Experimental Demonstrations of the "Not-So-Minimal" Consequences of Television News Programs

2016 ◽  
pp. 99-106
Author(s):  
Polina Makarova

In the last decades, sports journalism has become one of the most rapidly growing parts of the media world. The reason is simple — right now sport holds the unique position in contemporary society. Governments, transnational companies, businesses — all are interested in promoting sports events. With this, coverage of tournaments and games has reached the global level. One of the main drivers of this hype is the mutual interest in hundreds of dozens of sports events that is shared all over the world. And the second driver is vast technical possibilities for transmitting information in all forms. Nowadays, new channels of mass communication are taking away significant part of the audience from the traditional sports broadcasting leader — television. News programs that once were a main source of the relevant sports information now are giving way to internet portals and digital media feeds. In this paper we thoroughly explore factors that have led to such drastic changes. Firstly, compared with the new media sources of information (e.g. Internet media) the core flaws of the television news are the following: loss of efficiency, delayed timing, an abundance of themes, format limits, expensive newsroom, high competition, almost zero feedback. Yet, experts in the sports news departments are relentlessly seeking for a new way to represent information. What sports news can give to the audience? It may be some unique content, original insights, “story behind story”, deep analysis, and, of course, high professional qualities of the sports news team.


1992 ◽  
Vol 69 (2) ◽  
pp. 406-412 ◽  
Author(s):  
David K. Scott ◽  
Robert H. Gobetz

In recent years there has been a slight tendency for television network news programs to increase the amount of soft news presented mostly during the last one-third of the newscast. Content analysis of the Vanderbilt Television News Abstracts from 1972 through 1987 shows that, although all networks did increase the amount of soft news, this type news remained a small part of the newscast. Soft news is defined as stories that focus on a human interest topic, feature or nonpolicy issue.


Journalism ◽  
2016 ◽  
Vol 19 (11) ◽  
pp. 1534-1551
Author(s):  
Amanda Alencar ◽  
Sanne Kruikemeier

This study investigates to what extent audiovisual infotainment features can be found in the narrative structure of television news in three European countries. Content analysis included a sample of 639 news reports aired in the first 3 weeks of September 2013, in six prime-time TV news broadcasts of Ireland, Spain, and the Netherlands. It was found that Spain and Ireland included more technical features of infotainment in television news compared to the Netherlands. Also, the use of infotainment techniques is more often present in commercial, than in public broadcasting. Finally, the findings indicate no clear pattern of the use of infotainment techniques across news topics as coded in this study.


1992 ◽  
Vol 69 (2) ◽  
pp. 373-382 ◽  
Author(s):  
Carolyn A. Lin

Audiences make television news choices based on several factors, such as liking the newscaster, the content and scope of news programs, or from the carry-over effect of the preceding or following programs. Here, evaluation of the anchor person appeared to be most important in picking a weather program, less important for selected news and sports programs. Viewers reported that quality and scope of local news also drew them to particular programs. Findings are based on a telephone survey.


2001 ◽  
Vol 27 (2) ◽  
pp. 213-222 ◽  
Author(s):  
Mark D. Harmon ◽  
Candace White

2020 ◽  
Vol 2 (2) ◽  
pp. 46
Author(s):  
Erwin Kartinawati ◽  
Erna Indriastiningsih ◽  
Dahlan Susilo

The Training for the Production of News Programs and Talk Show on Television for Students at Madrasah Aliyah Negeri 1 Karanganyar The digital era makes it easier for humans to get information. Information provision is now no longer dominated by the mainstream media. Ordinary people can now provide information to the public by utilizing social media and other internet-based channels, such as YouTubers, citizen journalists, and other content creators. Unfortunately, they have not fully mastered the ability to produce standard information to fulfill the public's right to obtain accurate, responsible information, referring to existing ethics of information. This training was expected to provide solutions to the above problems. The determination of students as training participants was due to their much more significant curiosity and energy to do creative things to provide more incredible benefits. The benefits are not only for the students but can also be picked by society. The training was conducted at Madrasah Aliyah Negeri 1 Karanganyar, Central Java. As a result, the students at Madrasah Aliyah Negeri 1 Karanganyar were able to produce audio-visual based works, especially in the form of television news programs and talk shows according to broadcasting standards.


