Majaivana and Protest Music in Zimbabwe

2019 ◽  
pp. 149-165
Author(s):  
Vusumuzi Dube ◽  
Bhekinkosi Jakobe Ncube
Keyword(s):  
Public Sphere ◽  
Critical Discourse Analysis ◽  
Collective Identity ◽  
Cultural Memory ◽  
Minority Groups ◽  
Political Authority ◽  
Critical Discourse ◽  
Protest Music ◽  
Post Colonial ◽  
Political Commentary

This chapter interrogates the appropriation of music by a marginalized minority tribe to challenge political authority in Zimbabwe. It examines how music is used to arouse the people's nationalistic feelings; exploit their grievances through memory, collective identity, and emotions; and spur them to action against their local colonialists. Using cultural memory and subaltern public sphere theories, it examines how Majaivana's music is utilized by the Ndebeles in post-colonial Zimbabwe to challenge authority and assert their minority, collective identity. Although this chapter does a critical discourse analysis of the IsiNdebele language protest music as a socio-political commentary and “weapon of the weak” for the Ndebeles in Zimbabwe, lessons drawn therefrom can be extrapolated to other countries in Africa where minority groups face the authoritarian force of the majority tribe in power.

scholarly journals La construcción discursiva de la identidad andaluza y la reproducción de la memoria colectiva en la serie La respuesta está en la historia / The Discursive Construction of Andalusian Identity and Collective Memory Play in the Series the Answer Lies in History

2015 ◽  
Vol 4 (1) ◽  
Author(s):  
Kamil Fleissner
Keyword(s):  
Discourse Analysis ◽  
Social Construction ◽  
Collective Memory ◽  
Critical Discourse Analysis ◽  
Collective Identity ◽  
Theoretical Approach ◽  
Critical Discourse ◽  
Discursive Construction ◽  
Television Series ◽  
The Social

ABSTRACTThis study aims to analyze the discoursive representation of andalusian collective identity and memory in the television series “La respuesta está en la historia”. I will reflect the theoretical approach of the social construction of identities and I will use the methodology of the critical discourse analysis to identify, classify and explore the basic discoursive strategies that are reproduced by the television series.RESUMENEl propósito general de este estudio es analizar la construcción discursiva de las representaciones de la identidad social y de la memoria colectiva de los andaluces en la serie “La respuesta está en la Historia”. Reflejando las explicaciones teóricas de la construcción de la identidad y los conceptos de la memoria colectiva, y usando la perspectiva teórico-metodológica del análisis crítico del discurso identifico, clasifico y exploro las principales estrategias discursivas usadas en el programa.

Liberal articulations of the ‘Enlightenment’ in the Greek public sphere

2017 ◽  
Vol 16 (2) ◽  
pp. 195-218 ◽  
Author(s):  
Yiannis Mylonas
Keyword(s):  
Discourse Analysis ◽  
Public Sphere ◽  
Critical Discourse Analysis ◽  
Discourse Theory ◽  
Critical Discourse ◽  
Greek Crisis ◽  
The Enlightenment ◽  
Crisis Discourse ◽  
Neoliberal Restructuring ◽  
Discursive Constructions

Abstract This study presents a scrutiny of ‘liberal’ discursive constructions of the ‘Enlightenment’ in the Greek public sphere. The study is based on the analysis of articles published in two news/lifestyle websites, ‘AthensVoice’ and ‘Protagon’, during the (ongoing), so-called, ‘Greek crisis’. Discourse theory, informed by critical discourse analysis, is deployed to analyze these discursive constructions. The analysis shows that Greece’s economic/social/political problems are constructed as symptoms that underline Greece’s fundamental deficit, which is the country’s alleged ‘lack of ‘Enlightenment’, as perceived by ‘liberal’ voices in Greece and elsewhere. The article concludes that such discourses are part of a biopolitical, disciplinary framework producing the object to be reformed by austerity: an ‘un-Enlightened’ ‘Greek character’, ‘guilty’ for ‘self-inflicting’ Greece’s crisis. This ‘reform of character’ envisioned by liberals in Greece and elsewhere, is supposed to emerge through the institutional advance of neoliberal restructuring processes that include austerity reforms, privatizations, and loss of labor and civic rights, conditions to foster the neoliberal, entrepreneurial, mobile and austere subject, to potentially meet the socio-political requirements of late capitalist growth.

