Villanueva, María Cecilia (1964--)

2018 ◽  
Author(s):  
Mariano Etkin
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Latin America ◽  
Buenos Aires ◽  
The United States ◽  
New Music ◽  
Musical Analysis ◽  
La Plata ◽  
Twentieth Century Music ◽  
German Composer

María Cecilia Villanueva was born in 1964 in La Plata, Argentina. She studied composition with Mariano Etkin at the Universidad Nacional de La Plata, where she currently works as teacher in composition and researcher in musical analysis focused on twentieth-century music. She is considered one of the most notable figures of her generation, successfully mixing research and composition. Villanueva’s music is a testimony to her esthetic independence. She distinguishes herself from her colleagues by the originality of her technical approaches and her rendering of very personal ideas. The expressive density of Villanueva’s music develops around a complex elaboration of materials, which, in some cases, coexist with elements of extreme simplicity. Her music has been performed in many of the main festivals and new music cycles of Europe, the United States, and Latin America. She has also received recognition for her work on numerous occasions. She was awarded the German Forum JungerKomponisten 1989 (WDR) prize in Köln, and won the Elizabeth Schneider prize in 2001 in Freiburg, as well as the Premio de la Ciudad de Buenos Aires, Argentina, 2003. She has been the recipient of several prestigious German composer residences at the AkademieSchloss Solitude, Stuttgart (1994–95), the KünstlerhofSchreyahn (1996) and the KünstlerdorfSchöppingen (2003).

scholarly journals The Modern Way to Menstruate in Latin America: Consolidation and Fractures in the Twenty-First Century

2020 ◽  
pp. 813-831
Author(s):  
Eugenia Tarzibachi
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Latin America ◽  
Latin American ◽  
The United States ◽  
First Century ◽  
Educational Materials ◽  
American Perspective ◽  
The World ◽  
Mainstream Culture

Abstract The introduction of commercialized disposable pads and tampons during the twentieth century changed the experience of the menstrual body in many (but not all) countries of the world. From a Latin-American perspective, this new way to menstruate was also understood to be a sign of modernization. In this chapter, Tarzibachi describes and analyzes how the dissemination and proliferation of disposable pads and tampons have unfolded first in the United States and later in Latin America, with a particular focus on Argentina. She pays particular attention to how the Femcare industry shaped the meanings of the menstrual body through discourses circulated in advertisements and educational materials. Tarzibachi explores how the contemporary meanings of menstruation are contested globally, as the traditional Femcare industry shifts its rhetoric in response to challenges from new menstrual management technologies, new forms of menstrual activism, and the increasing visibility of menstruation in mainstream culture.

Presbyterians in Latin America

2019 ◽  
pp. 176-194
Author(s):  
Alderí Souza De Matos
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Latin America ◽  
Latin American ◽  
The United States ◽  
Significant Part ◽  
Protestant Churches ◽  
The World ◽  
Vigorous Growth ◽  
Presbyterian Churches

Latin America is a significant part of the so-called two-thirds world. During the twentieth century, the region witnessed the vigorous growth of the Protestant churches. One of them is the Presbyterian communion, whose first congregations were established in the 1850s. For more than a century, Presbyterian denominations in the United States and Scotland made an enormous investment in the evangelization of Latin America. Nevertheless, despite their significant presence in Mexico and Brazil, Presbyterian churches represent a small percentage of the region’s total Protestant constituency. They have, however, made contributions to society that are out of proportion to their numbers. Besides their important spiritual and ethical emphases, they have impacted countless individuals, families, and communities through their educational and medical efforts. Their greatest challenge today is to establish clear priorities and devote their energies to strengthening Presbyterian work in the countries they have already reached and implanting their faith in the areas where it is absent. Latin American Presbyterians are convinced that the Reformed faith can greatly benefit their part of the world.

