Romance, the Robinsonade, and the Cultivation of Adolescent Female Desire in Libba Bray’s Beauty Queens

Author(s):  
Amy Hicks

This chapter argues that Libba Bray’s Beauty Queens, a satirical riposte to the Robinsonade genre, draws on the broad tradition of codifying the desert island as a space for romantic interludes and posits the island as a distinctly experimental site for girls to navigate gendered behaviours, in order that they might question conservative social mores concerning female sexuality. It also argues for a critical perspective that reclaims women’s connection to nature by reconsidering the cultural construction of “woman” as one that is potentially transgressive within the narrative, and it schools young readers in finding pleasure in their own bodily, sexual desires.

Sexual Health ◽  
2007 ◽  
Vol 4 (4) ◽  
pp. 285
Author(s):  
P. Weerakoon

The female sexual response is highly variable and multifaceted and is a result of interplay of physiological, psychological and interpersonal factors. The advent of technology and non-invasive functional brain imaging has provided a map of the regions of the brain involved in sexual arousal and the neurochemistry that underlies the process. However, this increase in the understanding of the biological basis of female sexuality has only reinforced the role of interpersonal and cultural factor in the sexual response, specially the genesis of sexual desire. An acceptance of this by professionals, has led to the consensus for a more holistic biopsychosocial approach for the management of female sexual concerns. The presentation will discuss the current research on the neural and hormonal basis for female desire and explore the role of sexual desire as a motivator and a force for sexual activity in the context of the prevailing models of the female sexual response. There is a need for the recognition of the place and value of sexual desire in the female sexual response and an appreciation that whereas there is a biological 'drive', this is tempered by the motivational aspect (individual and relationship psychology) and the cultural and moral overlay of values and attitudes. This will in turn provide the milieu for understanding normal and dysfunctional sexual desire and assist us on the road to discovering a best practice model for the diagnosis and management of 'female desire disorders'.


sarasvati ◽  
2019 ◽  
Vol 1 (2) ◽  
pp. 100
Author(s):  
Agung Pranoto ◽  
Rini Damayanti

This research examines the construction of female sexuality in the novel the beauty and sorrow of the works of Yasunari Kawabata. This research is qualitative research that does study of novel the beauty and sorrow of the works of Yasunari Kawabrata. The method used is the deskiptif method that is collecting data, clarification of data, manipulate data, and interpret the data in accordance with the theory that was used at the time the research was conducted. In the novel the beauty and sorrow of the works of Yasunari Kawabata, reflecting the construction of female sexuality. The construction of female sexuality that, first, the novel represents the female body through the figures. The representation of the female body in the text of the novel disegmentasikan by displaying the marker women sexy. Second, the representation of female sexual desire in the novel beauty and Sadness is presented through the desire character Otoko and Keiko to transmit sexual desires with her partner. Third, representations of female sexuality in the relation of beauty and sadness, by Yasunari Kawabata was still predominantly on the male as the subject.


Author(s):  
Tirthendu Ganguly ◽  

Discussing women’s sexual desire has long been perceived as a taboo in the East and the West as well. Undeniably, there is a stigma attached to it which, unfortunately, continues even today. However, surprisingly enough, the ancient and the medieval Indians had always been open to female sexuality before their philogynist culture was obliterated and replaced by the ‘zenana culture’ of the Mughals and the ‘Victorian morality’ of the British Raj. Even in the Medieval Era, which is often labelled as conservative and orthodox, people accepted female desire as a biological reality. Composed in twelve cantos, Jayadeva’s magnum opus, G?tagovinda, celebrates sexuality and candidly depicts female orgasm with sheer poetic acumen. Jayadeva has not only eradicated the stigma attached to it, but he has also delineated it from the aesthetical perspectives of the San?tana Dharma which makes it “a unique work in Indian literature and a source of religious inspiration in both medieval and contemporary Vaisnavism” (Miller, 1984). In this paper endeavours to analyze, assemble, and demonstrate how the poet has celebrated female psyche, female sexuality, and female orgasm in the 12th Century CE. The paper deals with the primary aspects of the book which are related to female mind and sexuality. Library method of research has been carried out to substantiate the claims that this research paper makes. As the book is originally composed in Sanskrit, the research paper contains many Indic names and words which are written in accordance with the International Alphabet for Sanskrit Translitearation (IAST) method.


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