scholarly journals Morals, medicine, metaphors, and the history of the disease model of problem gambling

2012 ◽  
Author(s):  
Peter Ferentzy ◽  
Nigel E. Turner
Keyword(s):  
Alcoholics Anonymous ◽  
Final Section ◽  
Disease Model ◽  
History Of Ideas ◽  
The Public ◽  
Public Health Model ◽  
The Past ◽  
History Of ◽  
Gamblers Anonymous ◽  
Health Model

Over the past 200 years, society has come to accept the idea that addictions such as alcoholism and pathological gambling (PG) are a type of disease that is chronic, progressive, and somewhat mysterious in terms of etiology. This conception has been most strongly associated with organizations such as Alcoholics Anonymous and Gamblers Anonymous. The chronic disease model alleviated stigma and encouraged many to seek help, but has been challenged by some experts. Confusing the issue is that the public health model, often presented as the main alternative to the disease model, is rooted in epidemiology and clearly a disease model itself. In this paper, we trace the history of ideas about PG as a disease and examine some of the assumptions and metaphors that underlie these models. In the final section, we examine what aspects of addiction in general, and PG in particular, are either revealed or hidden by these models.

‘Reflexiveness’ in archaeology, nationalism, and Europeanism

2000 ◽  
Vol 7 (1) ◽  
pp. 4-19 ◽  
Author(s):  
Alexander Gramsch
Keyword(s):  
Cold War ◽  
History Of Ideas ◽  
European Identity ◽  
Short History ◽  
Social Relevance ◽  
Post Cold War ◽  
The Public ◽  
The Past ◽  
History Of ◽  
Founding Myth

Abstract‘Reflexiveness’ is a term used for the growth of discussions in archaeology on its history, epistemology, and social relevance. While much of this reflecting refers to the relation of archaeology and nationalism, leading to insights into the politicisation of archaeological research and presentation to the public and the use of the past for ideological purposes, still we can witness many parallels to the use of prehistory for the creation of a European identity. After briefly commenting on discussions on different nationalisms and national and cultural identity, I will present a short history of ideas of Europe, followed by a consideration of two examples of the attempt to create the lacking founding myth of post-cold-war Europe. In the end, it is argued that a ‘Reflexive Theory’ should necessarily replace current rather politically motivated ‘reflexiveness’ and is needed to examine critically the Europeanist notion of European archaeology.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Alcoholism: A Social Construct

1982 ◽  
Vol 12 (4) ◽  
pp. 361-367 ◽  
Author(s):  
Kari Poikolainen
Keyword(s):  
Alcoholics Anonymous ◽  
Medical Profession ◽  
Disease Model ◽  
Self Control ◽  
Loss Of Control ◽  
Disease Concept ◽  
Social Construct ◽  
Basic Assumptions ◽  
Collective Control ◽  
History Of

Alcoholism as a specific disease was discovered about 200 years ago in North America. The disease is thought to be characterized by loss of control over drinking and by certain “symptoms,” supposed to occur in a typical order during the “natural” history of the disease. The basic assumptions of the disease model are, however, untenable. Despite this, the model is still viable. There are at least four reasons for this: (1) The medical profession, originally against the conception of alcoholism as a disease, has been made to accept the disease concept, (2) Alcoholics Anonymous (AA) strongly believes in the disease ideology, (3) the disease model may relieve the moral stigma attached to socially unacceptable drinking, and (4) societies in which individual rights are highly esteemed prefer self-control to collective control. The benefits and disadvantages of the disease model should be reconsidered.

Reflections on the Public Interpretation of Regional Environmental History In Western Pennsylvania

2014 ◽  
Vol 36 (3) ◽  
pp. 50-69
Author(s):  
Chris J. Magoc
Keyword(s):  
Environmental History ◽  
Public History ◽  
Industrial Development ◽  
The Public ◽  
Public Interpretation ◽  
The Past ◽  
Natural Resource Extraction ◽  
History Of ◽  
Environmental Histories ◽  
Western Pennsylvania

This essay attempts to counter the scarcity of efforts to address issues of natural resource extraction and environmental exploitation in public history forums. Focused on western Pennsylvania, it argues that the history of industrial development and its deleterious environmental impacts demands a regional vision that not only frames these stories within the ideological and economic context of the past, but also challenges residents and visitors to consider this history in light of the related environmental concerns of our own time. The essay explores some of the difficult issues faced by public historians and practitioners as they seek to produce public environmental histories that do not elude opportunities to link past and present in meaningful ways.

A case for studying country regimes in the public health model of violence

2016 ◽  
Vol 37 (S1) ◽  
pp. 133-144 ◽  
Author(s):  
James Gilligan ◽  
Bandy X. Lee ◽  
Shikha Garg ◽  
Morkeh Blay-Tofey ◽  
Audrey Luo
Keyword(s):  
Public Health ◽  
The Public ◽  
Public Health Model ◽  
Health Model

Veronicas and Artists

2017 ◽  
Keyword(s):  
Contemporary Art ◽  
Religious Images ◽  
The Public ◽  
The Past ◽  
History Of Art ◽  
The Status ◽  
History Of ◽  
The Way ◽  
Contemporary Artists

Chapter One deals with several central issues with regard to understanding the role of religious motifs in contemporary art. Besides being a repetition of imagery from the past, religious motifs embedded in contemporary artworks become a means to problematise not only the way different periods in the history of art are delimited, but larger and seemingly more rigid distinctions as those between art and non-art images. Early religious images differ significantly from art images. The two types are regulated according to different sets of rules related to the conditions of their production, display, appreciation and the way images are invested with the status of being true or authentic instances of art or sacred images. Chapter One provides a discussion of the important motif of the image not made by an artist’s hand, or acheiropoietos, and its survival and transformation, including its traces in contemporary image-making practices. All images are the result of human making; they are fictions. The way the conditions of these fictions are negotiated, or the way the role of the maker is brought to visibility, or concealed, is a defining feature of the specific regime of representation. While the cult image concealed its maker in order to maintain its public significance, and the later art image celebrated the artist as a re-inventor of the old image, contemporary artists cite religious images in order to reflect on the very procedures that produce the public significance and status of images.

scholarly journals Ideology and Truth

2019 ◽  
Vol 8 (3) ◽  
pp. 7-39
Author(s):  
Krešimir Petković
Keyword(s):  
Social Sciences ◽  
Political Science ◽  
History Of Ideas ◽  
Philosophical Tradition ◽  
The Public ◽  
Social Sciences And Humanities ◽  
The Third ◽  
Western Philosophical Tradition ◽  
History Of ◽  
The Public Sphere

The author argues that any discourse analysis, as well as other approaches in social sciences and humanities, cannot ultimately avoid the truth and ideology distinction. The first part of the article provides several glimpses at the Western philosophical tradition that preserves the value of truth. In the second part, an idea for political science, grounded in such a history of ideas, is sketched. After a brief discussion of what is ideology as opposed to truth, the author proposes a thesis about ideology, identity and power, and several heuristic ideas how to develop it. In the third part, he briefly provides examples from political and policy analysis that correspond to such a project. In the final part, he explains the importance of preserving the distinction between ideology and truth in the discursively postulated “post-truth” era. This combination of epistemology, science, analysis and teleology is reflected together in one political area of utmost importance for political science operating in the public sphere: the politics of naming.

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