scholarly journals Scientific achievements of All-union Research Institute of Bast Crops employees in the field of hemp (1944 -1991)

2019 ◽  
pp. 103-116
Author(s):  
Svitlana Bazyl
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
World War ◽  
Scientific Institution ◽  
Primary Processing ◽  
Research Activities ◽  
Archival Documents ◽  
High Yielding Varieties ◽  
Seed Crops ◽  
Scientific Achievements

The article, which is based on the archival documents of the Departmental Archive of the Institute of Bast Crops of the National Academy of Agrarian Sciences of Ukraine, examines the research activities of the Institute in 1944 - 1991 of the twentieth century in the field of hemp. It was during this period that the newly established scientific institution was able to fully resume its work after World War II and achieve success in the field of breeding, cultivation, processing and harvesting of hemp. During this period, new high-yielding varieties of hemp were bred that did not contain narcotic compounds, the mechanized process of growing and processing industrial and seed crops, as well as the process of primary processing of stems.

The Formation of a Budding Man Alone: The God Boy (Murray Reece, 1976)

2018 ◽  
Author(s):  
Alistair Fox
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
New Zealand ◽  
Religious Beliefs ◽  
Coming Of Age ◽  
World War ◽  
Value System ◽  
Feature Films ◽  
The Family

This chapter analyses the earliest of the New Zealand coming-of-age feature films, an adaptation of Ian Cross’s novel The God Boy, to demonstrate how it addresses the destructive impact on a child of the puritanical value-system that had dominated Pākehā (white) society through much of the twentieth century, being particularly strong during the interwar years, and the decade immediately following World War II. The discussion explores how dysfunction within the family and repressive religious beliefs eventuate in pressures that cause Jimmy, the protagonist, to act out transgressively, and then to turn inwards to seek refuge in the form of self-containment that makes him a prototype of the Man Alone figure that is ubiquitous in New Zealand fiction.

A war hero or a Hitler soldier?

2019 ◽  
pp. 50-57
Author(s):  
Pavel Gotovetsky
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Interwar Period ◽  
Military Service ◽  
Third Reich ◽  
National Committee ◽  
World War ◽  
The Third ◽  
The World ◽  
The Third Reich

The article is devoted to the biography of General Pavlo Shandruk, an Ukrainian officer who served as a Polish contract officer in the interwar period and at the beginning of the World War II, and in 1945 became the organizer and commander of the Ukrainian National Army fighting alongside the Third Reich in the last months of the war. The author focuses on the symbolic event of 1961, which was the decoration of General Shandruk with the highest Polish (émigré) military decoration – the Virtuti Militari order, for his heroic military service in 1939. By describing the controversy and emotions among Poles and Ukrainians, which accompanied the award of the former Hitler's soldier, the author tries to answer the question of how the General Shandruk’s activities should be assessed in the perspective of the uneasy Twentieth-Century Polish-Ukrainian relations. Keywords: Pavlo Shandruk, Władysław Anders, Virtuti Militari, Ukrainian National Army, Ukrainian National Committee, contract officer.

Bones of Contention: China’s World War II Military Graves in India, Burma, and Papua New Guinea

2019 ◽  
Vol 8 (1) ◽  
pp. 52-99 ◽  
Author(s):  
Linh D. Vu
Keyword(s):  
United States ◽  
World War Ii ◽  
Southeast Asia ◽  
Papua New Guinea ◽  
New Guinea ◽  
The United States ◽  
World War ◽  
Archival Documents ◽  
Chinese State ◽  
International Status

Abstract Exploring the construction and maintenance of Nationalist Chinese soldiers’ graves overseas, this article sheds light on post-World War II commemorative politics. After having fought for the Allies against Japanese aggression in the China-Burma-India Theater, the Chinese expeditionary troops sporadically received posthumous care from Chinese veterans and diaspora groups. In the Southeast Asia Theater, the Chinese soldiers imprisoned in the Japanese-run camps in Rabaul were denied burial in the Allied war cemetery and recognition as military heroes. Analyzing archival documents from China, Taiwan, Britain, Australia, and the United States, I demonstrate how the afterlife of Chinese servicemen under foreign sovereignties mattered in the making of the modern Chinese state and its international status.

scholarly journals Using KOCOA Military Terrain Analysis for the Assessment of Twentieth Century Battlefield Landscapes

Heritage ◽  
2020 ◽  
Vol 3 (3) ◽  
pp. 753-781
Author(s):  
Dirk HR Spennemann
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Cultural Landscape ◽  
Aleutian Islands ◽  
Terrain Analysis ◽  
World War ◽  
Physical Evidence ◽  
Aerial Warfare

Military terrain analysis serves as a tool to examine a battle commander’s view of a battlefield and permits to hindcast some of the rationale for actions taken. This can be augmented by physical evidence of the remains of the battle that still exist in the cultural landscape. In the case of World War II-era battlefields, such terrain analysis has to take into account the influence of aerial warfare—the interrelationship between attacking aircraft and the siting of anti-aircraft guns. This paper examines these issues using the case example of the Japanese WWII-era base on Kiska in the Aleutian Islands (Alaska).

