Overview of the Gay Characters in the New Cinema of Turkey

2022 ◽  
pp. 570-577
Author(s):  
Özgür İpek

Similar to the worldwide perceptions, gay characters in Turkish cinema are mostly perceived and used as elements of humor and comedy. They are also used as standards for measuring the masculinity of other male characters in some Turkish movies. And what about Today? What are the differences between the past and now? It is possible to say that Turkish cinema in 2000s involve more visible sexual identities apart from heteronormative understanding. This study will focus on the reflections and portrayals of only gay characters in New Turkish cinema.

Author(s):  
Özgür İpek

Similar to the worldwide perceptions, gay characters in Turkish cinema are mostly perceived and used as elements of humor and comedy. They are also used as standards for measuring the masculinity of other male characters in some Turkish movies. And what about Today? What are the differences between the past and now? It is possible to say that Turkish cinema in 2000s involve more visible sexual identities apart from heteronormative understanding. This study will focus on the reflections and portrayals of only gay characters in New Turkish cinema.


Zootaxa ◽  
2012 ◽  
Vol 3291 (1) ◽  
pp. 1 ◽  
Author(s):  
CHRIS HODGSON

In the past, the morphology of adult males of Coccoidea has provided strong support for diagnosing the higher taxonstatus of scale insects (Coccoidea). In particular, studies on adult male morphology have produced some of the stron-gest evidence for considering the Putoidae and Eriococcidae (as then defined) as separate families from the Pseudo-coccidae. This paper uses adult male morphology to assess the relationships of the Pseudococcidae and the hypogaeicand myrmecophilous mealybugs. The latter most often are classified as a subfamily (Rhizoecinae) of the Pseudococ-cidae. In order to diagnose the latter taxa, the adult males of fifteen named species of hypogaeic rhizoecine mealybugs(Kissrhizoecus hungaricus Kozár & Konczné Benedicty, Rhizoecus cacticans (Hambleton), Rh. coffeae Laing, Rh.dianthi Green, Rh. falcifer Künckel d’Herculais, Rh. kazachstanus Matesova, Ripersiella cryphia (Williams), Ri.hibisci (Kawai & Takagi), Ri. kondonis (Kuwana), Ri. malschae (Williams), Ri. puhiensis (Hambleton), Capitisetellamigrans (Green) and Pseudorhizoecus proximus Green) plus two unidentified Ripersiella species are described. Inaddition, the adult males of a Xenococcus sp., three Eumyrmococcus spp. and two Neochavesia spp. are illustratedfrom previously published papers and the adult male of another Neochavesia sp. is described and illustrated. In orderto compare the diagnoses of the above taxa with that of adult males of Pseudococcidae (minus the Rhizoecinae), theadult males of two apterous pseudococcid mealybugs are described or redescribed: Asaphococcus agninus Cox andthe myrmecophilous Promyrmococcus dilli Williams, both belonging to the Pseudococcinae. In addition, threemacropterous Pseudococcidae, namely Phenacoccus solenopsis Tinsley (Phenacoccinae), Planococcus glaucus(Maskell) and Maconellicoccus hirsutus (Green) (Pseudococcinae) are also described and/or illustrated. Prior to thisstudy, the hypogaeic and myrmecophilous mealybugs generally were included in the subfamily Rhizoecinae of thePseudococcidae, with the hypogaeic mealybugs in tribe Rhizoecini and the myrmecophilous mealybugs in Xenococ-cini. Based on the present study and on phylogenetic data, it is concluded that the rhizoecine mealybugs form a sepa-rate family from the Pseudococcidae — Rhizoecidae Williams. This family is considered here to include twosubfamilies, Rhizoecinae Williams and Xenococcinae Tang. Based on adult male characters, there is little support forthe present generic divisions of the Rhizoecinae. Keys are given for separating the adult males of Rhizoecidae from those of Pseudococcidae, and for separating the known adult males within each subfamily.


