Yvor Winters (1900–1968)

Author(s):  
Rick Joines

Arthur Yvor Winters was an iconoclast who valued tradition; a poetic experimentalist who became increasingly committed to inherited poetic forms; a critic committed to rationality whose judgments struck many as wildly eccentric; and a cultivator of faithful but sometimes rebellious disciples. His early poetry is significant for incorporating elements of Native American poetics; his later poetry for its formalist restraint and neo-classical refinement. In 1960, his Collected Poems won the prestigious Bollingen Prize. Born in Chicago, Winters grew up in Eagle Rock, near Los Angeles, California. He attended the University of Chicago where he met his future wife, poet and novelist Janet Lewis. Tuberculosis cut short his studies, and he was sent to a sanatorium in Santa Fe, New Mexico.

Author(s):  
Frank Graziano

This chapter opens with detailed analysis of deculturation policy during the Spanish, Mexican, and American governance of New Mexico and the Pueblos. In the more recent history it includes discussion of the Code of Indian Offenses, the General Allotment Act (Dawes Act), the Carlisle Indian School, the Canton Asylum for Insane Indians (Hiawatha Asylum), and the evolving policies of the Archdiocese of Santa Fe. These introductory remarks are followed by analyses of a 1935–1940 conflict at Santo Domingo (Kewa) Pueblo, when Archbishop Rudolph Gerken attempted to change traditional practice of Catholicism and to house a resident priest and sisters at Santo Domingo; and of a conflict at Isleta Pueblo that culminated when Monsignor Frederick Stadtmueller was removed in handcuffs by the pueblo governor in 1965. The Native American ministry of the archdiocese and native resistance to dogma are also considered more generally. Visiting information for Kewa and Isleta is included.


2008 ◽  
Vol 33 (2) ◽  
pp. 34-38
Author(s):  
Marilyn Russell ◽  
Thomas E. Young

This review of selected paper and electronic resources on Native American art describes what is available at the Haskell Indian Nations University Library and Archives in Lawrence, Kansas; the Institute of American Indian Arts Library and Archives in Santa Fe, New Mexico; the H.A. & Mary K. Chapman Library and Archives at the Philbrook Museum of Art in Tulsa, Oklahoma; and the Billie Jane Baguley Library and Archives at the Heard Museum Library in Phoenix, Arizona. These four institutions develop and maintain resources and collections on Native American art and make the information they contain about indigenous groups available not only to their users and other scholars but also to the wider world.


Author(s):  
Mary Jiron Belgarde ◽  
Richard K. Loré

Student service programs act as key resources to help students persist in school until graduation. However, some critics question whether service programs aimed at specific ethnic populations contribute sufficiently toward their persistence. Tinto (1975) argues that the stronger one is integrated into the institution, the more likely he/she will graduate from college. Thus, Native students' use of Native and non-Native student service programs is likely to effect the strength of their integration. The article presents study findings to explain how Native undergraduates used mainstream and Native programs to support their persistence to graduation at the University of New Mexico. It reports the students' levels of involvement, satisfaction of the services received, and why some students didn't use them. It also includes stop-out information and reasons for stopping out. Finally, the authors discuss how the findings and conclusions may be viewed in light of Native philosophy and views on education.


Bumpy Road ◽  
2019 ◽  
pp. 62-83
Author(s):  
Sylvia Townsend

In this chapter, the filmmakers start shooting in Los Angeles, then take to the road, stopping in Needles, California; Flagstaff, Arizona; and Santa Fe, New Mexico, often travelling on smaller highways because street racers tend to avoid freeways populated by cops. A divide separates the hip actors and filmmakers from the more traditional, highly trained crew. The “above the line” filmmakers think the crew are right-wing yahoos, the crew thinks the filmmakers are inexperienced, pothead hippies. Indeed the untrained actors – Dennis Wilson, Laurie Bird and James Taylor -- flub lines, whistle and otherwise ruin scenes, necessitating repeated takes. Hellman withholds the script from his untrained actors, giving them only their lines for the day, generating their resentment. Hellman’s wife, Jaclyn, takes the amateur actors through sense memory exercises, dragging up painful recollections from their past and further irking them. Warren Oates joins the cast.


2019 ◽  
Vol 8 (2) ◽  
pp. 189-205
Author(s):  
Hilary Radner ◽  
Graham H. Roberts ◽  
Vanessa Jones ◽  
Graham H. Roberts

Fashion Film: Art and Advertising in the Digital A ge, Nicholas Rees-Roberts (2018) London: Bloomsbury, xv+220 pp., ISBN 978-0-85785-666-1, hb/k, £63.00; pb/k, £20.69Street Fashion Moscow, Elena Siemens (2017) Bristol and Chicago: Intellect and The University of Chicago Press, 160 pp., 192, colour illustrations, ISBN 978-1-41578-320-1, h/bk, £64.50L.A. Chic: A Locational History of Los Angeles Fashion, Susan Ingram and Markus Reisenleitner (2018) Bristol and Intellect and Chicago: The University of Chicago Press, 234 pp., 81 black and white illustrations, ISBN 978-1-78320-934-7, pb/k, £34Transglobal Fashion Narratives: Clothing Communication, Style Statements and Brand Storytelling, Anne Peirson-Smith and Joseph H. Hancock II (eds) (2018) Bristol and Chicago: Intellect, vi + 363 pp., 50 b&w illustrations, 3 tables, ISBN 978-1-78320-844-9, h/bk, £83.00


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