scholarly journals IDENTITAS DAN POSISI PEREMPUAN DALAM ROMAN L’ENFANT DE SABLE KARYA TAHAR BEN JELLOUN

SUAR BETANG ◽  
2018 ◽  
Vol 12 (1) ◽  
pp. 59
Author(s):  
Nfn Sunahrowi ◽  
Gandis Prastiwi Damayanti
Keyword(s):  
Third World ◽  
World Society ◽  
The Novel ◽  
Tahar Ben Jelloun ◽  
Human Beings ◽  
The Third ◽  
Male Characters ◽  
And Gender ◽  
The Third World ◽  
Sensitive Issues

Identity and gender are sensitive issues in the third world. This issue has always clashed with the cultural nature of human beings and also become a foreign territory for them. Both men and women become opposite positions. They occupy different places in third world society. Women are culturally stereotyped less favourable for existence in the presence of men. Tahar Ben Jelloun, a French-born Moroccan author, was able to take quite a careful situation in his neighbourhood. He, in the novel L'Enfant de Sable is able to provide a clear picture of the position and identity of Algerian women and at the same time also posing with male characters. He who was born of a third world society was able to draw these themes into postcolonial issues, primarily on the themes of women and their existence in society.

Do conhecimento objetivo ao problema corpo - mente

2018 ◽  
Vol 10 (2) ◽  
pp. 85-113
Author(s):  
Nathalia Gleyce dos Santos Salazar
Keyword(s):  
Third World ◽  
Sao Paulo ◽  
Karl Popper ◽  
São Paulo ◽  
Human Beings ◽  
The Third ◽  
Belo Horizonte ◽  
The Third World ◽  
The Mind

Resumo:  Apresenta-se uma discussão sobre o conhecimento e a tese dos três mundos no qual a interação entre estes nos aproxima da verdade do problema corpo-mente, tendo em vista, uma nova proposta de solução. O terceiro mundo é uma peça importante neste trabalho; sendo assim, analisaremos o que Popper designa como Mundo 3, em que ele consiste e o papel da linguagem como diferencial do ser humano. Apresentamos as críticas popperianas às correntes monistas e dualistas, ousando fazer uma crítica a Teoria do Conhecimento tradicional. Desta forma, a proposta apresentada por este filósofo da ciência diferencia-se de tudo que estava sendo feito até então, por isso, o interesse de apresentar essa abordagem pouco trabalhada de Popper. Palavras-chave: Conhecimento. Corpo-Mente. Mundo 3.Abstract: In this work, we present a discussion about knowledge and the theory of the three worlds in which the interaction between them approaches to the truth of the mind-body problem, in view of a proposed solution. The third world is an important piece in this work. Therefore, we will analyze what Popper describes as World 3, what it is and the role of language as a differential of human beings. We present Popper’s criticisms to the monistic and dualistic currents, daring to criticize the theory of traditional knowledge. Thus, the proposal of science presented by this philosopher differs from everything that was being done until then. This explains the interest in presenting this unusual approach to Popper.Keywords: Knowledge. Body-Mind.  World 3. REFERÊNCIASLEAL-TOLEDO, Gustavo . Popper e seu Cérebro. Revista da Faculdade de Letras. Série Filosofia, v. XXIII, p. 59-68, 2007.POPPER, Karl Raimund. A Lógica da Pesquisa Científica. Tradução de Leonidas Hegenberg e Octanny Silveira de Mota.  São Paulo: editora Cultrix. 2007.POPPER, Karl Raimund. Conhecimento Objetivo: uma abordagem evolucionária. Tradução de Milton Amado.  Belo Horizonte, Ed. Itatiaia Ilimitada. São Paulo, Ed. Da Universidade São Paulo, 1975._______.  O Conhecimento e o Problema Corpo –Mente. Tradução Joaquim Alberto Ferreira Gomes. Lisboa, Ed. 70. 1996.   _______. Conjecturas e Refutações: o desenvolvimento do conhecimento científico. Trad. Benedita Bettencourt. Ed. Livraria Almedina, 2006._______.  O Eu e Seu Cérebro. Karl Popper, Jonh C. Eccles;Tradução Silvio Meneses Garcia, Helena Cristina F. Arantes e Aurélio Osmar C. de Oliveira. – Campinas, SP: Papirus; Brasília, DF: Editora Universidade de Brasília. 1991.   _______. O Racionalismo Crítico na Política. Tradução de Maria da Conceição Côrte – Real. Brasília, Editora Universidade de Brasília, 2ª edição, 1994, 74p.SEARLE, John R. La construcción de la realidad social. Trad. Antoni Domènech. Barcelona: Paidós Ibérico, 1995.  

