This chapter investigates the relationship between materiality and textuality in the Hellenistic period, by focusing on real and imagined tombs of poets. At a time not only of feverish activity when literary texts were being collected, copied, catalogued, canonized, and archived, but also when contemporary poetry was carefully situating itself in relation to an emerging library culture, and, what is more, when texts were being reframed and circulated in the context of anthologies, the tomb as inscribed marker of the poet’s literal corpus offered a rich analogy to the physical objects that sustained his or her surviving corpus of work.