This chapter discusses how the Black Panther Party's (BPP) anticolonial vernacular sought to elide the differences between the black condition in the United States and anticolonial struggles in Asia, Africa, and Latin America. Yet questions about how to translate these theoretical links into practical action remained unresolved. Issues of anticolonial violence and gender identity embedded within this anticolonial vernacular also produced lingering tensions within the party. Though women often appeared in Panther iconography of the period, including striking pictures of figures such as Kathleen Cleaver as well as more abstract depictions of women warriors modeled on revolutionary art of the Third World, they generally did so in the context of a heteronormative and patriarchal framework for understanding female agency.