scholarly journals Memory and change through Le Corbusier. Fragments of urban views

2015 ◽  
Author(s):  
Fabiola Gorgeri
Keyword(s):  
World War Ii ◽  
Large Scale ◽  
Le Corbusier ◽  
Three Dimension ◽  
World War ◽  
Palabras Clave ◽  
Urban Project ◽  
The Relationship ◽  
The City ◽  
New Buildings

Abstract: In the urban project of Le Corbusier the relationship between new and existing is opportunity of poetic composition. The real traces of the past of one place are transformative tools by which the new project is developed. The projects after World War II, like reconstruction project of Saint-Dié, are occasions to reflect about the new urban developments, rapid and extensive, and the relation of them with the landscape in a new territorial vision. The fragments of past and the new buildings are seen like belonging to a same context of reference and the entire urban composition forming part of a landscape on more large scale. Therefore, the urban project is an ensemble of architectural objects and nature that are held together by calculated visual relation. It is a kind of montage of urban views related to the dimension and measure of the human subject, like visual points or pedestrian paths. Memory and change are linked together by the natural history process and commensurate also to the human measure by a three dimension urbanism where the architecture can anew make the city. Resumen: En el proyecto urbanístico de Le Corbusier la relación entre la nueva y la existente es la oportunidad de la composición poética. Las huellas reales del pasado de un lugar son herramientas de transformación por el que se desarrolla el nuevo proyecto. Los proyectos después de la Segunda Guerra Mundial, como el proyecto de reconstrucción de Saint-Dié, son ocasiones para reflexionar acerca de los nuevos desarrollos urbanos, rápidas y amplias, y la relación de ellos con el paisaje en una nueva visión territorial. Los fragmentos del pasado y los nuevos edificios son vistos como pertenecientes a un mismo contexto de referencia y toda la composición que forma parte urbana de un paisaje de más gran escala. Por lo tanto, el proyecto urbano es un conjunto de objetos arquitectónicos y la naturaleza que se mantienen unidas por la relación visual calculada. Es una especie de montaje de vistas urbanas relacionadas con la dimensión y la medida del ser humano, al igual que los puntos visuales o caminos peatonales. La memoria y el cambio están unidos entre sí por el proceso de la historia natural y acorde también a la medida humana por un tres dimensiones urbanismo donde la arquitectura de nuevo puede hacer de la ciudad.  Keywords: urban project; landscape; memory; Saint-Dié. Palabras clave: proyecto urbano; paisaje; memoria; Saint-Dié. DOI: http://dx.doi.org/10.4995/LC2015.2015.927 

scholarly journals Cultural heritage conservation and communication by digital modeling tools. Case studies: minor architectures of the Thirties in the Turin area

2015 ◽  
Vol II-5/W3 ◽  
pp. 25-32 ◽  
Author(s):  
A. Bruno Jr. ◽  
R. Spallone
Keyword(s):  
Three Dimensional ◽  
Le Corbusier ◽  
World War ◽  
Cultural Goods ◽  
Modeling Tools ◽  
Representation Systems ◽  
Digital Modeling ◽  
The Relationship ◽  
New Buildings ◽  
Guide Lines

Between the end of the twenties and the beginning of the World war two Turin, as the most of the Italian cities, was endowed by the fascist regime of many new buildings to guarantee its visibility and to control the territory: the fascist party main houses and the local ones. <br><br> The style that was adopted for these constructions was inspired by the guide lines of the Modern movement which were spreading by a generation of architects as Le Corbusier, Gropius, Mendelsohn. <br><br> At the end of the war many buildings were reconverted to several functions that led heavy transformations not respectful of the original worth, other were demolished. <br><br> Today it's possible to rebuild those lost architectures in their primal format as it was created by their architects on paper (and in their mind). This process can guarantee the three-dimensional perception, the authenticity of the materials and the placement into the Turin urban tissue, using static and dynamic digital representation systems. The “three-dimensional re-drawing” of the projects, thought as an heuristic practice devoted to reveal the original idea of the project, inserts itself in a digital model of the urban and natural context as we can live it today, to simulate the perceptive effects that the building could stir up today. The modeling skills are the basis to product videos able to explore the relationship between the environment and “re-built architectures”, describing with the synthetic movie techniques, the main formal and perceptive roots. The model represents a scientific product that can be involved in a virtual archive of cultural goods to preserve the collective memory of the architectural and urban past image of Turin.

scholarly journals El "hameau" vertical de Le Corbusier. Una alternativa residencial al bloque lineal