Ideology and discourse in the public sphere: A critical discourse analysis of public debates at a Brazilian public university

2018 ◽  
Vol 12 (3) ◽  
pp. 278-306 ◽  
Author(s):  
Erik Persson ◽  
Luís Moretto Neto
Keyword(s):  
Discourse Analysis ◽  
Public Sphere ◽  
Critical Discourse Analysis ◽  
Public University ◽  
Critical Discourse ◽  
University Hospitals ◽  
Staff Shortage ◽  
Public Company ◽  
The Public Sphere ◽  
Set Up

Since 2013, several social actors of the Federal University of Santa Catarina (UFSC) community have formed a public sphere in order to deliberate and decide on the University Hospital’s (UH/UFSC) affiliation to the Brazilian Hospital Services Company (EBSERH), a public company set up in accordance with a private law which has been created by the Brazilian federal government in order to set up a management body for public university hospitals. Underpinned by critical discourse analysis, our purpose is to analyze the embedded ideologies in discursive practices within the UFSC/EBSERH public sphere, especially those perpetrated by the federal government’s bureaucratic means as to mystify reality, and also promote and legitimize dominant interests and actions with regard to the UH/UFSC’s affiliation to the EBSERH. We organized this analysis in five main categories: (1) staff shortage and the ideological use of the double standard policy, (2) the ideology of neo-liberalism and managerialism, (3) blame avoidance behavior and the ideological dispute between ideology and pragmatism, (4) the policy of terror and the fallacy of choice and (5) ideology of participationism.

scholarly journals Language and Power: A Critical Discourse Analysis of Wole Soyinka’s The Lion and the Jewel

2018 ◽  
Vol 10 (1) ◽  
pp. 982-988
Author(s):  
Ochulor Nwaugo Goodseed
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Critical Discourse ◽  
African Culture ◽  
Post Colonial ◽  
Western Education ◽  
Language And Power ◽  
Self Worth ◽  
Traditional Marriage ◽  
Bride Price

The play, The Lion and the Jewel by Soyinka has been projected variously as a triumph of African culture over the Western culture. This is because it is a post-colonial write-up that came almost after the end of the struggles that got Nigeria its independence. There have been different approaches to the study of this text with respect to the struggles between the two traditions as represented by Lakunle (the Western tradition) and Baroka (the African tradition). However, this paper takes a different dimension. Its concern is to investigate, using Fairclough’s tools of Critical Discourse Analysis, some of the ideologies and power relations embedded in some discourses in the text which reveal, in the same context, that Yoruba (African) traditional marriage ideology of bride price oppresses and marginalizes women whereas Western marriage ideology empowers and helps women to discover their self-worth. In addition too, the play reveals that chauvinism in African man cannot be completely eroded no matter the level of Western education acquired. In other words, there were still other levels of imperialism within the so called “independent world” of the traditional Yoruba and at large, Africa.

Zimbabwe Dancehall Music as a Site of Resistance

2017 ◽  
pp. 238-256 ◽  
Author(s):  
Blessing Makwambeni
Keyword(s):  
Discourse Analysis ◽  
Public Sphere ◽  
Conceptual Framework ◽  
Critical Discourse Analysis ◽  
Critical Discourse ◽  
State Control ◽  
Dominant State ◽  
A Site ◽  
Dancehall Music ◽  
Communicative Space

The popularity and consumption of dancehall music in Zimbabwe has grown exponentially over the past few years. However, despite its popularity, Zimdancehall has attracted controversy for promoting violence and vulgar behavior among other ills. This chapter casts aside society's moral judgements in order to investigate Zimdancehall music's role as an alternative public sphere. Using Fraser's alternative public sphere and Bakhtin's carnivalesque as its conceptual framework, and Norman Fairclough's approach to Critical Discourse Analysis as its methodology, the study analysed the discourses that underpin Zimdancehall music. The chapter argues that Zimdancehall music has become a counter public that provides marginalised youths with a platform to resist the dominant state-sponsored patriotic discourse. The music genre has opened a liberating alternative communicative space, outside of state control and ZANU-PF's patriotic discourse, where marginalised youths can symbolically invert their reality, protest as well as articulate their needs and aspirations freely.

scholarly journals Signs of Colonial Discourse and their Psycho-Semiotic Significance

2019 ◽  
Author(s):  
Shahzad-ul-Hassan Farooqi
Keyword(s):  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Meaning Making ◽  
Critical Discourse ◽  
Colonial Discourse ◽  
Post Colonial ◽  
Sign Theory ◽  
Research Article ◽  
Historical Fact ◽  
Linguistic Practices

