scholarly journals THREE HOSPITAL POEMS: EMPOWERED CONFESSIONAL SELVES IN ROBERT LOWELL’S „WAKING IN THE BLUE”, ANNE SEXTON’S „YOU, DOCTOR MARTIN” AND SYLVIA PLATH’S „NEVER TRY TO TRICK ME WITH A KISS”

Author(s):  
Hristo Boev ◽  

This article examines three hospital poems by the American confessionalists Robert Lowell, Anne Sexton and Sylvia Plath. Writing in the mid1950s, they opted for „unacceptable” topics which were related to their personal experiences. Typically, the poetry of these poets remains as challenging for the modern reader as it was for their contemporaries. In introducing shocking events and intimate details to their work, they made an important development to portraying lived experience in fiction, which did not come without attacks for their perceived „narcissism”. In this article I argue that their bold writing about difficult subjects has created empowered poetic selves which rather than reflect any narcissism on part of the authors, predate and invite interpretations of the „other”. Their reproduction of illness (depression) is, consequently, devoid of the standard metaphors associated with the respective disease.

2009 ◽  
Vol 22 (3) ◽  
Author(s):  
Kelle Groom

AbstractDenise Duhamel and Michael Burkard continue the work of postconfessional poets like Robert Lowell, Sylvia Plath, and Anne Sexton using humor to explore culturally taboo topics and expand the traditional range of poetic subjects. The works of Duhamel and Burkard often explore subjects that are secret, shameful or unspoken made approachable through tender and satirical humor to turn these issues into something beautiful. Duhamel uses humor to critique American culture and the domestic arena with the clarity of an outsider while Burkard uses humor to write about loss and recovery, discovering the fantastic in the familiar. Through humor in first-person confessional poems these poets create a more open environment where the poet and their audiences may confront the truth of themselves and the world in which they live.


2020 ◽  
pp. 79-89
Author(s):  
Richa Mishra ◽  
Hitesh Raviya

‘Confessional’ is an adjective first applied to the poems of the American poets Robert Lowell, Anne Sexton, Sylvia Plath, W.D. Snodgrass, John Berryman and Theodore Roethke to refer to the autobiographical nature of their work. The confessional poet considers the world, an extension of herself. All confessional poetry springs from the need to confess; confessional poets bare their soul and body and hide nothing between their self and their direct expression of that self. They put no restrictions on subject matter, no matter how personal. Usually anti-elegant and anti- establishment, confessional poems are almost like war-cries triumphing over pain and defeat. The best confessional poems are more than confessions: they are revelations, about their creator’s personal vexations, dilemmas and predicaments, and above all about the human condition. This review work tries to prove that confessional poetry was always present in Writings by women in India. This work is a literature review of known writings by women in India.


Author(s):  
Laura Hengehold

Most studies of Simone de Beauvoir situate her with respect to Hegel and the tradition of 20th-century phenomenology begun by Husserl, Heidegger, and Merleau-Ponty. This book analyzes The Second Sex in light of the concepts of becoming, problematization, and the Other found in Gilles Deleuze. Reading Beauvoir through a Deleuzian lens allows more emphasis to be placed on Beauvoir's early interest in Bergson and Leibniz, and on the individuation of consciousness, a puzzle of continuing interest to both phenomenologists and Deleuzians. By engaging with the philosophical issues in her novels and student diaries, this book rethinks Beauvoir’s focus on recognition in The Second Sex in terms of women’s struggle to individuate themselves despite sexist forms of representation. It shows how specific forms of women’s “lived experience” can be understood as the result of habits conforming to and resisting this sexist “sense.” Later feminists put forward important criticisms regarding Beauvoir’s claims not to be a philosopher, as well as the value of sexual difference and the supposedly Eurocentric universalism of her thought. Deleuzians, on the other hand, might well object to her ideas about recognition. This book attempts to address those criticisms, while challenging the historicist assumptions behind many efforts to establish Beauvoir’s significance as a philosopher and feminist thinker. As a result, readers can establish a productive relationship between Beauvoir’s “problems” and those of women around the world who read her work under very different circumstances.