2015 ◽  
Author(s):  
Yolanda Martínez Domingo ◽  
Josefina González Cubero
Keyword(s):  
Le Corbusier ◽  
Urban Environments ◽  
Formal Structure ◽  
Summer Camps ◽  
Palabras Clave ◽  
Cylindrical Volume ◽  
Collective Housing ◽  
The Relationship ◽  
The City ◽  
Synthetic Work

Resumen: El "hameau" vertical de Le Corbusier es un prototipo de alojamiento colectivo, desarrollado como alternativa plástica a la "Unité d'habitation de grandeur conforme", quizás su obra más sintética. La torre residencial se concreta a partir de las teorías urbanas de la regla de las 7V, a través de la impronta de una de las formas elementales: el volumen cilíndrico, manteniendo prácticamente inalteradas capacidad, forma y dimensiones en cualquiera de los entornos urbanos donde se inserta, los proyectos no construidos de su última etapa para Europa. Lejos de ser un modelo genuino es deudor de otras construcciones previas, los albergues para las colonias infantiles italianas, promovidas por la fábrica FIAT en los años 30, y algunos experimentos residenciales del arquitecto francés Auguste Bossu, erigidos también por esos años en la ciudad de Saint-Étienne. El artículo traza las relaciones entre estas construcciones y las aldeas cilíndricas para solteros, analizando las particularidades de su estructura formal y la dinámica de su organización interna, para comprobar cómo son adoptadas por Le Corbusier en la constitución de la identidad de un nuevo tipo de vivienda colectiva que permanece todavía a la sombra de sus proyectos más reconocidos. Abstract: The vertical "hameau" of Le Corbusier is a prototype of collective housing, developed as a plastic alternative to “Unité d’habitation de grandeur conforme", perhaps his most synthetic work. The residential tower is generated from urban doctrine of 7V theory through the shape of one of the elementary forms: the cylindrical volume. The towers keep capacity, shape and dimensions unchanged in any urban environments where they are inserted: the unbuilt urban projects in his last stage in Europe. Far from being a genuine type, is based in other previous constructions; the children's summer camps sponsored by the Fiat factory in the 30s, and some residential experiments by French architect Auguste Bossu erected by those years in the city of Saint-Etienne. The article describes the relationship between these structures and the cylindrical villages for singles and analyzes the peculiarities of their formal structure and the dynamic of their internal organization in order to check how those constructions were adapted by Le Corbusier for the constitution of a new collective type dwelling which still remains in the shadow of his most famous projects.  Palabras clave: Le Corbusier; hameaux verticaux; comuna cilíndrica; torre residencial. Keywords: Le Corbusier; hameaux verticaux; cylindrical commune; residential tower. DOI: http://dx.doi.org/10.4995/LC2015.2015.778

Money and the Ghetto, Money in the Ghetto

2019 ◽  
Vol 46 (3) ◽  
pp. 494-499
Author(s):  
Destin Jenkins
Keyword(s):  
Political Economy ◽  
World War Ii ◽  
The Political ◽  
World War ◽  
Post World War Ii ◽  
Racial Capitalism ◽  
History Of ◽  
Forms Of Violence ◽  
The Relationship ◽  
The City

This essay revisits Making the Second Ghetto to consider what Arnold Hirsch argued about the relationship between race, money, and the ghetto. It explores how Hirsch’s analysis of this relationship was at once consistent with those penned by other urban historians and distinct from those interested in the political economy of the ghetto. Although moneymaking was hardly the main focus, Hirsch’s engagement with “Vampire” rental agencies and panic peddlers laid the groundwork for an analysis that treats the post–World War II metropolis as a crucial node in the history of racial capitalism. Finally, this essay offers a way to connect local forms of violence to the kinds of constraints imposed by financiers far removed from the city itself.

scholarly journals Le Corbusier and São Paulo – 1929: Architecture and Landscape

2015 ◽  
Author(s):  
Guilherme Moreno Pianca
Keyword(s):  
Le Corbusier ◽  
Sao Paulo ◽  
São Paulo ◽  
Western History ◽  
History And Memory ◽  
Palabras Clave ◽  
America Latina ◽  
The One ◽  
The Relationship ◽  
The City