2020 ◽  
Vol 102 (2) ◽  
pp. 35-45
Author(s):  
Anna Kapuścińska

The article focusses the written components of the screen surface in television news programs. The semiotic perspective represented in this article legitimises the viewpoint that they are not (ordinary) language signs. The main concern of this article is the status of the written text (as a semiotic medium) in the construction patterns of the news programs. It is argued that the written texts appear in the news programs increasingly as graphical elements, so that their visual presence becomes primary to their language meaning. This tendency is discussed in the article on the example of three news programs in the German television between 1996 and 2016.


2020 ◽  
Vol 8 (4) ◽  
pp. 371-390
Author(s):  
Małgorzata Adamik-Szysiak

European election of 2019 on the Polish media agenda. Editorial communication strategies of selected TV news programs on Twitter The article presents the results of empirical research regarding the use of the main nationwide television news programs by the potential of the Twitter micro-blog in terms of publicizing the election campaign to the European Parliament in 2019. The main research questions concerned the degree of interest of the editors of public television programs (“Wiadomości” TVP1) and commercial television (“Fakty” TVN) in European elections and the manner in which the campaigns of individual political entities were publicized. The results of the research allowed not only to identify and analyze the communication strategies used by the both editorial boards, but also to deduce about their degree of political bias during the campaign.


2017 ◽  
Vol 13 (2) ◽  
pp. 141
Author(s):  
Fabiana Cardoso de Siqueira

Transformations to the production routines in telejournalism caused by how news is now being produced was the motivation for our doctoral research. This article is a part of this study analyzes the emergence of a new news-value behind the process of selecting what will or will not be broadcast on television news: the unique flagrant of co-production. This new news-value is connected to co-producers and their more active role in news programs. Co-producers are not cameramen at television stations, news agencies, or press services. They are citizens who capture images which are then used in television news broadcasts. The study was based on participant observation (WOLF, 1997), semi-structured interviews and a content analysis (HERSCOVITZ, 2007) of Rede Globo National News in Brazil. In our understanding, journalists select these images in order to create effects of participation of the represented real.As transformações nas rotinas produtivas do telejornalismo provocadas pela maneira como as notícias estão sendo produzidas motivaram nossa pesquisa de doutorado. Este artigo é parte desse estudo e tem como objetivo analisar o surgimento de um novo valor-notícia no processo de seleção do que será ou não veiculado nos noticiários televisivos: o flagrante único de coprodução. Esse novo valor-notícia está atrelado a atuação mais ativa por parte dos coprodutores nos telejornais. Os coprodutores não são cinegrafistas das emissoras de televisão, nem de agências de notícias, nem de assessorias de imprensa. São cidadãos que captam imagens, que acabam sendo usadas nos telejornais. O estudo foi feito a partir da observação participante (WOLF, 1997), entrevistas semiestruturadas e também da análise de conteúdo (HERSCOVITZ, 2007) do Jornal Nacional da Rede Globo. No nosso entendimento, os jornalistas selecionam essas imagens com a intenção de criar efeitos de participação do real representado.        La transformación en las rutinas productivas causada por la manera como las noticias estan siendo produccidas han motivado nuestra investigación doctoral. Este artículo es parte de este estudio y tiene como meta analizar la aparición de un nuevo valor-noticia en la selección de lo que será transmitido en el telediario: el flagrante único de coproducción. Este nuevo valor-noticia está relacionado con la atuación más activa por parte de los coprodutores en los telediarios. Los coproductores no son cámaras de estaciones de televisión, ni de agencias de noticias, ni de oficina de prensa. Son ciudadanos que capturan imágenes, utilizadas en los noticiarios televisivos. El estudio fue hecho a partir de la observación participante (WOLF, 1997), entrevistas semiestructuradas y también de la análisis de contenido (HERSCOVITZ, 2007) de lo telediario Jornal Nacional de la Rede Globo, en Brasil. En nuestro entendimiento, los periodistas eligen las imagines con la intención de crear efectos de participación en lo real representado.


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