La Terra dei Fuochi

2018 ◽  
Vol 2 (1) ◽  
pp. 15-28
Author(s):  
Salvatore Giusto
Keyword(s):  
Radioactive Waste ◽  
Cultural Production ◽  
Political Change ◽  
Southern Italy ◽  
Academic Literature ◽  
The Media ◽  
Cultural Sphere

In the summer of 2013, two major televisual outlets released a groundbreaking campaign of information about a massive mafia-lead traffic of toxic and radioactive waste involving the peripheries of Napoli and Caserta, southern Italy, which was historically covered up by the national secret services. The widespread mass-mediation of such a dramatic news significantly impacted the local cultural sphere. At the same time, it elicited eclectic (re)actions among the dwellers of these two areas, which the media dubbed as the “Land of Fires.” This article ethnographically analyzes the “Land of Fires” case study as a discursive milieu that mirrors the relationships between power, cultural production, and political change in neoliberal Italy. In so doing, it aims to redefine the contemporary Italian mediascape, which most academic literature describes as a “cynical” machine of political consent merely engendering “televised” subjectivities amid its publics, as an highly controversial (but still sophisticated and vibrant) space of socio-cultural production.

Accomplishments and relevance of consumer protection organizations

2017 ◽  
Vol 25 (1) ◽  
pp. 160-174 ◽  
Author(s):  
Arnaldo L. Ryngelblum ◽  
Nadia Vianna
Keyword(s):  
Consumer Protection ◽  
Structured Interviews ◽  
Multiple Sources ◽  
Policy Makers ◽  
Content Type ◽  
The Public ◽  
Academic Literature ◽  
Business Interests ◽  
The Media

Purpose Despite the special attention given to consumers by the business and academic literature, the dissatisfaction of Brazilian consumers has increased significantly. This manifest mainly through the initiation of complaints’ procedures against companies at Procon and other civil society consumer protection organizations (CPOs) that began to take over these issues complementarily to governmental action. This paper aims to examine the accomplishments and relevance of these organizations in protecting consumers and in preparation of related public policies. Design/methodology/approach A qualitative case study was conducted involving an in-depth collection of information about a restricted system, which included multiple sources. The information was obtained through semi-structured interviews conducted with CPOs’ executives and documents from the other participating organizations in the consumer protection field. Findings The CPOs have been positively evaluated by participants from the consumer protection field, for their effective action in the intermediation of complaints and in proposing laws and regulations on consumer protection. However, this picture is contrasted with the difficulties imposed by the practices of other field logics, such as legal procedures, media priorities and business interests that, however, collaborate in various occasions. Research limitations/implications CPOs’ relevance is more easily evaluated through social legitimation such as endorsements and declarations by the media, the public, by the CPOs’ own publicity and so on. As consumers can choose from alternative channels for redress, firms should be updated with the different procedural norms of each. Originality/value This paper draws a picture of the work developed by CPOs and indicates a possible assessment of their relevance in a scenario of logics complexity, which can be useful for policy makers.

Corporate accountability in the Samarco chemical sludge disaster

2017 ◽  
Vol 26 (5) ◽  
pp. 540-552 ◽  
Author(s):  
Karen da Costa
Keyword(s):  
Human Rights ◽  
Multinational Enterprises ◽  
Civil Society Organizations ◽  
Corporate Accountability ◽  
Content Type ◽  
Academic Literature ◽  
Scant Attention ◽  
The Media ◽  
Chemical Sludge

Purpose The purpose of this paper is to explore avenues of corporate accountability in disasters, using the Samarco chemical sludge disaster, which took place in 2015 in Brazil, as case study. Design/methodology/approach The paper considers possible ways of enhancing corporate accountability in disasters, focusing on one particular international mechanism on multinational enterprises (MNEs), which addresses both human rights and environmental issues. The research is based on the location and assessment of a variety of written sources (i.e. normative instruments, academic literature, publications by practitioners, civil society organizations, and the media). The paper makes suggestions on the potential of using existent international accountability mechanisms in similar disasters. Findings The paper identifies key measures taken by national authorities to address the disaster. It also considers how the Organization for Economic Cooperation and Development Guidelines for MNEs could be used to pursue corporate accountability. Research limitations/implications This is a desk-based research, chiefly conducted on documental analysis rather than fieldwork. Practical implications The paper might provide useful insights for organizations and communities facing similar challenges linked to multinational corporate activities that adversely affect human rights and the environment. Originality/value The study brings to attention normative standards relatively unknown to the disaster community, which may help raise interest on them, and lead to their potential use in future disaster situations. Furthermore, to date the Samarco chemical sludge has received scant attention from the academic literature.

scholarly journals Rooting for the home team: the Canadian Broadcasting Corporation and Canada's national sports culture.

