Film as Death
Chapter 3 focuses on The Act of Killing (Joshua Oppenheimer, Christine Cynn and anonymous), a film that opens up uncharted territory on which to recast the tenets of documentary, world cinema and filmmaking in general. It required the crew to put their lives at risk in the name of a project they hoped would change the way we experience cinema and reality with it. The film’s realist commitment emerges from where it is least expected, namely from Hollywood genres, such as the musical, the film noir and the western, which are used as documentary, or a fantasy realm where perpetrators can confess to their crimes without restraints or fear of punishment, but which retains the evidentiary weight of the recording medium.