scholarly journals سيميائيَّة الغياب في ديوان "ما تلاه عليّ الغياب" دراسة في ضوء سيميائيَّة الأهواء

2019 ◽  
Vol 27 (4) ◽  
pp. 181-199
Author(s):  
Alreem M Alfawaz Alreem M Alfawaz

T he semiotic approach is based on the assumption that the text includes a surface structure and a deep structure. Analyzing the two structures looks at the relations between the two. As for the objective behind the semiotic approach it is the uncovering of the relations that link the hidden implications of the text by following the development of meaning. On the other hand, the semiotics of emotions is a branch of general semiotics. Emotion is what semiotics analyzes to know its role in the creative text. In the collection of poems discussed here it is absence that played a role in the formation of the emotion of sadness: the absence of people or specific attitudes. Sadness is seen as preceding the ways meaning reveals itself and also as an agent in their production

Diachronica ◽  
1986 ◽  
Vol 3 (1) ◽  
pp. 1-14
Author(s):  
Dorothy Disterheft

SUMMARY Three claims about the structure and diachrony of consecutives and serials in African languages are examined: Serials evolve from consecutives; serials develop further into minor categories such as prepositions, auxiliaries, complementizers, etc.; the synchronic deep structure (and presumably historical source) of serials is a coordinate, not subordinate, one. According to Lightfoot (1979), however, any hypotheses based on reconstruction are invalid without written records; the direction of change could have been from minor category to verb, and from serial to consecutive. Examination of the African evidence indicates that there is little functional distinction between the two constructions and that the major difference lies in morphosyntax. Furthermore, typological parallels from Hittite and Irish confirm that the direction of development is from consecutive to serial by a process of semantic bleaching and from major to minor category. On the other hand, we can make no claim about the structure of consecutives and serials either synchronic or diachronic. RÉSUMÉ Dans cet article on examine trois hypotheses concernant la structure et la diachronie des consecutives et des 'sérielles', dans des langues africaines; les proviennent des consecutives; les sérielles deviennent ensuite des catégories mineures, par exemple des prépositions, des auxiliaires, des complémenteurs, etc.; la structure sous-jacente synchronique (et vraisemblablement la source historique) des sérielles est de nature coordonnée, et non pas subordonnée. Selon Lightfoot (1979), cependant, les hypothèses basées sur des reconstructions sans données attestées sont sans valeur; la direction du changement aurait pu se faire d'une catégorie mineure au verbe et d'une sérielle à la consécutive. L'examen des données des langues africaines indique qu'il y a peu de distinction fonctionnelle entre les deux types de constructions et que la différence majeure entre elles ressort de la morphosyntaxe. De plus, des parallèles typologiques tirés de l'hittite et de l'irlandais confirment que la direction du développement est de la consécutive à la sérielle par un procès de 'décoloration' sémantique et d'une catégorie majeure à une catégorie mineure. Par contre, on ne peut bien affirmer concernant la structure des consecutives et des sérielles qu'il s'agisse de la synchronie ou de la diachronie. ZUSAMMENFASSUNG Drei Behauptungen beziiglich der Struktur und der Diachronie von konsekutiven und seriellen Konstrukt ionen in Af rikanischen Sprachen werden untersucht: Serielle entwickeln sich aus konsekutiven; serielle entwickeln sich weiter zu weniger wichtigen Kategorien wie etwa Prapositionen, Hilfszeitwörter, Satzergänzungen usw.; die synchronische Tiefenstruktur (und wahrscheinlich die historische Quelle) der seriellen Konstruktionen ist koordiniert, nicht subordiniert. Nach Lightfoot (1979) jedoch sind Hypothesen ohne Dokumentation wertlos; die Richtung der Veranderung könnte von der weniger bedeutenden Ka-tegorie zum Verbum und von der seriellen zur konsekutiven Konstruk-tion vor sich gegangen sein. Die Untersuchung des afrikanischen Materials zeigt an, daft geringer funktionaler Unterschied besteht zwi-schen diesen beiden Konstruktionen und daß der Hauptunterschied in der Morphosyntax liegt. Darüberhinaus bekraftigen typologische Pa-rallelen im Hittitischen und Irischen, daft die Richtung der Entwick-lung von konsekutiven zu seriellen Konstruktionen geht, und zwar durch einen Prozeß semantischer Verbleichung, und von einer Haupt- zu einer Nebenkategorie. Zum andern können wir keine entweder synchronische oder diachronische Behauptung iiber die Struktur konsekutiver und serieller Konstruktionen aufstellen.