2021 ◽  
Author(s):  
Michael Novis
Keyword(s):  
Collective Memory ◽  
Cultural Production ◽  
Primary Objective ◽  
Home Team ◽  
Broadcast Television ◽  
Sports Culture ◽  
Canadian Broadcasting Corporation ◽  
The Media ◽  
Canadian Culture

As a cultural institution, the Canadian Broadcasting Corporation (CBC) is meant to connect Canadian citizens from coast-to-coast in ways that would otherwise be impossible. With regards to the collective memory of Canadians, it is thus imperative to address the media narrative that has undoubtedly assisted in the construction of a 'national psyche' in Canada. Following interpretive logics of inquiry, this intrinsic case study will explore the creation of a national sports culture in Canada, and how it has manifested through the CBC's broadcast television operation. In particular, the primary objective is to analyze the position of the CBC in the cultural production of hockey in Canada. By exploring the CBC's television program Hockey Night in Canada this paper strives to better understand how hockey has emerged as a social phenomenon, and how identity-building organizations such as the national broadcaster· have institutionalized hockey lore and tradition in Canadian culture. Through Canada's obsession with the sport of hockey it may be possible to better understand the dynamics at play in the nation's cultural, socio-political and economic realms.

scholarly journals Rooting for the home team: the Canadian Broadcasting Corporation and Canada's national sports culture.

2021 ◽  
Author(s):  
Michael Novis
Keyword(s):  
Collective Memory ◽  
Cultural Production ◽  
Primary Objective ◽  
Home Team ◽  
Broadcast Television ◽  
Sports Culture ◽  
Canadian Broadcasting Corporation ◽  
The Media ◽  
Canadian Culture

As a cultural institution, the Canadian Broadcasting Corporation (CBC) is meant to connect Canadian citizens from coast-to-coast in ways that would otherwise be impossible. With regards to the collective memory of Canadians, it is thus imperative to address the media narrative that has undoubtedly assisted in the construction of a 'national psyche' in Canada. Following interpretive logics of inquiry, this intrinsic case study will explore the creation of a national sports culture in Canada, and how it has manifested through the CBC's broadcast television operation. In particular, the primary objective is to analyze the position of the CBC in the cultural production of hockey in Canada. By exploring the CBC's television program Hockey Night in Canada this paper strives to better understand how hockey has emerged as a social phenomenon, and how identity-building organizations such as the national broadcaster· have institutionalized hockey lore and tradition in Canadian culture. Through Canada's obsession with the sport of hockey it may be possible to better understand the dynamics at play in the nation's cultural, socio-political and economic realms.

Kultur als Über-Setzung

2013 ◽  
Vol 38 (2) ◽  
Author(s):  
Kerstin Schoor
Keyword(s):  
Cultural Production ◽  
Cultural Negotiation ◽  
The Media ◽  
German Jewish

This case study on the work of the Prague-born, German-Jewish author and screenplay writer Willy Haas while in exile in India (1939–1947) – introduced here only briefly – illustrates how, in the process of translation from one culture to another, categories of “other” and “self” retreat behind a processuality of cultural negotiation, interference and productive translation – in other words, it illustrates how they enter into processes of a cultural production that is indelibly marked by social as well as artistic interactions and institutional infrastructures as well as conditions of material, economic-political transmission through the media, generating a cultural production that is thus able to provide a basis for and support a dynamic understanding of culture, both theoretically and practically.