Ghosts in the Machine and Other Tales around a “Marvelous Invention”: Player Pianos in Latin America in the Early Twentieth Century

2019 ◽  
Vol 72 (1) ◽  
pp. 1-42 ◽  
Author(s):  
Sergio Ospina Romero
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Latin America ◽  
Latin American ◽  
Cultural Practices ◽  
The United States ◽  
Player Piano ◽  
Gender Constructions ◽  
Literary Portrait ◽  
Local Discourses

Gabriel García Márquez's literary portrait of the arrival of the pianola in Macondo in One Hundred Years of Solitude functions as a metaphor for the reception and cultural legitimization of player pianos in Latin America during their heyday in the 1910s and 1920s. As a technological intruder, the player piano inhabited a liminal space between the manual and the mechanical as well as between unmediated musical experiences and the mechanically mediated consumption of sounds. It thus constitutes a paradigmatic case by which to examine the contingent construction of ideas about tradition and modernity. The international trade in player pianos between the United States and Latin America during the first decades of the twentieth century was developed in tandem with the commercial expansion and political interventionism of the United States throughout the Americas during the same period. The efforts of North American businessmen to capture the Latin American market and the establishment of marketing networks between US companies and Latin American dealers reveal a complex interplay of mutual stereotyping, First World War commercial geopolitics, capitalization on European cultural/musical referents, and multiple strategies of appropriation and reconfiguration in relation to the player piano's technological and aesthetic potential. The reception of player pianos in Latin America was characterized by anxieties very similar to those of US consumers, particularly with regard to the acousmatic nature of their sounds and their perceived uncanniness. The cultural legitimization of the instrument in the region depended, however, on its adaptation to local discourses, cultural practices, soundscapes, expectations, language, gender constructions, and especially repertoires.

Hispanic Philology in Latin America

1947 ◽  
Vol 3 (03) ◽  
pp. 347-362
Author(s):  
Helmut A. Hatzfeld
Keyword(s):  
United States ◽  
Latin America ◽  
New World ◽  
Buenos Aires ◽  
The United States ◽  
Early Nineteenth Century ◽  
Hispanic Studies ◽  
Ramon Menendez Pidal ◽  
Entire World ◽  
Romance Philology

Among the branches of Romance philology Hispanic philology is at the present time the most flourishing one. This is due in great measure to the fact that the seeds sown by the great master Ramón Menéndez Pidal are bringing forth remarkable fruit in Spain, Portugal and the United States. The newest feature in the picture is that Argentina, with the Instituto de Filología de Buenos Aires under the leadership of Amado Alonso, has become a center of Hispanic studies for the entire world. This seems to be one of the changes in scholarship which hint that in the future, the New World will take over, whereas Europe has to struggle desperately to hold her own. The change will appear the more considerable in the light of the endeavor since the early nineteenth century on the part of Latin America to do something in this field, although for the most part amateurish.

The roles of revolutionary song – a Nicaraguan assessment

Popular Music ◽  
1987 ◽  
Vol 6 (2) ◽  
pp. 179-189 ◽  
Author(s):  
Robert Pring-Mill
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Latin America ◽  
The United States ◽  
Spanish American ◽  
Political Commitment ◽  
The Past ◽  
Oral Cultures ◽  
The 1960S ◽  
Protest Song

The term ‘protest song’, which became so familiar in the context of the anti-war movement in the United States during the 1960s, has been widely applied to the songs of socio-political commitment which have developed out of traditional folksong in most of the countries of Latin America over the past twenty years (see Pring-Mill 1983 and forthcoming). Yet it is misleading insofar as it might seem to imply that all such songs are ‘anti’ something: denouncing some negative abuse rather than promoting something positive to put in its place. A more helpful designation is that of ‘songs of hope and struggle’, enshrined in the titles of two Spanish American anthologies (C. W. 1967 and Gac Artigas 1973), which nicely stresses both their ‘combative’ and their ‘constructive’ aspects, while one of the best of their singers – the Uruguayan Daniel Viglietti – describes his own songs as being ‘in some measure both de protesta and de propuesta’ (i.e. as much ‘proposing’ as they are ‘protesting’). The document with which this article is chiefly concerned uses the term ‘revolutionary song’, which clearly covers both those aspects, but such songs may be seen to perform a far more complex range of tasks than any of those labels might suggest, as soon as their functions are examined ‘on the ground’ within the immediate context of the predominantly oral cultures of Latin America to which they are addressed: cultures in which traditional folksong has retained its power and currency largely undiminished by the changes of the twentieth century, and in which the oral nature of song (with the message of its lyrics reinforced by music) helps it to gain a wider popular diffusion than the more ‘literary’ but unsung texts which make up the greater part of the genre of so-called ‘committed poetry’ (‘poesía de compromiso’) to which the lyrics of such songs clearly belong (see Pring-Mill 1978, 1979).