Terminology ◽  
2003 ◽  
Vol 9 (1) ◽  
pp. 1-27 ◽  
Author(s):  
Tanja Collet

The aim of this paper is to offer an outline of a descriptive grammar — as yet unfinished — of two reduction processes, namely elliptic anaphor and lexical elision, which delete constituents of reiterated complex terms in French LSP texts. After an examination of these reduction processes and the term variants they generate, the paper presents the main building blocks of the grammar. The architecture of these building blocks, i.e. of the deep and surface structure rules which constitute the two levels of the grammar, is derived from the structural and semantic properties of French complex terms. The ordering of the rules in the grammar, on the other hand, is based on characteristics of elliptic anaphor and lexical elision as well as on properties of the term variants produced by these context-conditioned transformations.


Linguistica ◽  
1987 ◽  
Vol 27 (1) ◽  
pp. 11-21
Author(s):  
Olga Kunst Gnamuš

"The goal of theoretical linguistics is the discovery of facts that are crucial for determing the underlying structure of language and hidden abstract principles and laws" (Shaumyan, 1984: 239). There is a twofold relationship between facts and theory: on the one hand, a theory makes it possible to identify facts and to classify them into categories, but on the other hand there exist so-called symptomatic facts, which cannot be incorporated within the framework of an obsolete scientific para­ digm, but have a constructive value with respect to a new theory, since in the ways in which these facts appear they disclose abstract principles and laws which would ot­ herwise have remained hidden. In the development of science, the discovery of such facts is of exceptional importance. A new scientific paradigm originates from the contradiction which occurs between the discovery of a symptomatic fact (the latter presenting a previously hidden aspect of the phenomenon concerned) and the use of the explanatory methods of the old paradigm. The paradox lies in the fact that the symptomatic fact is opposed to these very, obsolete explanatory procedures, and, by its existence, reduces their validity. For this reason, such symptomatic facts are usually  reduced  to  "an  execption  which proves  the  rule".  Thus,  for  instance, Chomsky discovered the existence of deep structure by studying pairs of sentences such as John is easy to please, John is eager to please. But he described them in terms of the surface structure. It was only later that Fillmore (1968) introduced the basic concepts of deep-structure description by proving that, through the role of the surface structure subject, various semantic roles can be expressed, such as agent, pa­ tient and instrument.


2019 ◽  
Vol 10 (2) ◽  
pp. 115
Author(s):  
Herry Nur Hidayat

This article analized meme United Nations of Rendang through Levi-Struss structuralism perspective. In this case, social an culture seen as a structure which shows human unconsiuous to structuring a phenomenon. Sign interrelation in United Nations of Rendang as a structure automatically relate to the other meme which is another structure. Those sign convey to the surface structure and reveal the deep structure of this phenomenon. As a result, meme United Nations of Rendang shows rejection on Masterchef jury for the criticism on rendang as surface structure. This surface structure lead to awareness of same region country, awareness of western culinary domination, and a rejection for western culinary domination as deep structure.


1966 ◽  
Vol S7-VIII (3) ◽  
pp. 387-392 ◽  
Author(s):  
Jacques Flandrin ◽  
Christian Weber

Abstract Aeromagnetic and gravimetric studies made in the region of the Diois and Baronnies mountains (French Prealps) indicate a clear relation between deep structure and many surface structures. In particular, the basement took part in three displacements, the two great north-south faults of Saillans-Merindol and Die-la Motte-Chalancon, and the northeast-trending Clery fault. On the other hand, the east-west folds affecting the Mesozoic and Tertiary are definitely shallow decollements in which the basement did not participate.


2020 ◽  
pp. 11-21
Author(s):  
Piotr Zbróg

The subject of interest in this chapter is the concepts of creating apposition groups that appear in the literature on the subject, e.g. zbawiciel Jesus, dziewica Maryja, matka jego, słudze Bryjidzie. Opposing theories on this topic indicated on the one hand that apposition was an element added to the parent unit, and on the other hand, that apposition was the effect of transforming the deep structure into surface constructs. These approaches were, usually intuitive, reflected by language courts describing the title expressions since the beginning of the 19th century. In this study, they were traced and proved the dominance of opinions about the syntactic starting point in the derivative of apposition. In addition, other aspects of the characteristics of the groups of positions are discussed, placing them in the basic dichotomy of the derivation of positions.