IMAGE OF THE REPUBLIC OF MORDOVIA IN THE MEDIA VOLGA FEDERAL DISTRICT (BASED ON CONTENT ANALYSIS OF NEWS PUBLICATIONS)

2020 ◽  
Vol 10 (4) ◽  
pp. 44-52
Author(s):  
LARISA ZAITSEVA ◽  
Keyword(s):  
Content Analysis ◽  
Information Content ◽  
Federal District ◽  
Information Space ◽  
Political News ◽  
Social Sphere ◽  
The Media ◽  
The Republic ◽  
Number Of Publications

The territorial image is formed both purposefully by the subjects of image-making, and spontaneously-based on the influence of information content published in various media. The purpose of the research is to analyze the image of the Republic of Mordovia in the information space of the Volga Federal district. The image of the territory formed by external target audiences by means of news materials is studied using the method of case study and content analysis of publications: “Volga news”, “Federal Press” news of the PFD, “Pravda PFD”. The authors conclude that modern reality is perceived through the prism of the information field created by mass media. The media creates images filled with certain data, facts, colored by emotions, on the basis of which representations, opinions, judgments, and assessments are subsequently formed. The media play a significant role in shaping the territorial image, especially for external target audiences who are not familiar with the region and do not have their own assessment knowledge and experience. Most of the information content about the Republic in the studied media is related to the main thematic blocks: politics, economy, social sphere, culture (art, sports). Moreover, if in the publications “Volga news” and “Pravda PFD” mention of the region prevails in the economic block, then in the publications “Federal Press” and “Nezavisimaya Gazeta” - in the political one. The Volga news publication significantly dominates the rest in terms of the number of publications about Mordovia. The content of publications is mostly positive and neutral related to the issues of economic development of the territory and the preparation and holding of the world football championship. Pravda PFD mentions the Republic in the context of news from neighboring territories, most of the publications date back to 2018, but here the context is related to the Republic's positions among the regions of the PFD in various ratings. The publication “Federal-Press” forms a generally reflective image of the territory, focusing on the negative aspects of regional life. “Nezavisimaya Gazeta”, giving priority to political news, maintains a neutral and reflective context of publications, paying attention to the key problems of the territory. Thus, the desired image of the region is counter-dictated to the image broadcast by the media through various information channels, so it is necessary to constantly monitor the information space and timely correction of the broadcast materials.

Freedom of speech is not freedom from ethics: the 2019 Israel Folau media controversy as a case study

2021 ◽  
pp. 1329878X2199289
Author(s):  
Jay Daniel Thompson ◽  
Denis Muller
Keyword(s):  
Content Analysis ◽  
Freedom Of Speech ◽  
Rugby Player ◽  
Ethical Principles ◽  
Framing Analysis ◽  
The Media ◽  
The One

This article examines how freedom of speech is framed in the media controversy surrounding the Australian rugby player Israel Folau’s April 2019 Instagram post. A content analysis and framing analysis of newspaper reportage reveals that the controversy has been largely discussed in terms of whether or not Folau’s speech was being curtailed and whether this curtailing indicates a broader, ideologically motivated censoriousness. This discussion is problematic in that it says little about the actual substance of Folau’s post. This article argues that debates surrounding freedom of speech such as the one involving Folau could and should be enriched by an engagement with ethical principles. This engagement is premised on a commitment to the free exchange of views, while acknowledging that ‘speech’ is not always inherently beneficial for democracy, nor worth defending.

scholarly journals The Nested Precarities of Creative Labor on Social Media

2021 ◽  
Vol 7 (2) ◽  
pp. 205630512110213
Author(s):  
Brooke Erin Duffy ◽  
Annika Pinch ◽  
Shruti Sannon ◽  
Megan Sawey
Keyword(s):  
Social Media ◽  
Cultural Production ◽  
Ecological Model ◽  
Creative Economy ◽  
Cultural Industries ◽  
Professional Success ◽  
Social Media Platforms ◽  
The Media ◽  
Depth Interviews

While metrics have long played an important, albeit fraught, role in the media and cultural industries, quantified indices of online visibility—likes, favorites, subscribers, and shares—have been indelibly cast as routes to professional success and status in the digital creative economy. Against this backdrop, this study sought to examine how creative laborers’ pursuit of social media visibility impacts their processes and products. Drawing upon in-depth interviews with 30 aspiring and professional content creators on a range of social media platforms—Instagram, YouTube, TikTok, Pinterest, and Twitter—we contend that their experiences are not only shaped by the promise of visibility, but also by its precarity. As such, we present a framework for assessing the volatile nature of visibility in platformized creative labor, which includes unpredictability across three levels: (1) markets, (2) industries, and (3) platform features and algorithms. After mapping out this ecological model of the nested precarities of visibility, we conclude by addressing both continuities with—and departures from—the earlier modes of instability that characterized cultural production, with a focus on the guiding logic of platform capitalism.

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