2015 ◽  
Vol 11 (1) ◽  
pp. 41-54 ◽  
Author(s):  
Zsófia Demjén

This paper demonstrates how a range of linguistic methods can be harnessed in pursuit of a deeper understanding of the ‘lived experience’ of psychological disorders. It argues that such methods should be applied more in medical contexts, especially in medical humanities. Key extracts from The Unabridged Journals of Sylvia Plath are examined, as a case study of the experience of depression. Combinations of qualitative and quantitative linguistic methods, and inter- and intra-textual comparisons are used to consider distinctive patterns in the use of metaphor, personal pronouns and (the semantics of) verbs, as well as other relevant aspects of language. Qualitative techniques provide in-depth insights, while quantitative corpus methods make the analyses more robust and ensure the breadth necessary to gain insights into the individual experience. Depression emerges as a highly complex and sometimes potentially contradictory experience for Plath, involving both a sense of apathy and inner turmoil. It involves a sense of a split self, trapped in a state that one cannot overcome, and intense self-focus, a turning in on oneself and a view of the world that is both more negative and more polarized than the norm. It is argued that a linguistic approach is useful beyond this specific case.


2020 ◽  
pp. 107780042096247 ◽  
Author(s):  
Annette N. Markham ◽  
Anne Harris ◽  
Mary Elizabeth Luka

How does this pandemic moment help us to think about the relationships between self and other, or between humans and the planet? How are people making sense of COVID-19 in their everyday lives, both as a local and intimate occurrence with microscopic properties, and a planetary-scale event with potentially massive outcomes? In this paper we describe our approach to a large-scale, still-ongoing experiment involving more than 150 people from 26 countries. Grounded in autoethnography practice and critical pedagogy, we offered 21 days of self guided prompts to for us and the other participants to explore their own lived experience. Our project illustrates the power of applying a feminist perspective and an ethic of care to engage in open ended collaboration during times of globally-felt trauma.


Autism ◽  
2021 ◽  
pp. 136236132098131
Author(s):  
Laura Crane ◽  
Lok Man Lui ◽  
Jade Davies ◽  
Elizabeth Pellicano

Little is known about how parents talk about autism with their autistic children, particularly among families in which both a parent and child are autistic. Using an online survey, we gathered quantitative and qualitative data from 34 autistic parents (most of whom had told their children about their diagnosis) to address this knowledge gap. There was considerable overlap between the views and experiences of the autistic parents in this study and the largely non-autistic parent samples in previous research. Specifically, parents emphasised the importance of being open and honest about the diagnosis, disclosing the diagnosis as early as possible, individualising discussions to children’s needs and framing the diagnosis positively. There were, however, areas in which the views and experiences of the current sample differed from previous research on non-autistic samples. First, our sample of autistic parents outlined the benefits of their own experiential expertise, which they felt resulted in heightened understanding and empathy with their children. Second, our sample tended not to express concerns about disclosure potentially having a negative impact. Finally, our participants did not express a want or need for professional support with disclosure. Instead, they reported feeling well equipped to support their children using their own knowledge and lived experience. Lay abstract Previous research examining how parents talk about autism with their children has tended to focus on parents who are not autistic themselves. We collected information on this topic from 34 autistic parents of autistic children (most of whom had told their children about their diagnosis). We found similarities, but also differences, between the views and experiences of autistic parents in this research and those reported in previous research (in studies of largely non-autistic parents). Similarities include the following: it is important to be open and honest about the diagnosis; the diagnosis should be introduced/discussed as early as possible; discussions should be tailored to each individual child’s needs; and we should not overlook the challenges associated with autism, but it is important to focus on positive aspects too. Differences include the following: autistic parents used personal experiences in conversations about autism, which was felt to result in increased understanding and empathy with their children; autistic parents overwhelmingly focused on more positive aspects of an autism diagnosis; our sample did not express concerns that discussions could have negative consequences too (e.g. making children more anxious); and autistic parents did not want or need professional support to talk about autism with their children (instead, they felt confident in using their own knowledge/experiences to guide discussions).


Janus Head ◽  
2015 ◽  
Vol 14 (2) ◽  
pp. 35-48
Author(s):  
Nisha Gupta ◽  

This paper is a recommendation for phenomenologists to use film as a perceptually-faithful language with which to disseminate research and in­sights about lived experience. I use Merleau-Ponty’s philosophy to illus­trate how film can evoke a state of profound, embodied empathy between self-and-other, which I refer to as “the cinematic chiasm”. I incorporate a case study of my experience as audience member becoming intertwined with the flesh of the film “The Diving Bell and the Butterfly.” I discuss four aesthetic techniques of this film through which I became enveloped in a state of visceral empathy towards the “other” on-screen. The cin­ematic chiasm offers exciting, creative possibilities for phenomenologists, particularly those who are interested in evoking widespread empathy for social justice purposes.


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