2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Ana María Aguilar López ◽  
Marta Miguel Borge

Our model of the world that we perceive within ourselves, our conscience, in short, our psychological balance is influenced by our surroundings. Part of the input to which we are exposed in this immediate environment is related to texts, self-managed discourse, which can also influence our internal model of the world; hence they are deserving of our attention. In the same way as the models of the world that we construct throughout our lives, reality is not static and also changes as time goes by. From a social point of view, we can see that the roles of women in modern-day society and the ways that those roles can be perceived today are a consequence of changes initiated in the past within different areas and in a prolonged process over time up until our day. With the aim of evaluating whether female drama has contributed to that change, we present an analysis in this paper of the play La Cinta Dorada [The Golden Ribbon] by María Manuela Reina, written and set in the 1980s, a decade that for Spain implied a more obvious abandonment of the most traditional conceptions of the role of women. In the analysis of the play, we see how the models of the world of the older people are counterposed with those of the younger people, a generational divide that is enriched with the gender difference, as we also analyze how the psychological structures of the female and male characters confront the clichés pertaining to another era in reference to such topics as success, infidelity, matrimony, and gender. The results of our analysis demonstrate how Reina responds to archaic conceptions, thereby inciting the audiences of the day to question their respective models of the world, especially, with regard to the role of the woman in society. 


Zootaxa ◽  
2006 ◽  
Vol 1263 (1) ◽  
pp. 1 ◽  
Author(s):  
CHRIS HODGSON ◽  
IMRE FOLDI

This paper outlines the history of the family name Margarodidae (Hemiptera: Coccoidea) and of the higher classification within Margarodidae sensu Morrison, and reviews the use of males in diagnosing the higher taxonomy within this group. An overview of the general morphology of adult males is provided as an introduction to the terms and structures used in the descriptive section that follows. The adult males of 31 species of Coccoidea are described, covering all the families in Margarodidae sensu Morrison plus some additional taxa which have either been included in Margarodidae sensu lato in the past or which show close affinities to it. Based on the structure of the adult males described here and also on an earlier cladistic analyses, these 31 taxa are divided into three groups: Ortheziidae (containing just ortheziids), a group here referred to as "margarodoid taxa" (which includes all the taxa in Margarodidae sensu Morrison (1928) except Steingelia; this group includes the following nine families: Matsucoccidae, Margarodidae, Xylococcidae; Stigmacoccidae fam. nov.; Kuwaniidae; Callipappidae; Marchalinidae; Monophlebidae and Coelostomidiidae); and a third group referred to here as "non-margarodoid taxa", which includes the remaining taxa considered in this paper (Steingelia, Stomacoccus, Phenacoleachia, Puto and Pityococcus). The present higher taxonomic status of each taxon is summarised in a Table and a key to identify each family based on adult male morphology is included; this key also diagnoses the above three groups based on adult male characters. Keys are also provided under each family to identify the species described herein.


Author(s):  
James M. Bromley

This chapter articulates a historical methodology, cruisy historicism, for attending to the erotic possibilities of the resistances from minor voices within a text and the mismatch between text and historical context. Drawn analogically from queer public sexual practices, cruisy historicism is particularly suited to unpacking the queer sexual possibilities that inhere in these multiplicities and misalignments. This methodology is explored via the intersection of clothing and space in Ben Jonson’s Every Man Out of His Humour. The play depicts lavishly dressed male characters circulating knowledge about queer forms of eroticism and subjectivity in the middle aisle of St Paul’s Cathedral, a place famed for its parading gallants in the early modern period. This chapter uses cruisy historicism to access the utopian fantasies surrounding extravagant apparel that exceed their historical and satiric contexts. In addition, cruisy historicism invites readers to encounter texts that do not seem especially welcoming to queerness so as to rework them into sites in which queer pleasure can animate one’s relationship with the past and compel us to rethink present-day political demarcations of legitimate forms of sexual practice.


