What is cross-cultural heritage?

2018 ◽  
pp. 147-164
Author(s):  
Laia Colomer ◽  
Cornelius Holtorf
Keyword(s):  
Cultural Heritage ◽  
Cross Cultural

The Heritage of Polish Emigration after November Uprising in Cape Verde

2021 ◽  
Vol XVII ◽  
pp. 191-199
Author(s):  
Włodzimierz Szymaniak
Keyword(s):  
Cultural Heritage ◽  
Cape Verde ◽  
Cross Cultural ◽  
Guinea Bissau ◽  
Xix Century

The article comments the cultural heritage of Polish officers, emi-grants after the November Uprising in Cape Verde and in Guinea-Bissau. The author characterizes the image of islands in books written by Polish emigrants in XIX century, including cross-cultural and axiological problems. He also mentions mazurka as a style of music and dance in his African avatar.

Attribution Processes in Cross-Cultural Heritage Tourism

2015 ◽  
Vol 27 (2) ◽  
pp. 123-136 ◽  
Author(s):  
Jeffrey S. Podoshen ◽  
James M. Hunt ◽  
Susan A. Andrzejewski
Keyword(s):  
Cultural Heritage ◽  
Heritage Tourism ◽  
Cross Cultural ◽  
Cultural Heritage Tourism

scholarly journals What the World Needs Now is Love, Sweet Love (Punks)

2015 ◽  
Vol 21 (1) ◽  
Author(s):  
Debra Myers ◽  
Dave Palmer
Keyword(s):  
Cultural Heritage ◽  
Cross Cultural ◽  
Aboriginal Community ◽  
New Methods ◽  
The World ◽  
Multi Media ◽  
Media Performance ◽  
Regional Languages ◽  
Music Recordings

This article explores the development and creative outcomes of the Yijala Yala Project. This project was created in the Pilbara region as a long-term, inter-generational, multi-platform arts project that set out to highlight cultural heritage as living, continually evolving and in the ‘here and now’ rather than something static. The project name Yijala Yala means ‘now’ in the two main regional languages of Yindjibarndi and Ngarluma. Yijala Yala works with members of the local Aboriginal community to create content that reflects cultural heritage in new ways, and is also created using new methods of teaching and skill-building.Yijala Yala has created content in the following media: films, music, recordings, photographs, books, animation and apps. A major artistic outcome of the project is the beautiful operatic, cross-cultural, multi-media performance work Hipbone Sticking Out, which has played in the Centenary of Canberra Festival and the Melbourne Festival, as well as in Roebourne and Perth.

Cross-Cultural Counselling in Perspective with Recommended Areas for Training

1983 ◽  
Vol 2 (1) ◽  
pp. 49-58 ◽  
Author(s):  
Maryse Rinfret-Raynor ◽  
Thomas E. Raynor
Keyword(s):  
Cultural Heritage ◽  
North American ◽  
Minority Groups ◽  
Cross Cultural ◽  
Review Of The Literature ◽  
Counselling Services ◽  
Process And Outcome ◽  
Counselling Process ◽  
And Behavior ◽  
Attitudes And Behavior

Based on a review of the literature, this article presents different elements one must be sensitive to when entering into a counselling relationship with individuals who do not share North American cultural heritage and values. More specifically, the authors review ten factors and attitudes which they believe have a significant impact on the counselling process and outcome. In addition, the article recommends training areas for professional counsellors planning to provide counselling services to ethnics and minorities. Finally, the article stresses that providing services to cultural and minority groups is a complicated and involved process. Not only is it necessary to provide services in the language of the clients but it is also essential to examine and possibly change counsellor attitudes and behavior in order to provide efficient counselling services.

Cultural heritage protection: legitimacy, property, and functionalism

1998 ◽  
Vol 7 (2) ◽  
pp. 395-409 ◽  
Author(s):  
MM Müller
Keyword(s):  
Cultural Heritage ◽  
International Community ◽  
Cross Cultural ◽  
Cultural Property ◽  
Nation State ◽  
Cultural Object ◽  
A Value ◽  
Heritage Protection

This article argues that the question of whether the nation-state or the international community is the legitimate guardian of cultural property can only be answered with reference to what we expect measures of protection of our cultural heritage to accomplish. The very concept of 'protection' is at stake, and two different schools (object-centrism versus functionalism) are to be distinguished. Whereas object centrism focuses on the cultural object and its protection as a value in its own right, functionalism argues that the cultural heritage cannot even be identified as such without reference to society and its meaning for societal processes of acculturation and socialization. This article endorses functionalism and develops a perspective that includes identity and cross-cultural communication as the most important functions of all cultural heritage. These two criteria should guide our thinking about the legitimate guardian of cultural heritage in general.

Towards a Creative Hermeneutic of Suspicion

1998 ◽  
pp. 35-49 ◽  
Author(s):  
Purushottama Bilimoria
Keyword(s):  
Cultural Heritage ◽  
20Th Century ◽  
Communicative Action ◽  
Cross Cultural ◽  
Political Responsibility ◽  
Rescue Operation ◽  
Late 20Th Century ◽  
Cultural Implications

In this paper I will examine a contemporary response to an important debate in the "science" of hermeneutics, along with some cross-cultural implications. I discuss Paul Ricoeur's intervention in the debate between Gadamer and Habermas concerning the proper task of hermeneutics as a mode of philosophical interrogation in the late 20th century. The confrontation between Gadamer and Habermas turns on the assessment of tradition and the place of language within it; the hermeneutical stance takes a positive stance, while ideologiekritik views tradition with a hooded-brow of suspicion, tantamount to "seeing tradition as merely the systematically distorted expression of communication under unacknowledged conditions of violence." In his own rescue operation, Ricoeur combines the reanimation of traditional sources of communicative action with the re-awakening of political responsibility towards a creative renewal of cultural heritage. His fusion or consensus adverts to specific symbols of Western eschatology, viz., liberation, salvation, and hope. What will result if we juxtaposed Buddhist, Daoist and Hindu symbols of Non-being, Nature as transcendence and Intelligence, respectively?

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