scholarly journals Astronomical Organ Music

2012 ◽  
Vol 16 (1 and 2) ◽  
pp. 393-397
Author(s):  
Matthew Whitehouse
Keyword(s):  
United States ◽  
Star Formation ◽  
Original Work ◽  
Supernova Explosion ◽  
The United States ◽  
Organ Music ◽  
Musical Narrative ◽  
American Composer ◽  
Slide Show ◽  
Astronomical Images

Music inspired by astronomical phenomena is familiar to INSAP participants. In this presentation, I will present two pieces of astronomy-inspired music composed specifically for the organ: Nebulae and Nova. The music will be accompanied by a slide show of astronomical images. Nebulae is my original work and is a musical narrative on the process of star formation. It has been performed throughout the United States, including at Notre Dame Cathedral in Paris in October 2010. Nova is by the American composer Myron Roberts, and is a depiction of a supernova explosion.

scholarly journals Stillbirths among Advanced Maternal Age Women in the United States: 2003-2017

2020 ◽  
Vol 9 (1) ◽  
pp. 153-156
Author(s):  
Deepa Dongarwar ◽  
Anjali Aggarwal ◽  
Kenneth Barning ◽  
Hamisu Mohammed Salihu
Keyword(s):  
United States ◽  
Maternal Age ◽  
Regression Models ◽  
Original Work ◽  
Fetal Death ◽  
Advanced Maternal Age ◽  
The United States ◽  
Population Based ◽  
Population Based Study ◽  
Open Access Article

The aim of the study was to evaluate the association between fetal stillbirth and advanced maternal age in the United States (US). This was a population-based study using the Natality and Fetal Death datasets for the years 2003-2017. We built Cox proportional regression models to examine the likelihood of stillbirth among women aged ?40 years. Out of a total of 57,273,305 births, stillbirth was observed in 302,522, yielding a stillbirth rate of 5 per 1000. After adjusting for confounders, women of advanced age (?40 years) had a 40-50% greater risk of stillbirth compared to women 20-29 years of age. Keywords: • Advanced maternal age • Stillbirth • Cox proportional regression • United State   Copyright © 2020 Dongarwar et al. This is an open-access article distributed under the terms of the Creative Com - mons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

Sonorism

Artful Noise ◽  
2020 ◽  
pp. 136-145
Author(s):  
Thomas Siwe
Keyword(s):  
United States ◽  
Twentieth Century ◽  
The United States ◽  
Relaxed Controls ◽  
Avant Garde ◽  
George Crumb ◽  
The Arts ◽  
American Composer ◽  
Tone Color ◽  
Media Work

In this chapter, the use by twentieth-century composers of tone color, or timbre is explained with examples by those who made its use central to their compositional output. Poland, freed from the bonds of communism and the Soviet state, relaxed controls over the arts and in 1956 initiated the Warsaw Autumn festival where avant-garde Polish and Western music could be heard. Kazimierz Serocki cofounded the festival, contributing to the percussion canon his timbre-based sextet, Continuum. In the United States, the American composer George Crumb definitely had an ear for timbre coupled with a love for percussion evident in the works discussed. A young Polish/American composer, Marta Ptaszynska, created a number of works for both solo and ensemble percussion in the latter half of the century. Her work Siderals was conceived as an audio-visual, or mixed-media work utilizing ten percussionists, magnetic tape playback, and lighting. The three composers highlighted in this chapter approached the use of timbre in differing ways.

One Step

2018 ◽  
Author(s):  
Susan C. Cook
Keyword(s):  
United States ◽  
African American ◽  
World War I ◽  
The United States ◽  
World War ◽  
American Composer ◽  
Musical Practices ◽  
One Step ◽  
The Common ◽  
The One

In the years before the entry of the United States into World War I, the One Step replaced the Two Step as the common popular dance. As the name suggests, it signaled a new relationship between dance step and musical meter. Whereas the Two Step, popular since the 1890s, consisted of a skipping step to music in 6/8 meter, the One Step featured a step, glide, or trot on each beat of duple-meter music marked by the syncopated and dotted rhythms long associated with African American musical practices. African American composer and bandleader James Reese Europe similarly proclaimed the One Step "the national dance of the negro."