Aliens and Citizens: The Case for Open Borders

1987 ◽  
Vol 49 (2) ◽  
pp. 251-273 ◽  
Author(s):  
Joseph H. Carens
Keyword(s):  
Political Theory ◽  
Third World ◽  
Final Part ◽  
Michael Walzer ◽  
Human Beings ◽  
The Third ◽  
Oppressed People ◽  
Open Borders ◽  
To Come ◽  
The Third World

Many poor and oppressed people wish to leave their countries of origin in the third world to come to affluent Western societies. This essay argues that there is little justification for keeping them out. The essay draws on three contemporary approaches to political theory — the Rawlsian, the Nozickean, and the utilitarian — to construct arguments for open borders. The fact that all three theories converge upon the same results on this issue, despite their significant disagreements on others, strengthens the case for open borders and reveals its roots in our deep commitment to respect all human beings as free and equal moral persons. The final part of the essay considers communitarian objections to this conclusion, especially those of Michael Walzer.

scholarly journals NEGOSIASI BUDAYA DAN DIALEKTIKA KEKUASAAN DALAM DISKURSUS (POS)KOLONIAL: DISKUSI TENTANG A BACKWARD PLACE KARYA R. P. JHABVALA (Cultural Negotiation and Power Dialectics in (Post)Colonial Discourse: A Discussion on R. P. Jhabvala’s A Backward Place)

2017 ◽  
Vol 9 (2) ◽  
pp. 201
Author(s):  
Fitria Mayasari
Keyword(s):  
Third World ◽  
Power Relation ◽  
The Novel ◽  
Colonial Discourse ◽  
Post Colonial ◽  
The Third ◽  
Cultural Negotiation ◽  
The Third World ◽  
First World ◽  
World Image

Penyajian sejumlah teks sastra poskolonial berusaha mengubah citra dunia ketiga dalam dikotomi kaku dunia pertama/dunia ketiga, namun malah menunjukkan apa yang disebut Bhabha colonial mimicry di mana permasalahan ‘nativism’ justru mengasingkan isu identitas (origin) dan membentuk situs kekuasaan baru (Gandhi, 1998). Karya-karya Ruth Prawer Jhabvala, khususnya novel A Backward Place, mengindikasikan gejala tersebut. Esai ini membahas negosiasi budaya dan dialektika kekuasaan yang mengaburkan batasan-batasan biner kerangka pemikiran kolonial. Pendekatan yang  digunakan dalam analisis adalah pendekatan poskolonial. Analisis dalam esai ini berfokus pada persilangan kedua ideologi yang bertentangan pada ranah publik dan pada ranah domestik. Esai terlebih dahulu memetakan relasi kuasa di antara pribumi dan ekspatriat dalam narasi. Selanjutnya, negosiasi budaya dan dialektika kekuasaan dibahas berdasarkan pemetaan tersebut. Persilangan dua ideologi yang bertentangan dalam pemetaan kekuasaan yang sudah dianalisis menghasilkan narasi yang ambivalen.Abstract:  Many of postcolonial texts attempts to change the third world image within the rigid dichotomy first world/third world. However, their presentation ended up being what Bhabha called colonial mimicry in which the problem of ‘nativism’ alienates orginal identity and creates a new power site (Gandhi, 1998). Ruth Prawer Jhabvala’s works, specifically the novel A Backward Place, indicate the exact symptoms. This essay discusses cultural negotiation that blur boundaries between colonial dichotomy using postcolonial approach. Analysis focuses on the crossings of two contradicting ideologies both in public and domestic spheres.  First, power relation between the natives and expatriats in the narrative is mapped. Second, cultural negotiation and power dialectics is discussed based on that power relation mapping. The crossings of two conflicting ideologies is making the narrative ambivalent.