Colonial discourse is defined as a “complex of signs and practices” (Ashcraft, Griffiths, & Tiffin, 1998, p.235). In the light of this statement this research article investigates following main questions. 1-What are those signs and practices which constitute colonial discourse? 2- How do they signify according to semiotic theory? This article is a philosophical endeavour to develop conclusive argument to determine the psycho-semiotic nature of those meaning making practices which form the very basis of the colonial discourse. The aim of this study is to establish a triangular link of the sign theory, psychological conditioning and colonial discourse. Fairclough’s (1995) triadic model of Critical Discourse Analysis has been used to analyse various linguistic practices of colonisers at Description—Interpretation—Explanation levels. After exemplifying from various texts, the study concludes that colonial signs are psychologically conditioned, discursively conventionalised and socially upheld linguistic practices which disseminate ideas they stand for. Hence, colonialism is not only a historical fact but also a linguistically and semiotically crafted phenomenon. The article lays down a vivid criterion which can serve for further analytical studies in the domain of colonial and post-colonial discourse.

scholarly journals Citra Inferioritas Tenaga Kerja Wanita (TKW) Indonesia di Saluran Berita Sabq.Org Saudi Arabia

2020 ◽  
Vol 14 (2) ◽  
pp. 1-16
Author(s):  
Muhamad Fahrudin Yusuf
Keyword(s):  
Saudi Arabia ◽  
Discourse Analysis ◽  
Critical Discourse Analysis ◽  
Migrant Workers ◽  
Minority Groups ◽  
Critical Discourse ◽  
Object Studies ◽  
Research Findings ◽  
The Media ◽  
Discourse Studies

This article is the result of research, one of which is the lack of discourse studies, especially the representation of the news object studies in electronic newspapers. News about woman employees in Saudi Arabia was chosen because there have been many cases that occurred in Saudi Arabia. Several cases such as starting from illegal migrant workers, trafficking, prostitution, suicide, and various legal circumstances that befall Indonesian workers, how the news of women employee is written on Sabq.org newspaper, one of the leading online publications in Saudi Arabia. All cannot be separated from the media representation or depiction of an object. Representatives of woman employees will be dissected based on contextual illustration-writer-text-context reader theory by Sara Mills. The qualitative method of Critical Discourse Analysis was chosen as a means for collecting data. The technique of analyzing data used in this study is using the framework of Sara Mills's analysis related to the position of subject and object of the news. The research findings showed that Sabq.org portrays woman employees poorly, marginalizes minority groups by not showing woman employees in the news, dominant groups represent their presence, establishing ideology of dominant groups (employee) and tends to be gender-biased.   Artikel ini dilatarbelakangi minimnya kajian wacana, khususnya representasi pada objek kajian berita pada surat kabar elektronik (SKE). Berita tentang Tenaga Kerja Wanita (TKW) di Arab Saudi menjadi pilihan karena alasan banyaknya kasus yang terjadi pada TKW di Arab Saudi, mulai dari TKI ilegal, kasus trafficking, prostitusi TKW, bunuh diri dan beragam kasus hukum yang menimpa buruh migran wanita Indonesia. Bagaimana wacana TKW digambarkan dalam berita Sabq. Org, salah satu koran online terkemuka di Arab Saudi tidak lepas dari representasi atau penggambaran media atas suatu objek. Representasi TKW akan dibedah dengan teori ilustrasi konteks penulis- teks-konteks pembaca dari Sara Mills. Metode kualitatif Analisis Wacana Kritis (critical discourse analysis) dipilih sebagai alat mencari data. Teknik analisis penelitian ini menggunakan kerangka analisis Sara Mills terkait posisi subjek-objek berita. Hasil dari penelitian ini adalah Sabq.Org menggambarkan TKW dengan buruk, memarjinalkan kelompok minoritas (TKW) dengan tidak menampilkan TKW dalam pemberitaan, kehadirannya diwakili oleh kelompok dominan, memapankan ideologi kelompok dominan (majikan) dan cenderung bias gender.

scholarly journals A stairheid rammy

2020 ◽  
Vol 19 (1) ◽  
pp. 30-47
Author(s):  
Fiona McKay
Keyword(s):  
Public Sphere ◽  
Critical Discourse Analysis ◽  
Gender Norms ◽  
Cultural Practice ◽  
Cross Cultural ◽  
Critical Discourse ◽  
The Political ◽  
Women In Politics ◽  
National Context ◽  
Female Politicians

Abstract This article explores the mediated representation of gender in the Scottish public sphere during the independence referendum in 2014. In particular, it focuses on a media sample drawn from the Scottish press that centres on two key political figures, Johann Lamont and Nicola Sturgeon, who took part in a televised debate during the campaign. Using critical discourse analysis, it looks at how language is used to construct overlapping discourses of gender in a specific cultural and national context. Findings show representations pivot on expectations that female politicians should embody a specific feminised style; and when gender norms appear to be violated, this is represented in negatively gendered terms. Though there is evidence of contestation of male-dominated politics, discourses still reify traditional gender norms and situate women as outsiders to the political sphere. This study shows how specific discursive frames can contribute to a cross-cultural practice of gendering women in politics.

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