further #NotInMyName Public Relations (PR) campaign is scrutinized for PR strategies and message strategies utilized in formulating the campaign messages. To achieve that end, a qualitative analysis was implemented on three levels relating to each video and vine of the study sample: first locating the Dimensions of Religion (DOR taxonomy(ies) used in this video or vine, then emanating on the PR campaign strategies implemented in the video or vine and finally searching for the message strategies utilized in the video or vine. The major conclusion of this study was that although campaigns launched via social media lack the scientific known steps utilized to plan and launch media campaigns traditionally, those campaigns derive from the social media platform exacerbating an unprecedented power to stir political and social movements especially, regarding controversial and stagnant matters. Posts, comments and shares on different social media platforms go viral, stir discussions, and trigger public opinion both virtually and in reality. Dimensions of Religion taxonomies proved reliability as a viable platform stemming from another discipline to plan messages and to analyze campaigns based on the different aspects the model would provide. Ranging from simple aspects to more complicated aspects, Dimensions of Religion model must be subjected to further research to determine its feasibility to be applied to different campaigning structures and objectives.

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