Abstract: This article looks into Le Corbusier’s urban proposal for the City of São Paulo, as formulated during his journey to South America in 1929. It highlights the relationship between Architecture and Landscape exposed by Le Corbusier’s plan. This paper sets out to investigate the analysis that the innovative Swiss architect performed of the geography and morphology of São Paulo. It contrasts to the works and plans carried out by technicians and engineers at that time. In order to explain how Le Corbusier’s treatment of nature and landscape differs from them, we study the extent to which Le Corbusier’s plans show design approaches, which were unusual in terms of Western History and Memory. He also looks into the relationship between Le Corbusier’s work, on the one hand, and new technological elements and changes in the visual culture at that time, on the other hand, thus seeking to highlight certain obscure spots within Le Corbusier’s work. This study aims at bringing forward some speculations and methods present in the work of Le Corbusier on cities. It deals with contradictory aspects in Le Corbusier’s work in order to deepen our understanding of contemporary urban problems. Resumen: Este artículo investiga la hipótesis de proyecto de Le Corbusier para la ciudad de San Pablo, propuesta durante su viaje a América Latina en 1929, focalizando en las relaciones entre arquitectura y paisaje. La primera cuestión analizada en este trabajo es el innovador análisis de la geografía y la morfología de San Pablo propuesto por el arquitecto suizo, que contrasta con la manera con que los técnicos e ingenieros locales desarrollaban sus propuestas en ese momento. Para explicar dicha diferencia en la manera de lidiar con la naturaleza y el paisaje, el autor de este articulo estudia como el trabajo de Le Corbusier presenta abordajes de proyecto inusuales para la Historia y la Memoria, y su relación con los nuevos elementos tecnológicos y de la cultura visual de la época, procurando así resaltar ciertos puntos oscuros en el trabajo del arquitecto. Esta discusión intenta cuestionar ciertas especulaciones proyectuales y metodologías de trabajo presentes en el trabajo de Le Corbusier sobre ciudades, utilizando sus aspectos contradictorios como modo de profundizar nuestro entendimiento de los problemas urbanos contemporáneos.  Keywords: Modern Architecture; Modern Urbanism; Landscape Architecture; Le Corbusier; São Paulo. Palabras clave: Arquitectura Moderna; Urbanismo Moderno; Arquitectura Del Paisaje; Le Corbusier; São Paulo. DOI: http://dx.doi.org/10.4995/LC2015.2015.937

Black Migration, White Flight

2016 ◽  
Author(s):  
Leah Platt Boustan
Keyword(s):  
World War Ii ◽  
Highway Construction ◽  
White Flight ◽  
World War ◽  
The South ◽  
Black Migration ◽  
The North ◽  
Economic Forces ◽  
The Relationship ◽  
The City

This chapter presents new causal evidence on the relationship between black arrivals to cities and white departures, a trend referred to as “white flight.” The simultaneity of black in-migration from the South and white relocation to the suburbs, both of which peaked from 1940 to 1970, suggests that the two population flows may be related. This chapter uses variation in the timing of black in-migration to the seventy largest cities in the North and West to distinguish white flight from other causes of suburbanization. It argues that while white suburbanization was primarily motivated by economic forces, including rising incomes, new highway construction, and the falling cost of credit in the decades after World War II, white departures from the city were also, in part, a reaction to black in-migration.

Tenements to bungalows: class and the growth of home ownership before ‘World War II’

Urban History ◽  
1997 ◽  
Vol 24 (2) ◽  
pp. 221-241 ◽  
Author(s):  
Annette O'Carroll
Keyword(s):  
World War Ii ◽  
Home Ownership ◽  
Strong Association ◽  
White Collar ◽  
World War ◽  
White Collar Workers ◽  
The Cost ◽  
The Relationship ◽  
The City ◽  
Second World

ABSTRACTWhich social groups were moving into owner occupation in Britain before the Second World War is a matter of controversy, with opposing claims that this involved mainly white-collar or skilled manual workers. Although reliable figures showing the growth of home ownership in this period are rare, data are available for Edinburgh which indicate that tenure development in the city probably resembled that of England and Wales rather than the rest of Scotland. The relationship between income and the cost of home ownership is examined and this suggests that the main social group to move into owner occupation were probably white-collar workers. However, an analysis of occupational information from housing across a range of values in the city shows that this movement also affected manual workers and that there was a strong association between the proportions in each social class and the average rateable value of areas of housing.

John Cranko's Antigone (1959): A Ballet Lost and Found

2015 ◽  
Vol 33 (1) ◽  
pp. 1-15
Author(s):  
Henrietta Bannerman
Keyword(s):  
World War Ii ◽  
Jean Racine ◽  
World War ◽  
Martha Graham ◽  
Detailed Consideration ◽  
Lost And Found ◽  
The Many ◽  
Tragic Drama ◽  
The Relationship

