Types of organizational stories

2021 ◽  
pp. 138-161
Author(s):  
David Collins
2001 ◽  
Vol 26 (4) ◽  
pp. 3-20 ◽  
Author(s):  
Abinash Panda ◽  
R K Gupta

The influence of organizational leaders on the evolution and maintenance of organizational culture has been accepted as a fact in organizational life. The roles and challenges of organizational leaders are contingent upon the way organizational culture is conceived. In the traditional rational perspective, organizational culture is treated as an “instrument” or “function” that can and should be manipulated by leaders to help organizations adapt to the external environmental realities. In the symbolic-interpretive perspective, organizational culture is viewed as a “social phenomenon.” Consequently, the roles and challenges of leaders become significantly different from the traditionalrational perspective. In this paper, the authors have discussed the symbolic-interpretive perspective, with a focus OB semiotic analysis, to understand organization and organizational culture. The authors have argued that organizational symbols, rituals, and stories are too critical to be marginalized or ignored. The authors have proposed three roles of organizational leaders from the symbolic-interpretive perspective: as symbols, as the central characters in organizational stories, and as managers of symbols and rituals.


2015 ◽  
Vol 36 (6/7) ◽  
pp. 421-433 ◽  
Author(s):  
Monica Colon-Aguirre

Purpose – The purpose of this study is to look at organizational stories shared among academic librarians who work at the reference desk, and create a typology of the stories based on the knowledge transferred in these. Previous research suggests that stories are the main way in which organizations communicate common values, organizational rules and promote organizational learning. The main question researched here will be: what kind of knowledge is transferred through the stories shared among librarians? This is an important consideration since the meaning carried through the story can shape the employee’s perception of the organization. Design/methodology/approach – This research employed long interviews using a semi-structured questionnaire based on the works of Yiannis Gabriel (2000) as a guide. A total of 20 reference librarians working at four different academic institutions in the southern USA participated in this study. Findings – The analysis of the data reveals a typology of organizational stories shared. The main topics covered by the stories all deal with cultural knowledge exchanges, while also serve as coping mechanisms and present important organizational culture aspects. The stories shared also reflect negative aspects related to the lack of proper communication within the organizations, with the presence of rumors among the narratives shared. Originality/value – These findings can serve as a first step for the development of healthier organizational cultures in libraries and may have implications for training and development, change management, motivation and collective memory.


2011 ◽  
Vol 17 (6) ◽  
pp. 797-811
Author(s):  
Melanie Bryant ◽  
Jennifer Frahm

AbstractThis paper argues that change practitioners could benefit from expanding change communication strategies to allow for the emergence and use of multi-genre change stories in place of minimalist storylines. We argue that minimalist storylines do not acknowledge the polyvocal view of change that has been discussed in storytelling theory or engage with multiple modes of understanding and suggest that change agents adopt a multi-genre approach to storytelling to address this gap. Drawing from Quentin Tarantino's movies Kill Bill 1 & 2 as an example of how stories can be constructed, this paper proposes that the use of multiple story genres increases the likelihood of audiences finding a genre they can relate to, thus increasing better audience reach. Findings suggest that existing change narrative types can be viewed as genres of organizational change and added to change agents' repertoires to make change communication interventions more appropriate and appealing to employees. While our paper aims to provide a conceptual way forward for change agents, we acknowledge that change agents need to engage with living stories in the future. Living stories recognize the multiple loose ends developed from past and present change experiences that can be used to construct new stories, which are more likely to transform organizations and acknowledge the unfolding nature of change.


1983 ◽  
Vol 28 (3) ◽  
pp. 438 ◽  
Author(s):  
Joanne Martin ◽  
Martha S. Feldman ◽  
Mary Jo Hatch ◽  
Sim B. Sitkin

2009 ◽  
Vol 23 (4) ◽  
pp. 483-510 ◽  
Author(s):  
Aaron Smith

Although it is well accepted that organizational stories communicate cultural meaning, little is known about their optimal composition for memorability and subsequent transmission. This interpretive study sought to explore the features of organizational stories which contribute to their cognitive optimality. Boyer’s (1994, 2001) cognitive optimality hypothesis was employed, which predicts the presence of minimally counter- intuitive (MCI) concepts in culturally recurrent stories. Employing a sample of nine Australian sport organizations, 27 in-depth interviews were conducted. The organizational stories collected in this research, when defined by Gabriel’s (2000) criteria, contained MCI concepts. The data analysis revealed three emergent codes that reflect the cognitive structure of MCI concept organizational stories: Agency, Membership Markers, and Ritual. This article extends cognitive optimality theory by demonstrating how it can be employed to understand the mechanisms underpinning the cultural transmission of concepts. It adds to theoretical explanations seeking to explain the construction and composition of sport organizational culture by predicting a heavier density of counterintuitive content in stories and other cultural content.


2016 ◽  
Vol 4 (2) ◽  
pp. 90-101 ◽  
Author(s):  
Mina Edmondson ◽  
Deborah Eicher-Catt

These narratives chronicle the authors’ journeys to collaborate and discover the transformative impact that stories have on library culture and library staff. This study describes a research collaboration between York County Libraries and Penn State York. In Phase I, we collected stories from library staff as the library system was being challenged to reimage public libraries for the future. The major themes and types of organizational stories identified in the initial narrative project were presented during a county-wide all-staff in-service training. The library District Consultant (first author) and the Penn State professor (second author) then facilitated a workshop designed to lead staff in their exploration of these topics and generate a written record of their storytelling/discussions. This data became the basis for Phase II of the project and allowed the system to strategically assess its evolving culture and identity.


2020 ◽  
Vol 110 ◽  
pp. 199-204
Author(s):  
Robert Akerlof ◽  
Niko Matouschek ◽  
Luis Rayo

Organizational stories are commonplace and a crucial force shaping employee behavior. We show how an organization's choice of story can be formally incorporated into its design problem. In our simple model, the organization optimally becomes either “purpose driven,” which involves pairing flat money incentives with a story that emphasizes the importance of generating output (e.g., saving lives, putting a person on the moon), or “incentive driven,” which involves pairing steep money incentives with a narrower story that emphasizes the importance of maintaining ethical standards (e.g., maintaining quality, helping peers). We illustrate the applicability of these results using a variety of examples.


Author(s):  
Lin-Ping Lee ◽  
Hong-Wang Liu ◽  
Dong-Min Shi ◽  
Christopher S.G. Khoo ◽  
Natalie Pang

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