FromThere's Magic in MusictoThe Hard-Boiled Canary: Promoting “Good Music” in Prewar Musical Films

2018 ◽  
Vol 12 (2) ◽  
pp. 151-178
Author(s):  
GINA BOMBOLA
Keyword(s):  
World War Ii ◽  
The United States ◽  
Transitional Period ◽  
Film Production ◽  
World War ◽  
Star Power ◽  
The Great Depression ◽  
Archival Documents ◽  
Wide Debate ◽  
Good Music

AbstractIn 1941, Paramount releasedThere's Magic in Music, a film about a soprano who sings opera in burlesque and wins a scholarship to attend Interlochen. The movie's utopian view of art music, however, caused difficulties for the studio in regard to marketing, leading to a studio-wide debate over the film's title. Archival documents positionThere's Magic in Musicas a valuable case study for investigating the transitional period of musical film production between the Great Depression and the onset of World War II, particularly with respect to operatic musicals. Just prior to the United States’ entry into the war, Hollywood moved away from the escapist fantasy of 1930s cinema toward the realism that would mark the 1940s. To reboot fading interest in musicals, studios toyed with the formula of the backstage musical to focus more on dramatic narratives and star power.There's Magic in Musicthus serves as a lens through which we might examine changes both in musical film production and in notions of “good music” at the eve of World War II.

scholarly journals “Reminisces of a Dead World”: Neoclassical Impulses in Stockhausen’s Gesang der Jünglinge

2021 ◽  
Vol 1 (3) ◽  
Author(s):  
Andrew Faulkenberry
Keyword(s):  
Twentieth Century ◽  
World War Ii ◽  
Technical Innovation ◽  
World War ◽  
Strong Connection ◽  
Karlheinz Stockhausen ◽  
Musical Thought ◽  
Biblical Story ◽  
Musical Traditions

In the years following World War II, integral serialist composers declared their intent to defy all previous musical conventions and eradicate all “rem-inisces of a dead world” from their music. Karlheinz Stockhausen was no exception, asserting his desire “to avoid everything which is familiar, generally known or reminiscent of music already composed.” However, Stockhausen’s Gesang der Jünglinge, de-spite its reputation for technical innovation, bears a strong connection to prior musical traditions. In this regard, Stockhausen resembled the neoclassical school of composers that sought to accommodate antiquated musical materials within a modern con-text.To demonstrate these similarities, I apply to Gesang a model of neoclassicism developed by Martha M. Hyde, a scholar on twentieth-century mu-sic. Hyde identifies two modes by which a neoclassi-cal piece “accommodates antiquity”: metamorphic anachronism and allegory. I argue both are present in Gesang. First, Stockhausen adopts elements of the sacred vocal tradition—including a child’s voice and antiphonal writing—and morphs them into something modern. Second, Stockhausen uses the Biblical story on which Gesang is based as an alle-gory for his own conflicted relationship with the mu-sical past. This analysis reframes Gesang’s signifi-cance and connects Stockhausen’s work to seem-ingly unrelated trends in twentieth-century musical thought.

scholarly journals Genre, Computation, and the Varieties of Twentieth-Century U.S. Fiction

2018 ◽  
Author(s):  
Matthew Wilkens
Keyword(s):  
United States ◽  
Twentieth Century ◽  
World War Ii ◽  
The Other ◽  
Literary Fiction ◽  
Contemporary Fiction ◽  
World War ◽  
Detective Story ◽  
Other Hand ◽  
Textual Content

Is "literary fiction" a useful genre label in the post-World War II United States? In some sense, the answer is obviously yes; there are sections marked "literary fiction" on Amazon, in bookstores, and on Goodreads, all of which contain many postwar and contemporary titles. Much of what is taught in contemporary fiction classes also falls under the heading of literary fiction, even if that label isn't always used explicitly. On the other hand, literary fiction, if it hangs together at all, may be defined as much by its (or its consumers') resistance to genre as by its positive textual content. That is, where conventional genres like the detective story or the erotic romance are recognizable by the presence of certain character types, plot events, and narrative styles, it is difficult to find any broadly agreeable set of such features by which literary fiction might be consistently identified.

scholarly journals The role of Anglo-German Naval Agreement in escalation of crisis trends of the Versailles system (based on the materials of new archival documents)