Gender and Sexuality: A Global Tour and Compass

2012 ◽  
Author(s):  
Alexandra Minna Stern
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Latin America ◽  
The United States ◽  
Gender And Sexuality ◽  
First Century ◽  
Same Sex ◽  
The Family ◽  
Growing Body ◽  
Ambivalent Relationship

This article considers the adjacent analytics of gender and sexuality and explores the emergence, consolidation, and persistence of eugenics over the twentieth century with keen attention to transnational variations and networks. It seeks to synthesize the growing body of literature on gender, sexuality, and eugenics and discusses various examples for hereditarian ideas and practices in the United States and Latin America. Furthermore, it turns to three substantive areas and discusses women's ambivalent relationship to eugenics, with emphasis on how female reformers navigated the tensions between breeding as an act of empowerment versus a biological burden. It examines the complicated relationship between sexology and eugenic thought, which ultimately supports an overwhelmingly hetero-normative interpretation of the family, despite scattered subversive possibilities. Finally, it concludes with a brief discussion about eugenic continuities into the twenty-first century, especially in regard to debates over the gay gene and the demonization of same-sex relationships and families.

Hispanic Philology in Latin America

1947 ◽  
Vol 3 (3) ◽  
pp. 347-362 ◽  
Author(s):  
Helmut A. Hatzfeld
Keyword(s):  
United States ◽  
Latin America ◽  
New World ◽  
Buenos Aires ◽  
The United States ◽  
Early Nineteenth Century ◽  
Hispanic Studies ◽  
Ramon Menendez Pidal ◽  
Entire World ◽  
Romance Philology

Among the branches of Romance philology Hispanic philology is at the present time the most flourishing one. This is due in great measure to the fact that the seeds sown by the great master Ramón Menéndez Pidal are bringing forth remarkable fruit in Spain, Portugal and the United States. The newest feature in the picture is that Argentina, with the Instituto de Filología de Buenos Aires under the leadership of Amado Alonso, has become a center of Hispanic studies for the entire world. This seems to be one of the changes in scholarship which hint that in the future, the New World will take over, whereas Europe has to struggle desperately to hold her own. The change will appear the more considerable in the light of the endeavor since the early nineteenth century on the part of Latin America to do something in this field, although for the most part amateurish.

Mediators in the International Marketplace: U.S. Advertising in Latin America in the Early Twentieth Century

2003 ◽  
Vol 77 (3) ◽  
pp. 387-415 ◽  
Author(s):  
Jennifer Scanlon
Keyword(s):  
United States ◽  
New York ◽  
Twentieth Century ◽  
Latin America ◽  
The United States ◽  
Advertising Agency ◽  
Early Twentieth Century ◽  
Local Cultures

In the early twentieth century, companies relied on advertising to inform international audiences about their products and services, just as they do today. The J. Walter Thompson Company, a New York–based advertising agency, entered the global stage early, and by 1928 Thompson advertisements had appeared in twenty-six languages in over forty countries. Reaching international audiences and expanding their tastes required an understanding of local cultures and the ways in which they conducted their businesses, and advertisers often had to act as mediators for their clients. The J. Walter Thompson Company's efforts in Argentina provide an excellent case study of how both “local” and “global” messages of consumption were understood–and often misinterpreted–when they were transmitted to other countries from the United States.

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