scholarly journals AMBIENT VIBRATIONAL CHARACTERIZATION OF THE NOSSA SENHORA DAS DORES CHURCH

2017 ◽  
Vol 9 (4) ◽  
pp. 170-182 ◽  
Author(s):  
Esequiel MESQUITA ◽  
Francisco BRANDÃO ◽  
Aldecira DIOGENES ◽  
Paulo ANTUNES ◽  
Humberto VARUM
Keyword(s):  
Safety Assessment ◽  
Natural Frequencies ◽  
Relevant Information ◽  
Clay Brick ◽  
3D Finite Element ◽  
Heritage Constructions ◽  
Xix Century ◽  
The Church ◽  
Vibrational Characterization

The present paper shows the vibrational characterization tests of a clay brick heritage construction from XIX century, the Nossa Senhora das Dores Church, placed in Sobral, Brazil. In this study the calibration of the 3D finite element numerical model of the church was performed through ambient vibrational testing using the first three natural frequencies identified. The obtained results, namely the natural frequencies identified, and the calibrated model intends to give a contribute for understanding of the structural behavior of the Brazilian heritage constructions, and introduces relevant information for be used for safety assessment of the church along the time.

scholarly journals Non-Invasive Investigation of Pigments of Wall Painting in S. Maria Delle Palate di Tusa (Messina, Italy)

Heritage ◽  
2019 ◽  
Vol 2 (3) ◽  
pp. 2398-2407
Author(s):  
Mollica Nardo ◽  
Renda ◽  
Bonanno ◽  
Parrotta ◽  
Anastasio ◽  
...  
Keyword(s):  
Archaeological Site ◽  
Relevant Information ◽  
Wall Painting ◽  
Non Invasive ◽  
Materials Used ◽  
Characterization Of Materials ◽  
First Time ◽  
The Church

The characterization of materials used in the archaeological field needs an experimental approach in order to avoid the destruction or perturbation of artworks. In order to afford this purpose, a multi-analytical spectroscopic approach is regularly used. We combined non-invasive analysis by using handheld spectroscopic instrumentations (mainly XRF and Raman spectrometers) in order to characterize the wall painting preserved in the church of S. Maria delle Palate at Halaesa Arconidea archeological site (Tusa, Messina, Italy). The aim of the work is the characterization of the nature of pigments used for the realization of the wall painting. The wall painting, probably representing St. Francis in the act of receiving the stigmata, has been subject to cleaning and restoration. Thanks to use of in situ measurement, we have identified hematite and goethite for the red and yellow respectively, and lazurite for the blue. In addition, some relevant information about the black pigment, the technique used for the realization and the conservation state were also obtained. The results obtained during the diagnostic campaign have been a support for the work of restorers. For the first time, the wall painting has been studied, increasing the knowledge of Halaesa Arconidea archaeological site.

PRZEŚLADOWANIA KOŚCIOŁA KATOLICKIEGO NA ZIEMIACH POLSKICH W DOBIE POWSTANIA STYCZNIOWEGO W ŚWIETLE RAPORTU KONSULATU FRANCJI W WARSZAWIE Z 1869 ROKU

2016 ◽  
Vol 12 (4) ◽  
pp. 67-88
Author(s):  
Jacek Wojda
Keyword(s):  
Catholic Church ◽  
Political Repression ◽  
Hard Time ◽  
Church And Society ◽  
History Of ◽  
Difficult Position ◽  
Apostolic See ◽  
Xix Century ◽  
The Church ◽  
The Catholic Church

Seventieth of XIX century were very hard time for Catholic Church in Polish Kingdom. Mainreason was aim for independency in Poles’ hearts. Deeply connected with polish nation, Churchsuffered because of Tsar’ political repression. Although different stages of its history are not closelyconnected with post uprising’s repressions.Report of French General Consulate in Warsaw bearing a date 1869 stress accent on samekind of the Catholic Church persecutions, which were undertaken against bishops and dioceseadministrators, and some of them were died during deportation on Siberia, north or south Russia.Hierarchy was put in a difficult position. They had to choose or to subordinate so called Rome CatholicSpiritual Council in Petersburg or stay by the Apostolic See side. Bishop Konstanty Łubieński isacknowledged as the first Victim of that repressions.Outlook upon history of persecutions, which is presented, shows not only Church but pointsout harmful consequences Russia’s politics in the Church and society of the Polish Kingdom. Citedarchival source lets us know way of looking and analysing history during 1861−1869 by Frenchdiplomats.

