Being-Towards-Death in Blade Runner: Angst, Authenticity and Care The connection between Heidegger and Blade Runner is not an original idea. It was first explored (to my knowledge) by Stephen Mulhall in volume one of Film and Philosophy (‘Picturing the Human, Body and Soul’, 1994) and more recently by Andrew Norris in ‘“How Can It Not Know What It Is?” Self and Other in Ridley Scott’s Blade Runner’ (Film-Philosophy, Vol. 17, No. 1, 2013), available at: www.film-philosophy.com/index.php/f-p/article/view/349 (accessed 6 August 2014).

Author(s):  
Rohit Rastogi ◽  
Mamta Saxena ◽  
Mayank Gupta ◽  
Akshit Rajan Rastogi ◽  
Pradeep Kumar ◽  
...  

From ancient times, humans are striving for being healthy and to live with mental peace with family and society. In the previous centuries also, some manmade and mostly natural disasters have disturbed the pace of human life. There have been times when the whole human race has been in terror, danger, and utmost worry. The electrical gadgets also have made the human life comfortable, but also machines have dominated its consciousness. The stress, aggression, depression, and many more issues are also showing presence in all our lives. The chapter is a trial to establish the effect of yagna and mantra science over human calmness and its effect on human health irrespective to gender and age. The article also elaborates the effect of Sanskrit sound and mantra chanting on emission of radiations from electronic gadgets. It also presents the effect of spiritual practices on the human body and soul after the terror, stress, grief created due to COVID-19.


Saw ◽  
2011 ◽  
pp. 7-12
Author(s):  
Benjamin Poole

This introductory chapter provides an overview of SAW (2004). SAW is a horror film that is entirely representative of the era that created it: the early twenty-first century witnessed a threatened America whose national confidence was shattered, and shady Middle Eastern wars played out in abject images of torture and suffering. Like the aeons of horror tales that precede it, the film is an essay in morality as well as mortality; its antagonist cleaves to a logical, if bloody moral code, while no victim is wholly without guilt. As with all of the best horror, SAW is interested in the spiritual and physical potential of the human body and soul. This aspect of gratification is abundantly evident in the gross extremities of SAW's survival horror. The particular focus is sadism and body trauma, which the film details with surgical precision.


2018 ◽  
Vol 31 (3) ◽  
pp. 66-79
Author(s):  
Tomasz Stępień

One of the solutions of the mind-body problem, which returns to the philosophical discussion on consciousness is the “soul hyphotesis”. Existence of the soul can clear the “explanatory gap”, but it brings yet another problems in explanation of how consciousness works. The magiority of those issues exist because of very specific understanding of the mind-body relations in Cartesian way as two separated substances. Some of the schoars propose to overlap the Cartesian approach by returning to the philosophy of St Thomas Aquinas. This article shows that in the writings of Aquinas we can find exact analogy of the Cartesian view of the body-soul relations in the description of how immaterial angel assums the body. For Aquinas angel exist and acts in assumed human body in the very same way as Descartes describes the soul acting in human body, and angel’s mode of perception is similar to what is usually called as “the Cartesian theatre”. For Aquinas angel in assumed body cannot perfom any human action, it only pretends to perform it, because it operates bodily organs as the form, which is not united with this specific body. St Thomas explanation of the relation of body and soul in human being relies on the claim of unity of body and soul, which together are one substance. Such approach was even called biological, because of the stress on the role which body plays in human actions. Therefore Aquinas proposition could be perceived the way of overcoming the dualism and removing some of the dilemas which are linked with “soul hypothesis” understood in traditional way.


2020 ◽  
Vol 3 (S4) ◽  
pp. 19-21
Author(s):  
L Ross-Williams Rhoda ◽  

The immune system protects the human body from pathogens like viruses and bacteria. People need to maintain a strong immune system during the COVID-19 pandemic. Unfortunately, the fearmongering news reports on death rates increase fear. This could become a health risk because fear could weaken the immune system by in creasing the release of corticosteroid in the body. Modern medicine includes the mind, body, and soul strengthening the immune system.