“We’re Relating Right Now to the Third World”

2017 ◽  
Author(s):  
Sean L. Malloy
Keyword(s):  
United States ◽  
Third World ◽  
The United States ◽  
Female Agency ◽  
Women Warriors ◽  
Practical Action ◽  
The Third ◽  
And Gender ◽  
Revolutionary Art ◽  
The Third World

This chapter discusses how the Black Panther Party's (BPP) anticolonial vernacular sought to elide the differences between the black condition in the United States and anticolonial struggles in Asia, Africa, and Latin America. Yet questions about how to translate these theoretical links into practical action remained unresolved. Issues of anticolonial violence and gender identity embedded within this anticolonial vernacular also produced lingering tensions within the party. Though women often appeared in Panther iconography of the period, including striking pictures of figures such as Kathleen Cleaver as well as more abstract depictions of women warriors modeled on revolutionary art of the Third World, they generally did so in the context of a heteronormative and patriarchal framework for understanding female agency.

scholarly journals إسهامات الروائي الباكستاني نسيم حجازي في إسلامية الأدب: رواية "التراب والدم" نموذجاً (Pakistani Novelist Naseem Hijazi's Contributions in Islamic Literature: Novel "The Dust and Blood" as a Case Study)

1970 ◽  
Vol 1 (2) ◽  
Author(s):  
محمد علي غوري (Mohamed Ali Ghuri)
Keyword(s):  
Third World ◽  
Historical Novels ◽  
The Novel ◽  
The Third ◽  
The Past ◽  
Urdu Literature ◽  
The Great Migration ◽  
The Third World ◽  
Islamic Literature