Theology in the Church of England

2017 ◽  
Author(s):  
B. W. Young
Keyword(s):  
Eighteenth Century ◽  
Church Of England ◽  
Ecclesiastical History ◽  
International Reputation ◽  
History Of ◽  
Joseph Butler ◽  
Anglican Theology ◽  
The Many ◽  
The Church

The dismissive characterization of Anglican divinity between 1688 and 1800 as defensive and rationalistic, made by Mark Pattison and Leslie Stephen, has proved more enduring than most other aspects of a Victorian critique of the eighteenth-century Church of England. By directly addressing the analytical narratives offered by Pattison and Stephen, this chapter offers a comprehensive re-evaluation of this neglected period in the history of English theology. The chapter explores the many contributions to patristic study, ecclesiastical history, and doctrinal controversy made by theologians with a once deservedly international reputation: William Cave, Richard Bentley, William Law, William Warburton, Joseph Butler, George Berkeley, and William Paley were vitalizing influences on Anglican theology, all of whom were systematically depreciated by their agnostic Victorian successors. This chapter offers a revisionist account of the many achievements in eighteenth-century Anglican divinity.

Study of Painting Materials and Techniques in the 18th Century St.Athanasius Church in Moschopolis, Albania

2007 ◽  
Vol 1047 ◽  
Author(s):  
Eleni Pavlidou ◽  
N. Civici ◽  
E. Caushi ◽  
L. Anastasiou ◽  
T. Zorba ◽  
...  
Keyword(s):  
18Th Century ◽  
Orthodox Church ◽  
Wall Paintings ◽  
Cultural Center ◽  
Green Earth ◽  
Almost All ◽  
The City ◽  
The Church ◽  
Compositional Characterization

AbstractIn this paper are presented the studies of the paint materials and the technique used in 18th century wall paintings, originated from the orthodox church of St Athanasius, in the city of Maschopolis, a flourishing economical and cultural center, in Albania. The church was painted in 1745 by Konstantinos and Athanasios Zografi, and during the last years, restoration activities are being performed at the church. Samples that included plasters and pigments of different colors were collected from important points of the wall paintings. Additionally, as some parts of the wall-paintings were over-painted, the analysis was extended to the compositional characterization of these areas. The identification of the used materials was done by using complementary analytical methods such as Optical Microscopy, Fourier Transform Infrared spectroscopy (FTIR), Scanning Electron Microscopy (SEM-EDS) and X-ray fluorescence (TXRF).The presence of calcite in almost all the pigments is indicative for the use of the fresco technique at the studied areas, while the detection of gypsum and calcium oxalate, indicates an environmental degradation along with a biodegradation. Common pigments used in this area at 15-16th centuries, such as cinnabar, green earth, manganese oxide, carbon black and calcite were identified.

scholarly journals Vibrational Characterization of Simple Peptides Using Cryogenic Infrared Photodissociation of H2-Tagged, Mass-Selected Ions

2011 ◽  
Vol 133 (16) ◽  
pp. 6440-6448 ◽  
Author(s):  
Michael Z. Kamrath ◽  
Etienne Garand ◽  
Peter A. Jordan ◽  
Christopher M. Leavitt ◽  
Arron B. Wolk ◽  
...  
Keyword(s):  
Vibrational Characterization

scholarly journals ASSESSING THE CANOPY INTEGRITY USING CANOPY DIGITAL IMAGES IN SEMIDECIDUOUS FOREST FRAGMENT IN SÃO CARLOS - SP- BRAZIL1

2017 ◽  
Vol 41 (5) ◽  
Author(s):  
Thiago Yamada ◽  
Emerson Carlos Pedrino ◽  
João Juares Soares ◽  
Maria do Carmo Nicoletti
Keyword(s):  
Digital Image Analysis ◽  
Digital Images ◽  
Research Work ◽  
Canopy Structure ◽  
Canopy Cover ◽  
Relevant Information ◽  
Canopy Closure ◽  
Forest Fragment ◽  
Semideciduous Forest

ABSTRACT It is well-known that conducting experimental research aiming the characterization of canopy structure of forests can be a difficult and costly task and, generally, requires an expert to extract, in loco, relevant information. Aiming at easing studies related to canopy structures, several techniques have been proposed in the literature and, among them, various are based on canopy digital image analysis. The research work described in this paper empirically compares two techniques that measure the integrity of the canopy structure of a forest fragment; one of them is based on central parts of canopy cover images and, the other, on canopy closure images. For the experiments, 22 central parts of canopy cover images and 22 canopy closure images were used. The images were captured along two transects: T1 (located in the conserved area) and T2 (located in the naturally disturbance area). The canopy digital images were computationally processed and analyzed using the MATLAB platform for the canopy cover images and the Gap Light Analyzer (GLA), for the canopy closure images. The results obtained using these two techniques showed that canopy cover images and, among the employed algorithms, the Jseg, characterize the canopy integrity best. It is worth mentioning that part of the analysis can be automatically conducted, as a quick and precise process, with low material costs involved.

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