Portraits as Symbols
Unpublished post-mortem cardinals’ inventories report a myriad of low-value cardinals’ portraits hanging in cardinals’ palaces in the late sixteenth century. Why, and how, did prelates select or acquire cardinals’ portraits? Portraits will be studied as a material trace of devotional affinities of Counter-Reformation cardinals and their socio-political networks. Examination of the role of such portraits sometimes reveals surprising professional and spiritual paragons that cardinals held before them. The values of portraits reported in inventories also pose tantalizing questions regarding a cardinal’s persona as a commodity. This essay also examines how such portraits were acquired, considering giftgiving practices of portraits among Vatican circles and the market for images of cardinals.