The Exile's Song

2017 ◽  
Author(s):  
Sally McKee
Keyword(s):  
United States ◽  
African American ◽  
New Orleans ◽  
The United States ◽  
Crescent City ◽  
Narrative History ◽  
Free Black ◽  
American Composer ◽  
Classical Musicians ◽  
The City

This book chronicles the extraordinary story of African American composer Edmond Dede, raised in antebellum New Orleans, and his remarkable career in France. In 1855, Edmond Dede, a free black composer from New Orleans, emigrated to Paris. There he trained with France's best classical musicians and went on to spend thirty-six years in Bordeaux leading the city's most popular orchestras. How did this African American, raised in the biggest slave market in the United States, come to compose ballets for one of the best theaters outside of Paris and gain recognition as one of Bordeaux's most popular orchestra leaders? Beginning with his birth in antebellum New Orleans in 1827 and ending with his death in Paris in 1901, this text recounts the life of this extraordinary man. From the Crescent City to the City of Light and on to the raucous music halls of Bordeaux, this intimate narrative history brings to life the lost world of exiles and travelers in a rapidly modernizing world that threatened to leave the most vulnerable behind.

Correlative microscopy in distrubuted (client/server) computing environments: tools for catalyzing the rapid dissemination of information about the cell biology of the human prostate

1995 ◽  
Vol 53 ◽  
pp. 682-683
Author(s):  
A. Hakam ◽  
J.T. Gau ◽  
M.L. Grove ◽  
B.A. Evans ◽  
M. Shuman ◽  
...  
Keyword(s):  
United States ◽  
Cell Biology ◽  
Tissue Bank ◽  
The United States ◽  
Prostate Adenocarcinoma ◽  
Correlative Microscopy ◽  
Client Server ◽  
Critical Elements ◽  
Transplant Organ

Prostate adenocarcinoma is the most common malignant tumor of men in the United States and is the third leading cause of death in men. Despite attempts at early detection, there will be 244,000 new cases and 44,000 deaths from the disease in the United States in 1995. Therapeutic progress against this disease is hindered by an incomplete understanding of prostate epithelial cell biology, the availability of human tissues for in vitro experimentation, slow dissemination of information between prostate cancer research teams and the increasing pressure to “ stretch” research dollars at the same time staff reductions are occurring.To meet these challenges, we have used the correlative microscopy (CM) and client/server (C/S) computing to increase productivity while decreasing costs. Critical elements of our program are as follows:1) Establishing the Western Pennsylvania Genitourinary (GU) Tissue Bank which includes >100 prostates from patients with prostate adenocarcinoma as well as >20 normal prostates from transplant organ donors.

Digital image acquisition, processing, and analysis in a polymer microscopy laboratory

1994 ◽  
Vol 52 ◽  
pp. 454-455
Author(s):  
Vinod K. Berry ◽  
Xiao Zhang
Keyword(s):  
United States ◽  
Image Analysis ◽  
Digital Image ◽  
Image Acquisition ◽  
Image Transmission ◽  
The United States ◽  
Quantitative Image Analysis ◽  
Quantitative Image

In recent years it became apparent that we needed to improve productivity and efficiency in the Microscopy Laboratories in GE Plastics. It was realized that digital image acquisition, archiving, processing, analysis, and transmission over a network would be the best way to achieve this goal. Also, the capabilities of quantitative image analysis, image transmission etc. available with this approach would help us to increase our efficiency. Although the advantages of digital image acquisition, processing, archiving, etc. have been described and are being practiced in many SEM, laboratories, they have not been generally applied in microscopy laboratories (TEM, Optical, SEM and others) and impact on increased productivity has not been yet exploited as well.In order to attain our objective we have acquired a SEMICAPS imaging workstation for each of the GE Plastic sites in the United States. We have integrated the workstation with the microscopes and their peripherals as shown in Figure 1.

Silence of the Land: On the Historical Irrelevance of Territory to Congressional Districting and Political Representation in the United States

2001 ◽  
Vol 15 (01) ◽  
pp. 53-87 ◽  
Author(s):  
Andrew Rehfeld
Keyword(s):  
United States ◽  
House Of Representatives ◽  
Political Representation ◽  
The United States ◽  
Representative Government ◽  
Congressional District ◽  
Congressional Districts ◽  
Communities Of Interest

Every ten years, the United States “constructs” itself politically. On a decennial basis, U.S. Congressional districts are quite literally drawn, physically constructing political representation in the House of Representatives on the basis of where one lives. Why does the United States do it this way? What justifies domicile as the sole criteria of constituency construction? These are the questions raised in this article. Contrary to many contemporary understandings of representation at the founding, I argue that there were no principled reasons for using domicile as the method of organizing for political representation. Even in 1787, the Congressional district was expected to be far too large to map onto existing communities of interest. Instead, territory should be understood as forming a habit of mind for the founders, even while it was necessary to achieve other democratic aims of representative government.

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