2020 ◽  
Vol 7 (2) ◽  
pp. 334
Author(s):  
Zahrotus Sa’idah

<p><em>Ayat-ayat Cinta (2008), Ketika CInta Bertasbih Jilid 2 (2009) and Perempuan Berkalung Sorban (2009) were considerably the most successful religious films in Indonesia. However, it attracted internal conflict behind this success particularly on producing entertaining films in one hand, and representing religious values correctly on the other hand. Therefore, this research attempts to describe as well as to systematize this problem through semiotic approach in order to negotiate between the identity, modernity, and commodity of religious films in Indonesia. Based on this research, it is found that religious films’ success in Indonesia requires director’s knowledge of religion and his capability to blend between religious values, modernity, and commodity.</em></p>


Author(s):  
Indu G.

This contribution deals with some special roles in the Kūṭiyāṭṭam tradition: the Vidūṣaka and the story teller. By giving a description of the story development in Mantrāṅkam, the author, who is an experienced Kūṭiyāttam actress herself, offers some interesting reflections on the development of the figure of the “jester” taking into account the historical background. Indu G. guides us through the structure of the play that continues until the thirty-seventh day and also explains the personal reflections attached to it. As these stories don’t aim at representing a specific historical period, they are not bound either to the present or to the past, and their reflections are not constrained to the ethics or morality of present time. On the other hand they question or mock it. In this sense, if we look at the deep structure, it has the quality to make the audience reconsider their static thinking patterns and make them flexible and vital.


2019 ◽  
Vol 15 (03) ◽  
pp. 263-273
Author(s):  
Bettina Bor ◽  
Miklós Könczöl

AbstractThis paper discusses the promises and limits of a Peircean semiotic approach to the concept of style in law. It does so in two steps: first (1) by identifying the place of style within the structure of law as a system of signs, then (2) by conceptualising the link between law and style in the thought of C.S. Peirce and highlighting some of the insights from a Peircean take on legal semiotics that may contribute to our understanding of the role of style in making meaning in law. It is argued that, for a Peircean analysis of law, three levels can be distinguished, from the ‘surface structure’ down to the ‘deep structure’. It is at the middle level (that of the ‘basic structure’) that a semiotic approach can yield coherent insights in terms of style, by examining the symbols and metaphors that make for the expressibility of ‘habits’, namely experience-based patterns of action and interpretation.


Widyaparwa ◽  
2018 ◽  
Vol 46 (1) ◽  
pp. 17-29
Author(s):  
Restu Budi Setiawan ◽  
Sahid Teguh Widodo ◽  
Suyitno Suyitno

This article want to describe and explain about the meaning of wanda wayang Durga gagrag Surakarta on Javanese culture perspective. Wanda wayang Durga which explain in this article consist of the Durga wanda belis, wanda gedrug, wanda gidrah, wanda murgan, wanda surak, and wanda wewe. The approach which used on this research is structuralism-semiotic approach from Levi-Strauss model. This approach is chosen because it is considered can explain the object deeper from two side that are outside structure or surface-structure and inside structure or deep- structure. Material object of this research is the figure of Durga from many kind of wanda. Formal object of this research is structural analysis. Primary data on in this research is document wanda wayang of Durga figure. Therefore, the secondary data are interview document and literature review. Analysis data technique on this research consist on four phases, that are data collected phase, data reduction, data presentation, and conclusion drawing.Artikel ini mengupas makna dari wanda wayang Durga gagrag Surakarta dalam perspektif cerita pewayanganSudamala dan kebudayaan Jawa. Pedekatan yang digunakan adalah pendekatan strukturalisme semiotik model Levi Strauss yang menjelaskan suatu objek kajian secara struktural melalui dari dua sisi yaitu struktur luar yang dikenal dengan istilah surface structure dan struktur dalam   yang dikenal dengan istilah deep structure. Objek material dari penelitian ini adalah sosok Durga yang terdapat dalam berbagai macam wanda tersebut diatas. Objek formal penelitian ini adalah sebuah kajian struktural. Data dalam penelitian ini terdiri atas dua jenis data yakni data primer dan data sekunder. Data primer dalam penelitian ini adalah dokumen wanda wayang tokoh Durga, sedangkan data sekundernya adalah wawancara dan studi pustaka. Teknik analisis data dalam penelitian ini meliputi empat tahap, yakni tahap pengumpulan data, reduksi data, penyajian data, dan penarikan simpulan. Temuan yang terdapat dalam penelitian ini diantaranya adalah berbagai macam wanda wayang tokoh Durga dalam pewayangan gaya Surakarta yang diantaranya adalah Durga wanda belis, wanda gedrug, wanda gidrah, wanda murgan, wanda surak, wanda reca, wanda ngerik, wanda ratudan wanda wewe.


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