UX Research Methods for Media and Communication Studies

2021 ◽  
Author(s):  
Angela M. Cirucci ◽  
Urszula M. Pruchniewska
2021 ◽  
pp. 205015792098482
Author(s):  
Linus Andersson ◽  
Ebba Sundin

This article addresses the phenomenon of mobile bystanders who use their smartphones to film or take photographs at accident scenes, instead of offering their help to people in need or to assist medical units. This phenomenon has been extensively discussed in Swedish news media in recent years since it has been described as a growing problem for first responders, such as paramedics, police, and firefighters. This article aims to identify theoretical perspectives that are relevant for analyzing mobile media practices and discuss the ethical implications of these perspectives. Our purpose is twofold: we want to develop a theoretical framework for critically approaching mobile media practices, and we want to contribute to discussions concerning well-being in a time marked by mediatization and digitalization. In this pursuit, we combine theory from social psychology about how people behave at traumatic scenes with discussions about witnessing in and through media, as developed in media and communication studies. Both perspectives offer various implications for normative inquiry, and in our discussion, we argue that mobile bystanders must be considered simultaneously as transgressors of social norms and as emphatic witnesses behaving in accordance with the digital media age. The article ends with a discussion regarding the implications for further research.


Author(s):  
Sašo Slaček Brlek ◽  
Jernej Amon Prodnik

The intention of this paper is to provide a historical overview and an introduction to the interviews with Bodgan Osolnik, Breda Pavlič, Cees Hamelink, Daya K. Thussu, Peter Golding and Dan Hind presented in this special section. Following Marx, we entitled the section The Point Is to Change It! Critical Political Interventions in Media and Communication Studies. We discuss the need for critical theory to bridge the divide between theory and practice because this notion is central to all of the interviews in one way or another. We also provide a historical contextualization of important theoretical as well as political developments in the 1970s and 1980s. This period may be seen as a watershed era for the critical political economy of communication and for the political articulation of demands for a widespread transformation and democratization in the form of the New World Information and Communication Order initiative. We believe that many contemporary issues have a long history, with their roots firmly based in this era. The historical perspective therefore cannot be seen as nostalgia, but as an attempt to understand the historical relations of power and how they have changed and shifted. In our view, the historical perspective is crucial not only for understanding long-lasting historical trends, but also to remind ourselves that the world is malleable, and to keep alive the promises of the progressive struggles of the past.


2016 ◽  
Vol 7 (1) ◽  
pp. 27
Author(s):  
Muhammad Abdurrohman

<p><em>This study aims to determine the meanings contained in the sequence of the ceremonial procession in the village of Sea Alms Tanjungan as an annual tradition organized by the local community. Theory basis used is the symbol by Susanne Langer's theory which states that a symbol or set of symbols works by connecting a concept, the general idea, pattern, or shape. Symbols are human conceptualization of a thing, there is a symbol for something. Research methods in use is descriptive qualitative, by describing the results that have been obtained from observation and depth interviews with informants. Results in the can that is symbolic ceremonies Sea Alms is a form of implementation of gratitude local community to God Almighty for the gift that has been given, as well as their respect to guard the sea are believed during this important role for the safety of the villagers Tanjungan. This research linkages with communication studies is that people can establish a value of life by applying them in the form of symbols that can be agreed upon by the perpetrators so as to form a culture.</em></p>


Author(s):  
Manuel Menke ◽  
Christian Schwarzenegger

It is an old, yet, accurate observation that the ‘newness’ of media is and most probably will continue to be a catalyst for research in media and communication studies. At the same time, there are numerous academic voices who stress that studying media change demands an awareness of the complexities at play interweaving the new with the old and the changes with the continuities. Over the last decades, compelling theoretical approaches and conceptualizations were introduced that aimed at grasping what defines old and new media under the conditions of complex, disruptive media change. Drawing from this theoretical work, we propose an empirical approach that departs from the perception of media users and how they make sense of media in their everyday affairs. The article argues that an inquiry of media change has to ground the construction of media as old or new in the context of lifeworlds in which media deeply affect users on a daily basis from early on. The concept of media ideology (Gershon, 2010a, 2010b) is used to investigate notions of ‘oldness’ and ‘newness’ people develop when they renegotiate the meaning of media for themselves or collectively with others. Based on empirical data from 35 in-depth interviews, distinct ways how the relativity but also relationality of old and new media are shaped against each other are identified. In the analysis, the article focuses on the aspects of rhetoric, everyday experiences, and emotions as well as on media generations, all of which inform media ideologies and thereby influence how media users define old and new media.


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