ملخص البحث:كان الاتجاه الإسلامي في الأدب ثالث أهم الاتجاهات التي تجاذبت الأدب، وخاصة في مجال القصة والرواية. و كان جل كتاب القصة الأوائل ذوي نكهة إسلامية إصلاحية، ومن هؤلاء نذير أحمد وسرشار وعبد الحليم شرر الذي كان له تأثير كبير في أهم الروائيين الإسلاميين في باكستان، وهو نسيم حجازي الذي تميز كأستاذه بالروايات التاريخية. وهذا النوع من الروايات هو الذي ميز الروائيين الإسلاميين أكثر من أي نوع آخر من الروايات، ومع ذلك كتب نسيم حجازي روايات واقعية ذات مستوى عالمي، وِمن أهم هذه الروايات الواقعية روايته "خاك أور خون" ومعناها: التراب والدم. وهذه الرواية كغيرها من الروايات الباكستانية التي كتبت بعد قيام باكستان عام 1947م تناولت موضوع الهجرة الكبرى والمشاكل التي نجمت عنها، فكانت محاولة نسيم حجازي والآخرين لتذكير المسلمين بما فعله الهندوس والسيخ في رجالهم ونسائهم وأطفالهم وشيوخهم، لذا فإن هذه الرواية ممنوعة من التداول في الهند التي لا تفتؤ تحاول القضاء على كل ما له علاقة بالإسلام، وما جريمة هدم المسجد البابري عنا ببعيد! ويقال عن رواية التراب والدم إنها سيرة كاتبها الذاتية، حيث أودعها أفكاره وآراءه ومواقفه من القضايا المختلفة، وقد انطلق في كل ذلك من منطلق إسلامي واضح، فأحيا بها –أي بهذا الرواية- كثيراً من المعاني الإسلامية التي كادت تغيب عن الساحة الأدبية اليوم، فهي بحق رواية إسلامية عالمية تستحق الدراسة والتحليل.الكلمات المفتاحية: الأدب الإسلامي-الأدب الأردي-رواية "خاك أور خون-المحتوى-روائع الأدب الإسلامي. Abstract:The trend of Islamic literature in the third world is the most important trends studied literature, in the area of the story and the novel. Most of novelists in the past were those with an Islamic flavor reform, as Nazir Ahmad, Sarchar, and Abdul Halim Sharar, whom had a significant impact on the most important novelists of the Islamists in Pakistan Nasiim Hijazi, who characterized as his teacher about historical novels. This kind of novels is distinguished novelists Islamists more than any other type of novels. However, Nasiim Hijazi wrote realistic novels in international level, the most important of which is “Khac or Khun” (the dust and blood). This novel, like other novels of Pakistan, was written after the establishment of Pakistan in 1947 and deals with The Great Migration and the problems that caused it. It was an attempt from Nasiim Hijazi and others to remind Muslims what the Hindus and Sikhs did with the Muslims. This novel was banned from trading in India that was trying to eliminate everything has relation Islamic. The crime of destroying the Babri mosque is not far away from the event.  It is said that the novel is as  a biography of  the author, where he includes  his ideas, his views and viewpoints from various issues, where his assumption was from an Islamic perspective, to  revive - through this novel - a lot of Islamic meanings which  are almost absent from the literary study nowadays . It is truly a global Islamic novel.ListenRead phonetically.Keywords: Islamic Literature- Urdu Literature- Novel "Khak Oor Khoon"- Contents- The Beauty of Islamic Literature. Abstrak: Pendekatan islam merupakan pendekatan ketiga yang penting yang paling mendapat perhatian dalam bidang sastera terutamanya dalam bidang penulisan cerita dan novel. Kebanyakan novel-novel yang terawal telah mendapat nafas baru menerusi pendekatan islam seperti yang yang telah dihasilkan oleh Nazir Ahmad Srchar, Abdul Halim Sharar yang telah memberi kesan yang mendalam kepada penulis-penulis yang beragama islam di Pakistan terutamanya Nasim Hijazi yang terkenal dengan penghasilan novel-novel sejarah. Genre novel berunsurkan sejarah islam Hal ini telah menaikkan nama penulis-penulis islam berbanding genre yang lain. Oleh itu, kebanyakan karya yang dihasilkan oleh Nasim Hijazi merupakan karya yang realistik bertaraf dunia terutamanya novel “Khac Orr Khan” yang bermaksud “Tanah dan Darah”. Novel ini sama seperti novel-novel lain di Pakistan yang menceritakan tentang kisah penghijrahan secara besar-besaran dan faktor-faktornya selepas penubuhan Pakistan pada tahun 1947. Penghasilan novel bergenre sejarah ini adalah satu usaha dari Nasim Hijazi dan seangkatan dengan beliau untuk mengingatkan orang islam tentang apa yang telah dilakukan oleh orang Hindu dan Sikh kepada rakyat Pakistan. Oleh yang demikian, novel ini telah diharamkan oleh kerjaan India daripada diterbitkan malah cuba menghapuskan apa-apa yang berkaitan dengan islam termasuklah merobohkan Masjid Babri. Justeru, novel “Tanan dan Darah” merupakan pengalaman penulis sendiri yang mana beliau telah melontarkan buah fikiran, pendapat dan pendirian beliau terhadap isu-isu yang berbeza dari sudut persepektif islam yang sebenar. Novel ini banyak mengetengahkan nilai-nilai islam yang sudah hampir dilupakan dalam bidang kesusateraan hari ini dan novel islam global ini layak dikaji dan dianalisa.Kata kunci: Sastera Islam – Sastera Urdu – Karya “Khak Oor Khoon” – Isi kandungan – Keindahan Sastera Islam.  

scholarly journals PERANAN PENDIDIKAN AGAMA ISLAM DALAM PENGUATAN NASIONALISME DI INDONESIA

2018 ◽  
Vol 15 (1) ◽  
pp. 19-41
Author(s):  
Abdul Hamid
Keyword(s):  
21St Century ◽  
Third World ◽  
Common Ground ◽  
Common Point ◽  
Human Beings ◽  
Linguistic Identity ◽  
The Third ◽  
The World ◽  
The Common ◽  
The Third World