2020 ◽  
Vol 8 (1) ◽  
pp. 3-22
Author(s):  
Alec Charles

This article investigates how three of the most popular and influential mainstream American situation comedies of the 1990s (Seinfeld, Frasier and Friends) explored and developed societal attitudes to sexual identities. None of these sitcoms feature gay male characters in leading roles, yet (the odd camp restaurant critic aside) they may be seen as pioneering popular televisual representations of attitudes towards male homosexuality. This article argues that these sitcoms (which are today considered homophobic by some) may, in their exploration of problematic responses to differences in sexual identities, be (in effect) more progressive than those series of that period (such as Ellen [1994‐98] and Will & Grace [1998‐2006, 2017‐20]) whose representations of central gay characters in positive but often stereotypical ways tended to avoid (or posited that they had no need to engage in) discussions of the prejudices of wider society (of homophobic ridicule, discrimination and violence).


2013 ◽  
Vol 45 (2) ◽  
pp. 340-342 ◽  
Author(s):  
Sima Shakhsari

One can ignore neither the role of diasporas nor colonial and imperial discourses of modernity in the construction of normative sexual identities and practices in the Middle East, whether in the past or the present. This is not to dismiss “local” forms of regulation, disciplining, and normalization of queers, but to point to the way that “local” state and nonstate norms of sexuality are not detached from “global” trends and transnational relationships of power. My own work on gender and sexuality within Iranian diasporic contexts engages with scholarship that postulates sexuality as a form of transnational governmentality and with analyses of homonationalism and necropolitics. I examine the representational economy of queer deaths during the “war on terror” and suggest that the Iranian transgender refugee, who has become a highly representable subject as a victim of Iranian transphobia in the civilizational discourses of the “war on terror,” dies an unspeakable death if her death disrupts the promise of freedom after flight.


2018 ◽  
Vol 12 (4) ◽  
pp. 1039-1047 ◽  
Author(s):  
Nicolas A Suarez ◽  
Matthew J Mimiaga ◽  
Robert Garofalo ◽  
Emily Brown ◽  
Anna Marie Bratcher ◽  
...  

Intimate partner violence (IPV) is a prevalent and pressing public health concern that affects people of all gender and sexual identities. Though studies have identified that male couples may experience IPV at rates as high as or higher than women in heterosexual partnerships, the body of literature addressing this population is still nascent. This study recruited 160 male–male couples in Atlanta, Boston, and Chicago to independently complete individual surveys measuring demographic information, partner violence experience and perpetration, and individual and relationship characteristics that may shape the experience of violence. Forty-six percent of respondents reported experiencing IPV in the past year. Internalized homophobia significantly increased the risk for reporting experiencing, perpetrating, or both for any type of IPV. This study is the first to independently gather data on IPV from both members of male dyads and indicates an association between internalized homophobia and risk for IPV among male couples. The results highlight the unique experiences of IPV in male–male couples and call for further research and programmatic attention to address the exorbitant levels of IPV experienced within some of these partnerships.


2017 ◽  
Vol 12 (2) ◽  
pp. 133
Author(s):  
Ben Kristian Citto Laksana

<p style="text-align: justify;">Indonesia has continuously been praised as a successful post-authoritarian country transitioning to democracy. However, seeing the numerous human rights violations in the past decade alone especially towards alternative political, religious and sexual identities, the success of democracy in Indonesia has been put under the spotlight. This raises the question of the development of democracy and the use of democracy in Indonesia in practicing and upholding principles of social equality for all. In this article I wish to provide an overview of majoritarian democracy, a form of democracy that is understood and practiced in Indonesia. A form of democracy that rather than upholding values that safeguards individual rights and diversity, may in fact undermine religious and cultural diversity, enforcing a homogenized national culture and values, which in return may engender human rights violations in the name of national security that it in itself is defined by the majority.</p>


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