Author(s):  
Kate Armond

The focus of this chapter is the human body as it is represented and interpreted in baroque writing and performance. In his 1677 treatise Ethics the philosopher Baruch Spinoza contradicts Cartesian dualism, claiming that matter and spirit are united by one fundamental universal substrate. Between the late 1800s and 1914 the German scientist and philosopher Ernst Haeckel popularised many of Spinoza’s ideas for a modern readership, and Haeckel’s comprehensive exposition of pantheism and monist beliefs underpinned his own aesthetic sense of nature and her forms. My work on the Trauerspiel in earlier chapters suggests a particular preoccupation with the realm of matter, the significance of the human body and soul and a defining relationship between subject and object. Duncan’s theories of dance allow me to further explore these themes and to strengthen my argument by using a completely different combination of modernist art-form and baroque source. My focus will be Spinoza’s definitions of body, spirit, ‘motion-and-rest’, ‘conatus’ and form, and the ways in which the Isadora Duncan assimilated these monist theories in her writing and choreography. Whilst developing arguments from previous chapters, this section reveals a very different kind of gesture and physicality when compared with those of baroque tableau and Schrei performance.


Author(s):  
- - Irwansyah

Abstract Property is a primary need for humans to support life in this world, so as to carry out worship to Allah swt well. Nevertheless, the Qur'an warns that property must be obtained in a desired manner of Islamic law, and are used in places that have goodness according to Islamic law required. A principle developed by Islamic law to the problem of property is the rules do not set definitely in the Quran and Hadis, but the general principles are put forward, which must be followed by everyone who tried to get the property. islamic law requires in acquiring and managing property to note of the following principles; 1) property acquired and owned is not of the type that is unclean and dangerous to humans; 2) the way to obtain the property is done by  humane methods, such as buying and selling is done by the parties by not deceive one another, bless one another and be honest when covenant; 3) as the party who has the authority to carry out property, Islamic law mentioned basic requirements that need to be considered, namely a maximum adult age (minimum 18 years) and has a ruysd (smart) characteristic, that is the ability to carry out property in accordance with the rule of Islamic law. By following all the things that have been mentioned, then property can be valued provides benefit to humans, both in keeping religion or maintaining the human body and soul (mukallaf). Keywords: property, ownership and Islamic law. 


2016 ◽  
Vol 53 (4) ◽  
pp. 433-447
Author(s):  
WILLIAM HASKER
Keyword(s):  

AbstractThis article expounds and defends a compositional view of the incarnation, in which the eternal divine Son assumes a human body and soul as parts of himself. Objections to the view are answered, and it is argued that it is superior to other metaphysical accounts of the incarnation.


2018 ◽  
Vol 12 (1) ◽  
pp. 44-47
Author(s):  
Agnes Simek

The image of a researcher is a distinguished, enthusiastic doctor in a fresh, washed and ironed white lab coat working in a clinic or research-centre. The research is well-financed, supported by different scientific and/or economic firms, and the aim is to understand the human body and its physiologic processes in atomic level for getting the best, mostly very expensive, and sometimes uneasy medical treatment for the patient. Nowadays on top of the most modern sciences there is the specialist, who lives in an ivory tower and knows almost everything about diseases and sciences. Try to get off to this land!


2016 ◽  
Vol 4 (2) ◽  
pp. 161-190 ◽  
Author(s):  
Donatella Restani

At the beginning of Boethius’ De institutione musica, musica humana is defined as a coaptatio, a well ordered relationship between body and soul and between the parts of the body and the parts of the soul. Boethius promised to expand the topic later, but he never returned to it. As a consequence Medieval and Renaissance music theorists gave it different interpretations. This paper is part of a wider project which aims at recovering the historical meaning of musica humana and its natural implications for human life, by identifying Boethius’ sources on the relationship between music and the human body. Analyzing some of the Pythagorean, Hippocratic and Neoplatonic treatises on embryology, numerology and music as well as their reception in the Latin culture, this paper will explore the definition of musica humana as a style of thought which connected music and science using the same interpretative models, metaphors and images, well-known at Boethius’ time.


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