Abstract The 21st century is a triumph for the era of globalization. An era that tries to make the world, especially the world incorporated in the third world category (developed) like Indonesia to carefully and firmly address all the effects it produces. Globalization is, in essence, a process of generating ideas, then offered to be followed by other nations that eventually arrive at a common point of agreement and serve as a common ground for nations around the world. Globalization as well as nationalism is a concept of a pluralistic. Substantively also contains a contradictory spirit. Nationalism with the spirit of exclusiveness desires loyalty to the nation and state. Nationalism, in any way, tried to convince a nation that felt the same ground, breathed the same air, and drank water from the same source, that is, Bumi Indonesia. To love the homeland that gives the source of life as a gift of Allah SWT. So that every form of natural produce should be utilized as well as possible for the common welfare as a nation. In the process, Indonesia tries to shed tribal, religious, racial and linguistic identity for a cooperation to achieve prosperity. While Islam is one of the religions that desires the unity and unity among human beings. Encourage his people to love and work for the inhabited country. Abstrak Abad 21 merupakan masa kejayaan bagi era globalisasi. Sebuah era yang mencoba  menjadikan  dunia,  khususnya  dunia  yang  tergabung  dalam  kategori dunia ketiga (berkembang) seperti Indonesia untuk secara cermat dan tegas menyikapi segala efek yang ditimbulkannya. Globalisasi pada hakikatnya adalah suatu proses dari gagasan yang dimunculkan, kemudian ditawarkan untuk diikuti oleh bangsa lain yang akhirnya sampai pada suatu titik kesepakatan bersama dan menjadi pedoman bersama bagi bangsa-bangsa di seluruh dunia. Globalisasi  sebagaimana   juga  nasionalisme adalah   sebuah   konsep berwajah majemuk. Secara substansif juga mengandung semangat yang bertolak belakang. Nasionalisme dengan semangat eksklusifisme menghendaki kesetiaan kepada bangsa dan negara. Nasionalisme, dalam rupa apapun sejatinya mencoba meyakinkan bangsa yang merasa berpijak pada bumi yang sama, menghirup udara yang sama, juga meneguk air dari sumber yang sama, yakni Bumi Indonesia. Untuk mencintai tanah airnya yang memberikan sumber kehidupan sebagai anugerah Allah SWT. Sehingga setiap wujud hasil alam harus dimanfaatkan dengan sebaik-baiknya untuk kesejahteraan bersama sebagai suatu bangsa. Dalam prosesnya, Indonesia mencoba menanggalkan identitas kesukuan, agama, ras maupun bahasa demi sebuah kerjasama mencapai kesejahteraan. Sementara  Islam  adalah  salah  satu  agama  yang  sangat  menghendaki adanya  persatuan  dan  kesatuan  antar  umat  manusia.  Menganjurkan umatnya untuk mencintai dan bekerja untuk negeri yang didiami. Kata Kunci:

Waiting and the Legacy of Apartheid

Matatu ◽  
2016 ◽  
Vol 48 (1) ◽  
pp. 19-32
Author(s):  
Remi Akujobi
Keyword(s):  
South Africa ◽  
South African ◽  
Family Life ◽  
Social Reproduction ◽  
Third World ◽  
The Novel ◽  
Literary Production ◽  
The Third ◽  
To Come ◽  
The Third World

With debates about the issues of liberation, centering, and empowerment dominating the African literary landscape, particularly in works written by women, it is not surprising to find that the issue of ‘waiting’ occupies centre stage in Njabulo Ndebele’s novel The Cry of Winnie Mandela (2003). Much, of course, has been written on this work, which focuses on the peculiar problems facing women in contemporary South Africa, but the object of this essay is to examine the theme of waiting as it is made manifest in the literary production of the Third-World level of South African life under apartheid. The background to this literature is infiltration, colonialism, and exploitation in the lives of simple people struggling for survival and meaning in a harsh world. Through complex negotiations, women are attempting to come to terms with their increasingly visible role as breadwinners in the absence of their menfolk. This produces unexpected reconfigurations, personal and familial. One question addressed is whether these reconfigurations represent a crisis in the relations of social reproduction or a transition to new forms of family life. The novel is characterized by elements of the fantastic and mythical woven into a deceptively simple story that scrutinizes society at its base in a state of post-apartheid hangover.

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