2020 ◽  
pp. 75-84
Author(s):  
Alexander Naumov
Keyword(s):  
World War Ii ◽  
World War I ◽  
International Relations ◽  
Political Elite ◽  
World War ◽  
Systemic Mechanism ◽  
The United Kingdom ◽  
The World ◽  
Archival Documents

This article reviews the role of Anglo-German Naval Agreement of 1935 in escalation of crisis trends of the Versailles system. Leaning on the British Russian archival documents, which recently became available for the researchers, the author analyzes the reasons and consequences of conclusion of this agreement between the key European democratic power and Nazi Reich. Emphasis is placed on analyzing the moods within the political elite of the United Kingdom. It is proven that the agreement became a significant milestone in escalation of crisis trends in the Versailles model of international relations. It played a substantial role in establishment of the British appeasement policy with regards to revanchist powers in the interbellum; policy that objectively led to disintegration of the created in 1919 systemic mechanism, and thus, the beginning of the World War II. The novelty of this work is substantiated by articulation of the problem. This article is first within the Russian and foreign historiography to analyze execution of the Anglo-German Naval Agreement based on the previously unavailable archival materials. The conclusion is made that this agreement played a crucial role in the process of disintegration of interbellum system of international relations. Having officially sanctioned the violation of the articles of the Versailles Treaty of 1919 by Germany, Great Britain psychologically reconciled to the potential revenge of Germany, which found reflection in the infamous appeasement policy. This launched the mechanism for disruption of status quo that was established after the World War I in Europe. This resulted in collapse of the architecture of international security in the key region of the world, rapid deterioration of relations between the countries, and a new world conflict.

scholarly journals The Paths of Books of Latvian Jews during World War II

Knygotyra ◽  
2018 ◽  
Vol 71 ◽  
pp. 210-235
Author(s):  
Jana Dreimane
Keyword(s):  
World War Ii ◽  
Second World War ◽  
Jewish Literature ◽  
World War ◽  
Soviet Occupation ◽  
Nazi Occupation ◽  
Archival Documents ◽  
Book Collections ◽  
Book Values ◽  
Second World

[full article, abstract in English; abstract in Lithuanian] The aim of the research is to find out the influence of the Nazi regime on preservation of historical book collections, which were established in Jewish societies, schools, religious organizations and private houses in Latvia until the first Soviet occupation (1940/1941). At the beginning, libraries of Jewish associations and other institutions were expropriated by the Soviet power, which started the elimination of Jewish books and periodicals published in the independent Republic of Latvia. The massive destruction of Jewish literature collections was carried out by Nazi occupation authorities (1941-1944/45), proclaiming Jews and Judaism as their main “enemies”. However, digitized archives of Nazi organizations (mainly documents of the Reichsleiter Rosenberg Taskforce) shows that a small part of the Latvian Jewish book collections was preserved for research purposes and after the Second World War scattered in different countries. Analysis of archival documents will clarify the Nazi strategy for Latvian Jewish book collections. It will be determined which book values survived the war and what their further fate in the second half of the 1940s was.

scholarly journals YURI SHEVELОV’S CONTRIBUTION TO THE ESTABLISHMENT OF UKRAINIAN STUDIES IN THE UKRAINIAN ART MOVEMENT

2021 ◽  
pp. 52-56
Author(s):  
Serhiy Denysiuk
Keyword(s):  
World War Ii ◽  
National Literature ◽  
World Culture ◽  
World War ◽  
Research Activities ◽  
Original Idea ◽  
Short Period ◽  
Artistic Life ◽  
History Of ◽  
Important Branch

The article examines the research of famous Ukrainian scientist Yuri Shevelov developing Ukrainian studies associations in period of emigration after World War II, when Ukrainian novelists were united in Ukrainian Аrt Movement (1945-1948). The attention is focused on those meetings which have been arranged by Shevelov and his confederates for the unification of different segments of Ukrainian creative intelligentsia in difficult conditions that were caused by emigration from the motherland. During those years, the scientist was considering questions among the important problems of Ukrainian studies about originality of Ukrainian literature, emigration purpose, provinciality and the methods of its overcoming. It is proved that the concept of national organic style, as a constant of Ukrainian literary and artistic life, was extremely important in the scientist's views. Yuri Shevelov made its main provisions like one of the leading ideologists of Ukrainian Аrt Movement during the existence of this association. The original idea of national organic style had caused the rejection from some part of Ukrainian emigrants and led to a boisterous discussion where there were considered important questions about Ukrainian originality of national literature and its place in European and world culture. The article highlights the essence of discrepancy of views on national organic style between Yuri Shevelov and his opponents. The most famous of them was Volodymyr Derzhavin. There is an emphasis that Ukrainian Аrt Movement went beyond just literature organization due to Shevelov's efforts. It had opened not only a grand literature, but even publishing and research activities and became an important branch in the history of Ukrainian literature in a relatively short period of time.

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