John Cranko's dramatic and theatrically powerful Antigone (1959) disappeared from the ballet repertory in 1966 and this essay calls for a reappraisal and restaging of the work for 21st century audiences. Created in a post-World War II environment, and in the wake of appearances in London by the Martha Graham Company and Jerome Robbins’ Ballets USA, I point to American influences in Cranko's choreography. However, the discussion of the Greek-themed Antigone involves detailed consideration of the relationship between the ballet and the ancient dramas which inspired it, especially as the programme notes accompanying performances emphasised its Sophoclean source but failed to recognise that Cranko mainly based his ballet on an early play by Jean Racine. As Antigone derives from tragic drama, the essay investigates catharsis, one of the many principles that Aristotle delineated in the Poetics. This well-known effect is produced by Greek tragedies but the critics of the era complained about its lack in Cranko's ballet – views which I challenge. There is also an investigation of the role of Antigone, both in the play and in the ballet, and since Cranko created the role for Svetlana Beriosova, I reflect on memories of Beriosova's interpretation supported by more recent viewings of Edmée Wood's 1959 film.

Confluencia geopolítica entre Cárdenas y Roosevelt:

2019 ◽  
Vol 35 (2) ◽  
pp. 231-254
Author(s):  
Andreu Espasa
Keyword(s):  
World War Ii ◽  
New Deal ◽  
Spanish Civil War ◽  
The United States ◽  
Political Crisis ◽  
World War ◽  
Military Alliance ◽  
Bilateral Relations ◽  
The Relationship ◽  
The New Deal

De forma un tanto paradójica, a finales de los años treinta, las relaciones entre México y Estados Unidos sufrieron uno de los momentos de máxima tensión, para pasar, a continuación, a experimentar una notable mejoría, alcanzando el cénit en la alianza política y militar sellada durante la Segunda Guerra Mundial. El episodio catalizador de la tensión y posterior reconciliación fue, sin duda, el conflicto diplomático planteado tras la nacionalización petrolera de 1938. De entre los factores que propiciaron la solución pacífica y negociada al conflicto petrolero, el presente artículo se centra en analizar dos fenómenos del momento. En primer lugar, siguiendo un orden de relevancia, se examina el papel que tuvo la Guerra Civil Española. Aunque las posturas de ambos gobiernos ante el conflicto español fueron sustancialmente distintas, las interpretaciones y las lecciones sobre sus posibles consecuencias permitieron un mayor entendimiento entre los dos países vecinos. En segundo lugar, también se analizarán las afinidades ideológicas entre el New Deal y el cardenismo en el contexto de la crisis mundial económica y política de los años treinta, con el fin de entender su papel lubricante en las relaciones bilaterales de la época. Somewhat paradoxically, at the end of the 1930s, the relationship between Mexico and the United States experienced one of its tensest moments, after which it dramatically improved, reaching its zenith in the political and military alliance cemented during World War II. The catalyst for this tension and subsequent reconciliation was, without doubt, the diplomatic conflict that arose after the oil nationalization of 1938. Of the various factors that led to a peaceful negotiated solution to the oil conflict, this article focuses on analyzing two phenomena. Firstly—in order of importance—this article examines the role that the Spanish Civil War played. Although the positions of both governments in relation to the Spanish war were significantly different, the interpretations and lessons concerning potential consequences enabled a greater understanding between the two neighboring countries. Secondly, this article also analyzes the ideological affinities between the New Deal and Cardenismo in the context of the global economic and political crisis of the thirties, seeking to understand their role in facilitating bilateral relations during that period.

War of words: the impact of Russian state television on the Russian Internet

2015 ◽  
Vol 43 (4) ◽  
pp. 533-555 ◽  
Author(s):  
Christina Cottiero ◽  
Katherine Kucharski ◽  
Evgenia Olimpieva ◽  
Robert W. Orttung
Keyword(s):  
World War Ii ◽  
Quantitative Data ◽  
The Internet ◽  
Strong Impact ◽  
World War ◽  
Search Query ◽  
Internet Users ◽  
Russian State ◽  
The Impact ◽  
The Relationship

How effective is Russian state television in framing the conflict in Ukraine that began with the Euromaidan protests and what is its impact on Russian Internet users? We carried out a content analysis of Dmitrii Kiselev's “News of the Week” show, which allowed us to identify the two key frames he used to explain the conflict – World War II-era fascism and anti-Americanism. Since Kiselev often reduces these frames to buzzwords, we were able to track the impact of these words on Internet users by examining search query histories on Yandex and Google and by developing quantitative data to complement our qualitative analysis. Our findings show that much of what state media produces is not effective, but that the “fascist” and anti-American frames have had lasting impacts on Russian Internet users. We argue that it does not make sense to speak of competition between a “television party” and an “Internet party” in Russia since state television has a strong impact in setting the agenda for the Internet and society as a whole. Ultimately, the relationship between television and the Internet in Russia is a continual loop, with each affecting the other.

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