Performing Spanishness

Author(s):  
Kirsty Hooper

Investigates the way that Spain, Spanish culture and Spanish identity were represented on British stages, concert halls and other public and private spaces. Considers the figure of the Spanish dancer as an avatar for the simultaneous decline and persistence of French-mediated Romantic stereotypes in the British imagination. Explores the opportunities for British people to ‘embody’ Spanishness, through performance, fancy dress, and the role of music hall parodies in domesticating Spanish otherness.

2008 ◽  
Vol 2 (2) ◽  
Author(s):  
Jonathan Paul Marshall

The account of gender on the Cybermind Mailing List is furthered by presentation of data and discussion from the List which touches on gender. Areas considered include: attitudes to feminism; gender and technology; awareness of gender; gendered patterns of communication; clichés about the way the different genders address each other; flaming and aggression; harassment; single gender lists; gender ambiguity; intimacy; the shifting divisions between public and private spaces; and bodies and netsex.


2013 ◽  
Vol 46 (01) ◽  
pp. 94-101 ◽  
Author(s):  
Henry E. Brady

Politics, economics, and technology have conspired to make this an exceptionally challenging time for American higher education. Some critics claim that costs are out of control in traditional public and private nonprofit higher education. They believe these institutions will soon go the way of the railroads as for-profit institutions displace them and the Internet replaces college campuses and classrooms. Other critics bemoan the privatization of higher education and the increasing role of market forces. Still others think higher education has lost its way and fails to focus on educating undergraduates.


Public ◽  
2021 ◽  
Vol 32 (64) ◽  
pp. 198-209
Author(s):  
Julie Hollenbach

Many scholars and institutional critique artists have made the role of the museum in the formation of national/state ideologies clear. However, interventions that extend this critique to the private space of the home and its domestic cultures and practices remain few and far between. This article considers the decolonial and queer feminist curatorial methodologies that framed the creation and development of the exhibition Unpacking the Living Room (MSVU University, Kjipuktuk/Halifax, Nova Scotia, 2018). This exhibition was posited as not only an intervention into the settler colonial taxonomies and display practices of Western museum systems and modernist white cube galleries, but also an invitation for guests visiting the Living Room to reflect on their own living room as sites where power and meaning and identity are constantly negotiated. This article outlines the process of curating Unpacking the Living Room and shares it methodological growth and research outcomes.


1992 ◽  
Vol 2 (2) ◽  
pp. 201-204 ◽  
Author(s):  
Diane Relf ◽  
Alan R McDaniel ◽  
Bruce Butterfield

Recently there has been an increased interest in the role of plants in human well-being and in the general public's perception of the value of plants. Knowing the nature and extent of the value of plants to people can affect the way plants are used in public and private landscapes, the amount of money invested in the establishment and maintenance of plants, and the satisfaction derived from the plantings. In conjunction with the annual National Gardening Association consumer market study, a question was asked to determine if observations from previous, limited studies were applicable to a wide range of American households.


2018 ◽  
Vol 68 (2) ◽  
pp. 498-516
Author(s):  
Neil O'Sullivan

Of the hundreds of Greek common nouns and adjectives preserved in our MSS of Cicero, about three dozen are found written in the Latin alphabet as well as in the Greek. So we find, alongside συμπάθεια, also sympathia, and ἱστορικός as well as historicus. This sort of variation has been termed alphabet-switching; it has received little attention in connection with Cicero, even though it is relevant to subjects of current interest such as his bilingualism and the role of code-switching and loanwords in his works. Rather than addressing these issues directly, this discussion sets out information about the way in which the words are written in our surviving MSS of Cicero and takes further some recent work on the presentation of Greek words in Latin texts. It argues that, for the most part, coherent patterns and explanations can be found in the alphabetic choices exhibited by them, or at least by the earliest of them when there is conflict in the paradosis, and that this coherence is evidence for a generally reliable transmission of Cicero's original choices. While a lack of coherence might indicate unreliable transmission, or even an indifference on Cicero's part, a consistent pattern can only really be explained as an accurate record of coherent alphabet choice made by Cicero when writing Greek words.


Author(s):  
Linda MEIJER-WASSENAAR ◽  
Diny VAN EST

How can a supreme audit institution (SAI) use design thinking in auditing? SAIs audit the way taxpayers’ money is collected and spent. Adding design thinking to their activities is not to be taken lightly. SAIs independently check whether public organizations have done the right things in the right way, but the organizations might not be willing to act upon a SAI’s recommendations. Can you imagine the role of design in audits? In this paper we share our experiences of some design approaches in the work of one SAI: the Netherlands Court of Audit (NCA). Design thinking needs to be adapted (Dorst, 2015a) before it can be used by SAIs such as the NCA in order to reflect their independent, autonomous status. To dive deeper into design thinking, Buchanan’s design framework (2015) and different ways of reasoning (Dorst, 2015b) are used to explore how design thinking can be adapted for audits.


2002 ◽  
Vol 4 (2) ◽  
pp. 127-139 ◽  
Author(s):  
Ian Patterson

This article addresses the increasingly popular approach to Freud and his work which sees him primarily as a literary writer rather than a psychologist, and takes this as the context for an examination of Joyce Crick's recent translation of The Interpretation of Dreams. It claims that translation lies at the heart of psychoanalysis, and that the many interlocking and overlapping implications of the word need to be granted a greater degree of complexity. Those who argue that Freud is really a creative writer are themselves doing a work of translation, and one which fails to pay sufficiently careful attention to the role of translation in writing itself (including the notion of repression itself as a failure to translate). Lesley Chamberlain's The Secret Artist: A Close Reading of Sigmund Freud is taken as an example of the way Freud gets translated into a novelist or an artist, and her claims for his ‘bizarre poems' are criticized. The rest of the article looks closely at Crick's new translation and its claim to be restoring Freud the stylist, an ordinary language Freud, to the English reader. The experience of reading Crick's translation is compared with that of reading Strachey's, rather to the latter's advantage.


2017 ◽  
Vol 44 ◽  
pp. 157-160
Author(s):  
Nadine Grass ◽  
Viola Kessel ◽  
Linda Raile ◽  
Matthias Treitler

2016 ◽  
Vol 14 (3) ◽  
pp. 243-253
Author(s):  
Grzegorz Stefanowicz

This article undertakes to show the way that has led to the statutory decriminalization of euthanasia-related murder and assisted suicide in the Kingdom of the Netherlands. It presents the evolution of the views held by Dutch society on the euthanasia related practice, in the consequence of which death on demand has become legal after less than thirty years. Due attention is paid to the role of organs of public authority in these changes, with a particular emphasis put on the role of the Dutch Parliament – the States General. Because of scarcity of space and limited length of the article, the change in the attitudes toward euthanasia, which has taken place in the Netherlands, is presented in a synthetic way – from the first discussions on admissibility of a euthanasia-related murder carried out in the 1970s, through the practice of killing patients at their request, which was against the law at that time, but with years began more and more acceptable, up to the statutory decriminalization of euthanasia by the Dutch Parliament, made with the support of the majority of society.


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